personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BARRY, REBECCA
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BEACH, ADAM
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subject clippings file
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title clippings file
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journal article
$1.5m in film cash in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
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festival catalogue
3rd International animation film festival in New York : September 30 - October 4 1975 / International animation film festival in New York US: [s.n], 1975.
Call No: FESTIVAL CATALOGUE SHELVESCorpAuthor: International animation film festival in New YorkSource: USPlace: USPublisher: [s.n]PubDate: 1975PhysDes: 34 p. : ill. ; 27 cmSubject: FESTIVALS. NEW YORK ; ANIMATION ; DISNEY, WALT ; JONES, CHUCK ; AVERY, TEX ; LANTZ, WALTER Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz
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journal article
11 AFI noms for Two Hands in Movie Trader (Nov 1999) p.12
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book
16mm feature film catalogue / Australian Council of Film Societies Park Orchards, Vic.: Australian Council of Film Societies, 1975.
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book
16mm feature film catalogue / Australian Council of Film Societies Park Orchards, Vic.: Australian Council of Film Societies, 1979.
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book
16mm feature film catalogue : first supplement to the fourth edition / John Turner ; editor. Park Orchards, Vic.: Australian Council of Film Societies, 1979.
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book
16mm feature film catalogue : second supplement to the fourth edition / John Turner ; editor. Park Orchards, Vic.: Australian Council of Film Societies, 1980.
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book
20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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poster
[46th Australian film and television awards 2004 : poster]
Call No: P AWAPhysDes: 2 posters : gold & white ; 61 x 38 cmSubject: AWARDS. AUSTRALIAN FILM INSTITUTE Summary: Image: Lower right of poster features AFI logos arranged into diminishing concentric circles.
Text: "Friday 29 October 2004. Regent Theater Melbourne."Notes: Slightly curled, with light creasing at top of poster. One poster has fold on top left corner.
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book
50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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journal article
54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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book
100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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book
100 best films of the century / Barry Norman London: Orion Media, 1999.
Call No: 675.1 NORAuthor: Norman, Barry Place: LondonPublisher: Orion MediaPubDate: 1999PhysDes: xiii, 272 p. : ill. (some col.) ; 24cmSubject: BEST FILMS Summary: First published by Chapmans in 1992Notes: Includes indexISBN: 0752818104LON: 14324540
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"100 VIDEOS YOU MUST OWN" August 1998.
Call No: JOURNAL SHELVES. EMPIREPubDate: August 1998Subject: BEST FILMS Language: English
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book
100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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Special issue
serial
360 film classics June 1998.
Call No: Journal shelves. Sight & Sound Special IssuesPubDate: June 1998Subject: BEST FILMS Language: English
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journal article
The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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journal article
1985 successful year for Vic C.I.B.F. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.21
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book
The 1987 filmviews catalogue of new films and videos in Australian distribution / compiled by Peter Tapp with assistance from Paul Harris Albert Park, Vic: Filmviews, c1988.
Call No: 027(94) FILAuthor: Harris, Paul (compiled by) ; Tapp, Peter (compiled by) Source: ATPlace: Albert Park, VicPublisher: FilmviewsPubDate: c1988PhysDes: 297p : ill ; 30 cmSubject: AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The aim of the catalogue is to bring together, from a large number of independent sources, information on the availability of films and videos that went into Australian distribution in 1987, both Australian produced material and programmes brought in from overseas. This includes title produced on 35mm, 16mm, and all video formats, but not titles produced on Super 8. -- page 3ISSN: 1031-4377Contents: -- introduction -- section 1 - features and shorts (including home video releases) -- section 2 - educational, special interest and business oriented programmes -- title index -- director index -- personality index -- distributor's directory (key to distributors' codes) --
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poster
[1991 AFI awards for sydney : poster] The Australian,
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The 1993 to 1994 Australian and New Zealand catalogue of New Films and Videos Australian Catalogue Publishing,
Call No: 029(94 / 931)CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film CommissionSource: ATPublisher: Australian Catalogue PublishingPhysDes: 470 p. ; 30 cmSubject: AUSTRALIA ; NEW ZEALAND ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- IntroductionNotes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film CorporationISSN: 1035-8005Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --
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journal article
The 1997 ATOM film and television awards finalists in Metro (1997) iss.110 p.12-20
PhysDes: List; Credits; FilmographySubject: AWARDS. ATOM Summary: Complete listing of finalists in 1997 ATOM awards.
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journal article
1999 AFI award screenings in Movie Trader (Aug 1999) p.15
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book
2004 / edited by Charles Green Melbourne: National Gallery of Victoria, 2004.
Call No: 771(94) TWOSource: ATPlace: MelbournePublisher: National Gallery of VictoriaPubDate: 2004PhysDes: 221 p. : col. ill. ; 17 x 17 cmSubject: EXPERIMENTAL FILMS ; EXPERIMENTAL FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; UNDERGROUND FILMS. AUSTRALIA Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby
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newspaper article
The $5000 indy film that has conquered Hollywood in Sydney Morning Herald (28/03/2017) p.10
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journal article
A.F.I. meeting report of the 23rd July in Filmnews (Australia) (Sep-75) vol.V iss.8 p.2
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; CINEMAS. AUSTRALIA Summary: Report on Sydney Filmmakers Co-op contribution to AFI meeting and proposals for co-operation between the two film organizations.Notes: Article
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journal article
A.F.I. to open new cinema in Melbourne in Filmnews (Australia) (Dec-75) vol.VI iss.11 p.4
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journal article
A.P.R.A's 60th anniversary in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.16
Subject: AUSTRALIA Summary: Piece on the Australian Performing Right Association, including brief history of the organisation
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newspaper article
AACTA awards to honour Asian films in The Australian (23/06/2017) p.16
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newspaper article
AACTA overhauls award rules in The Age (20/04/2017) p.24
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newspaper article
AACTA overhauls criteria for awards in Sydney Morning Herald (20/04/2017) p.21
Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTSAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS Summary: Report on the changes made to selection for films to be entered into this year's AACTA awards. AACTA Chief Executive Damian Trewhella is interviewedNotes: A
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title clippings file
AALA KAF IFRIT : (FR/TI/SW, Khaled Walid Barsaoui, & Kaouther Ben Hania, 2017)
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book
The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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serial
ABA update : newsletter of the Australian Broadcasting Authority North Sydney, N.S.W.: Australian Broadcasting Authority, 1992.
Call No: Rare books - held no.1- Nov. 1992-CorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting AuthorityPubDate: 1992PhysDes: v. ; 29 cmSubject: Australian Broadcasting Authority Notes: Caption titleISSN: 1039-2750Order Notes: CurrentFrequency: MonthlyLON: abn93032948; 9786515
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book
The ABC : aunt Sally and the sacred cow / Clement Semmler Carlton, Victoria: Melbourne University Press, 1981.
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newspaper article
ABC admits error over Mallah's misogyny in The Australian (30/6/2015) p.1
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australian broadcasting corporation
ABC agenda 'to root out the highly paid' in Weekend Australian [General news] (13/12/2014) p.2
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newspaper article
The ABC can't (and shouldn't) produce more local drama content in Crikey.com.au (13/06/2017) p.-
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journal article
ABC drama stage on track for relocation in Encore (12 Feb, 1999) vol.17 iss.2 p.1
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newspaper article
ABC failing viewers, says former TV chief in Sydney Morning Herald (1/05/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Reporting on the essay former ABC execuitve Kim Dalton wrote for Platform Papers, where he criticises the ABC's actions and funding decisions and he suggests changes to ABC governance to allow for more transparency in decisions made
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newspaper article
ABC has let its audience down in Sydney Morning Herald [General News] (1/05/2017) p.19
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book
The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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newspaper article
ABC local content hits new low in The Australian (16/05/2016) p.26
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION Summary: Report investigating the amount of Australian made content that appears on the ABC. The author believes that reallocation of funding into current affairs has lessened the amount available for original content for ABC produced dramas and comedies
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newspaper article
ABC must step up local content in The Australian [Editorial] (2/05/2017) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: [Editorial] PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION, TV. AUSTRALIA Summary: Comment on the recent essay by Kim Dalton on the ABC. This article agrees with Mr Dalton and urges the ABC to spend it's money on creating more Australian content and to move away from it's digital platforms
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newspaper article
ABC-Netflix deal 'a waste of our taxes' in Daily Telegraph (10/11/2016) p.51
Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)Author: - PhysDes: Clippings File ArticleSubject: NETFLIX ; FILM VICTORIA ; AUSTRALIAN BROADCASTING CORPORATION ; SEVEN NETWORK ; GLITCH [TV](AT, 2015-) Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable
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book
The ABC of drama 1975-1990 / Elizabeth Jacka North Ryde, NSW: Australian Film, Television & Radio School, 1991.
Call No: 264(94)ABC JACAuthor: Jacka, Elizabeth CorpAuthor: Australian Film, Television and Radio School; Australian Film CommissionPlace: North Ryde, NSWPublisher: Australian Film, Television & Radio SchoolPubDate: 1991PhysDes: 147 p. ; 21 cmSubject: Australian Broadcasting Corporation. Drama Dept Notes: Commissioned by the Australian Film CommissionISBN: 0642160945LON: abn91061549; 7827571
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journal article
ABC/Opera Australia sign distribution deal in Encore (Online) (April 06, 2005)
Call No: DVD RESEARCH FOLDERAuthor: Staff writers Subject: AUSTRALIAN BROADCASTING CORPORATION Summary: "ABC Enterprises has signed a distribution deal with Opera Australia that will see it represent a catalogue of opera programs in the global marketplace."Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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australian broadcasting corporation
ABC presses actors on stalled talks in Australian Financial Review [Marketing & Media] (21/9/15) p.37
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ABC production : discussion paper on the future of ABC television production / Economic Development Committee [of the] Parliament of Victoria Melbourne: Parliament of Victoria, 1999.
Call No: 210.61(94) ECOAuthor: Economic Development Committee of the Parliament of Victoria Source: ATPlace: MelbournePublisher: Parliament of VictoriaPubDate: 1999PhysDes: 22 pages ; 30 cm + 1 press statement + 1 letterSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION TV AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; TV AND THE STATE. AUSTRALIA Summary: Paper details an inquiry into government funded national broadcasting and the concentration of the ABC's activities in Sydney. It proposes that the majority of the ABC's television production should be be incorporated into a distinct department or unit to be headquartered or run out of Melbourne, as this would provide significant cost savings to the ABC and would be consistent with the Victorian Government strategy of encouraging and developing high-tech exploitation of the State's artistic skillsContents: Chairman's foreword -- Part one: Inquiry overivew and aims of discussion paper -- Part two: Benefits to the ABC of locating non-news and current affairs television production in Melbourne -- Appendix 1: Terms of reference -- Appendix 2: Australian crew rates comparison
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ABC's role quesitoned despite willingness to partner in The Australian (08/08/2016) p.18
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ABC's Scott resists change in Weekend Australian [General News] (7/03/2015) p.5
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australian broadcasting corporation
ABC sets new prime-time target of 60pc Australian content in Australian Financial Review [General news] (22/9/2015) p.10
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ABC signs Roadshow Entertainment deal in Encore (Online) (April 27, 2005)
Call No: DVD RESEARCH FOLDERAuthor: Staff writer Subject: VILLAGE ROADSHOW ; AUSTRALIAN BROADCASTING CORPORATION Summary: "ABC Enterprises has re-appointed Roadshow Entertainment to its video/DVD program catalogue and childrens music catalogue in the Australian and New Zealand marketplace" until 2008.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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ABC slammed over old, selective Nauru footage in The Australian (19/10/2016) p.1
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ABC slashes drama and kids' budgets in The Australian (10/08/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION. 2015Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Summary: Report on the recent cuts to production by the Australian Broadcasting Corporation, and the ramifications it has had on a number of producers
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ABC team had Mallah concerns in Saturday Age (04/07/2015) p.16
Call No: TITLE CLIPPINGS FILE; Q & A [TV] (AT, 2008)Author: Knott, Matthew PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; Q & A [TV] (AT, 2008) Summary: Department of Communications created a report regarding the appearance of Zaky Mallah on the TV show Q&A. Details of the report, a chronology of Mr Mallah and his correspondence with Q & A are discussed
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ABC, the place to be in Sydney Morning Herald (06/04/2013) p.52
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lacey, Stephen PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION Summary: Snippet on ABC obtaining a high workplace satisfaction rating at the Randstad AwardsNotes: located in the AUSTRALIAN BROADCASTING CORPORATION. 2013 file
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ABC tie-ins saddle up a winner in The Australian (22/05/2003)
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Brook, Stephen Subject: AUSTRALIAN BROADCASTING CORPORATION ; MERCHANDISING ; GRASSY, GRAHAME ; SADDLE CLUB, THE [TV] (AT, 2001-) Summary: The importance for the ABC to earn revenue from its products. A few paragraphs on how it does this with its contribution to the show The Saddle ClubNotes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Graheme Grassby - GM ABC Consumer Publishing - "We have now sold over 50,000 videos and DVDs and 10,000 Saddle Club journals... We would net probably $2 per unit sold." Thus on just video and DVD sales, and the annual Saddle Club journal, upwards of $120,000 will flow directly into ABC coffers.
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ABC unit closure defies trends in The Australian (30/05/2016) p.28
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; POLITICS AND TV. AUSTRALIA Summary: Report on the closure of the ABC's Fact Check division and why this closure is out of step with the trends around the world that show a growth in fact checking units in many countries
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Abc video program sales catalogue : 1999-2000 Australian Broadcasting Corporation / Australian Broadcasting Corporation Sydney: ABC Video Program Sales, 1999.
Call No: REFERENCE SECTION; 027(94) ABC REF
FRONT DESK
HELD 1999/2000CorpAuthor: Australian Broadcasting CorporationSource: ATPlace: SydneyPublisher: ABC Video Program SalesPubDate: 1999PhysDes: 152 p.ills.Subject: AUSTRALIAN BROADCASTING CORPORATION
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Aboriginal film and video guide / Awareness Through Films Group Canberra: Awareness Through Films Group, c1988.
Call No: 71(94) (=1-81) ABOSource: ATPlace: CanberraPublisher: Awareness Through Films GroupPubDate: c1988PhysDes: 56 pages : illustrations, maps, portraits ; 29 cmSubject: ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS ON TV ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ABORIGINAL AUSTRALIAN CINEMA Summary: Listing of films and documentaries about Aboriginals. The listings include for each production: key crew, running time, format, year of creation, distribution, and synopsis and commentaryNotes: Includes index -- "Distributed by Community Aid Abroad Offices and Awareness Through Films Group" -- inside front cover.ISBN: 0958779139
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987.
Call No: 451-054(=1-81) JENAuthor: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication ProgrammePubDate: 1987PhysDes: iv, 167 leaves ; 30 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977) ; ELIZA FRASER (AT, Tim Bustall, 1976) ; MANGANINNIE (AT, John Honey, 1980) ; BACKLASH (AT, Bill Bennett, 1986) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67LON: abn89090906; 9151758
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ABTEE / Australian Broadcasting Tribunal North Sydney: The Tribunal, 1982-1987.
Call No: held v.3, no.3-v.6, no.5 Aug. 1984-Sept. 1987 incompleteCorpAuthor: Australian Broadcasting TribunalSource: ATPlace: North SydneyPublisher: The TribunalPubDate: 1982-1987PhysDes: 6 v. ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL Notes: Broadcasting services. Control. Organisations. Australia. Australian Broadcasting Tribunal. Serials (ANB/PRECIS SIN 0635170); Caption title; Continued by ABTEE newsletterISSN: 0810-6118LON: ans00810611; 2360860 7291885
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ABTEE newsletter / Australian Broadcasting Tribunal North Sydney: The Tribunal, 1987-1992.
Call No: held v.6, no.6-v.11, no.4 Sept. 1987-Oct. 1992 incompleteCorpAuthor: Australian Broadcasting TribunalSource: ATPlace: North SydneyPublisher: The TribunalPubDate: 1987-1992PhysDes: 6 v. ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL Notes: Caption title; Continues ABTEELON: abn87297792; 5554044 7254840
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newspaper article
The Academy intimidation game in Sunday Telegraph [Insider] (22/02/2015) p.124
Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMYAuthor: Johnson, Neala PhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY ; HISTORICAL FILMS Summary: Looking at how films based on fact that are nominated for Oscars are criticised for their accuracy.
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Academy link in Sydney Morning Herald [Arts & Entertainment] (11/12/2014) p.30
Call No: SUBJECT CLIPPINGS FILE; AWARDS. AACTAAuthor: Maddox, Garry PhysDes: ClippingsSubject: AWARDS. AACTA Summary: Short piece about LA awards ceremony for AACTA
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Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow Cambridge ; Melbourne: Cambridge University Press, 1999.
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annual report
ACMA communications report / Australian Communications and Media Authority Melbourne, VIC: Australian Communications and Media Authority, 2006 -. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; 2005/6-2010/11 HELD; DIGITAL FILES; held 2005/06-2019/20CorpAuthor: Australian Communications and Media AuthoritySource: ATPlace: Melbourne, VICPublisher: Australian Communications and Media AuthorityPubDate: 2006 -PhysDes: v. : ill. ; 25 cmSubject: AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY Notes: Also titled: Australian Communications and Media Authority communications report; Downloadable from: http://www.acma.gov.au/WEB/HOMEPAGE/pc=HOMEISSN: 1834-1519Order Notes: Current
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serial
ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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ACMI what's on Melbourne: Australian Centre for the Moving Image,
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ACOFS film society handbook / [prepared by Jacques Soddell] Australian Council of Film Societies, 1982.
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ACOFS film society handbook : programme planning and film presentation Australian Council of Film Societies, 1987.
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Actors break the fourth wall to mobilise audiences against cuts in The Australian (17/06/2016) p.7
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Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
SEE
HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
SEE
NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
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DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
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TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
SEE
ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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Adelaide's silent nights : a pictorial history of Adelaide's picture theatres during the silent era 1896-1929 / by Dylan Walker Australia: National Film & Sound Archive, 1995].
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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The adventures of Antoine Doinel : Four screenplays by Francois Truffaut / Francois Truffaut New York: Simon and Schuster, 1971.
Call No: 79ADV TRUAuthor: Truffaut, Francois Source: USPlace: New YorkPublisher: Simon and SchusterPubDate: 1971PhysDes: 320 p. : ill ; 23cm.Subject: SCRIPTS ; TRUFFAUT, FRANCOIS ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962) ; DOMICILE CONJUGAL (FR, Francois Truffaut, 1970) Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows.Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. ScottISBN: 671211218Donation: donated by the family of Wayne Levy, 2006ID2: 54
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The adventures of Barry Crocker : Bazza / Barry Crocker Sydney: Pan Macmillan, 2003.
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22
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The aesthetics and psychology of the cinema / Jean Mitry ; translated by Christopher King Bloomington and Indianapolis, Indiana: Indiana University Press, 1997.
Call No: 611 MITAuthor: Mitry, Jean Source: USPlace: Bloomington and Indianapolis, IndianaPublisher: Indiana University PressPubDate: 1997PhysDes: xv, 403 pages ; 27 cmSeries: The Society for Cinema Studies translation seriesSubject: BAZIN, ANDRE ; PSYCHOLOGICAL EFFECTS OF FILMS ; AESTHETICS ; THEATRE AND THE CINEMA Summary: "The Aesthetics and Psychology of the Cinema supplies the missing link between classical film theorists like Balacz and Munsterberg and the film semioticians like Metz. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic Esthetique et psychologie du cinema concentrates purely on film matter." -- taken from the National Library of Australia Catalogue RecordNotes: "Translated from the abridged edition ... (1990)"--T.p. verso. -- Includes bibliographical references (pages 381-387) and index.ISBN: 0253333024Contents: pt. 1: Preliminaries -- Cinema and creation -- Cinema and language -- Word and image -- pt. 2: The film image -- The image itself -- Structures of the image -- pt. 3: Rhythm and montage -- The beginnings of montage -- Cinematic rhythm -- The psychology of montage -- pt. 4: Rhythm and moving shots -- The liberated camera and depth-of-field -- Speech and sound -- pt. 5: Time and space of the drama -- In search of a dramatic structure -- Content and form.
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992.
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AFACT info leads to Melbourne mans sentencing in Encore (Online) (May 25, 2005)
Call No: DVD RESEARCH FOLDERAuthor: Staff writers Subject: PIRACY. AUSTRALIA ; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: -- On how a Melbourne man (Edwin Slade) was gaoled for pirated DVD's and for a quantity of marijuana.; -- "AFACT investigation revealed that Slade had been selling the pirated discs for $15 per disc at Caribbean Gardens Markets and other markets in the suburbs of Melbourne."Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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AFC/AusFilm work AFM in Encore (12 Mar, 1999) vol.17 iss.4 p.5
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AFC commits to QLD in Movie Trader (Mar 2000) p.11
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AFC establishes Policy Secretariat in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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AFC future options : small players in the corporation sector in Filmnews (Australia) (May-87) vol.XVII iss.4 p.3
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AFC helps push Australian profile in Encore (May 2000) vol.18 iss.4 p.26
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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AFC information update / Australian Film Commission North Sydney, N.S.W.: AFC, 1983-1986.
Call No: AFC News: held no.1-no.43 Dec 1981-Oct. 1986 lacks no. 25, 32CorpAuthor: Australian Film CommissionSource: ATPlace: North Sydney, N.S.W.Publisher: AFCPubDate: 1983-1986PhysDes: 39 v. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION Notes: Cinema industries. Australia. Serials (ANB/PRECIS SIN 0594482); Caption title; Continued by AFC newsISSN: 0813-720X; 0729-1639LON: abn84084049; 3143815; ans00729163; 2196513ID2: 360
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AFC information update : Number 6 in Australian film review (29th September-12th October 1983) vol.1 iss.17 p.13-16
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AFC news / Australian Film Commission North Sydney: The Commission, 1986.
Call No: AFC News : held no.44- Nov. 1986- no. 196 Jul 2002CorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: The CommissionPubDate: 1986PhysDes: v. : ill. ; 28 cmSubject: AUSTRALIAN FILM COMMISSION Notes: Caption title; Publication history includes errors. Overlap of publication from Sept 1994; Previously available in electronic format from no. 144 (Dec. 1995) http://www.afc.gov.au/www/AFCNews/issues.html; Continues AFC information update. Final printed issue is No. 196 July 2002. E-newsletters printed from June 2003 - September 2004ISSN: 0819-4424Order Notes: CurrentLON: abn86330888; 4969711 8003287ID2: 361
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AFC scheme floats 'Wreck' in Encore (Jan 29, 1999) vol.17 iss.1 p.16-17
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AFC stands on its record, Another $500,000 down the drain in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
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L'Affare Beckett (1966) in Australian film guide vol.1 iss.12 p.49
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966) ; JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966) ; BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)
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AFI awards : features & special awards / AFI Research & Information
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AFI awards : non-feature & television / AFI Research & Information
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The AFI awards in If magazine (Dec 1999-Jan 2000) iss.20 p.16
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AFI awards in Filmnews (Australia) (Aug-79) vol.IX iss.8 p.1
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The AFI awards : further comment in Filmnews (Australia) (Jun-82) vol.XII iss.6 p.3
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AFI Awards answer criticism with change in Filmnews (Australia) (Jun-91) vol.XXI iss.5 p.15
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AFI awards heading in right direction in Filmnews (Australia) (Dec-89) vol.XIX iss.11 p.7
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AFI awards now in September in Filmnews (Australia) (Aug-77) vol.VII iss.7 p.3
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AFI awards strong field - shame about the writers in Filmnews (Australia) (Jul-88) vol.XVIII iss.6 p.3
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AFI awards - the discussion goes on in Filmnews (Australia) (Aug-79) vol.XXII iss.7 p.7
Subject: AWARDS. AUSTRALIA ; AWARDS. AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN FILM INSTITUTE Summary: Brief report on the public meeting examining the downgrading of the non-feature category at the '92 Australian Film Institute awards. Includes replies to the coverage and further discussion of this issue by Executive Director of the Australian Film Institute, Vicki Molloy, and Student Film/Video Distribution Manager at the Australian Film, Television and Radio School, Ruth Saunders.Notes: Article
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The AFI awards yearbook South Melbourne, Vic: Australian Film Institute,
CorpAuthor: Australian Film InstituteSource: ATPlace: South Melbourne, VicPublisher: Australian Film InstitutePhysDes: v. : ill., ports. ; 30 cmSubject: AWARDS. AUSTRALIAN FILM INSTITUTE Notes: Title varies according to sponsorship; Former title: Annual AFI awardsMissing Issues: 2009?
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The AFI calls the cops in Filmnews (Australia) (Sep-90) vol.XX iss.8 p.2
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AFI changes, approaches 80s in Filmnews (Australia) (Jun-81) vol.XI iss.6 p.1
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[AFI cinema autumn calendar 89 : poster]
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AFI contracts update in Filmnews (Australia) (Apr-87) vol.XVII iss.3 p.2
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AFI conversations on film : 'blak looks' in Metro (2000) iss.121/122 p.150-153
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AFI elects directors in Filmnews (Australia) (May-77) vol.VII iss.4 p.10
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AFI Exhibition in Filmnews (Australia) (Nov-Dec 1982) vol.XII iss.11-Dec p.3
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE Summary: New policy on exhibition at AFI cinemas in Melbourne and Sydney.Notes: Article
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1
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AFI newsletter / Australian Film Institute [Melbourne]: The Institute, 1988-1993.
Call No: held v.1, no.8-v.5, no.3 Mar. 1988-Sept. 1993CorpAuthor: Australian Film InstituteSource: ATPlace: [Melbourne]Publisher: The InstitutePubDate: 1988-1993PhysDes: v. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Continues Projections; Continued by Projector; Cover titleLON: abn90155798; 7311212
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AFI-NFT merger set in Filmnews (Australia) (Apr-79) vol.IX iss.4 p.1
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AFI nominations raise concerns in Filmnews (Australia) (Jul-90) vol.XX iss.6 p.3
Subject: AWARDS. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE Summary: Briefly comments on a number of contenders for the '90 Australian Film Institute awards. Includes a list of non-feature film nominations.Notes: Article
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AFI non-feature awards in Filmnews (Australia) (Jul-92) vol.XXII iss.6 p.2
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AFI not to appoint director/Big plans for AFI awards in Filmnews (Australia) (Aug-78) vol.VIII iss.8 p.3
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AFI pre-selections challenged in Filmnews (Australia) (Sep-90) vol.XX iss.8 p.3
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AFI replies in Filmnews (Australia) (Oct-90) vol.XX iss.9 p.2
Author: Molloy, Vicky PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; AWARDS. AUSTRALIA Summary: Response to Ry Mitchell's letter in "Filmnews" Sept '90, regarding the new levy for viewing Australian Film Institute award-nominated films by Exectuive Director of the AFI, Vicky Molloy.Notes: Others
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AFI's new cinema soon in Filmnews (Australia) (Jul-76) p.3
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AFI's tasks in Filmnews (Australia) (Feb-90) vol.XX iss.1 p.2
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AFI takes a plunge in Filmnews (Australia) (Apr-88) vol.XVIII iss.3 p.3
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; INDEPENDENT DISTRIBUTION. AUSTRALIA Summary: Discusses AFI Distribution's strategies to gain larger audiences for independent Australian films in 1988, through subject campaigns, publicity to major market segments, an expanded home video rental market, and new pricing policies for home videos.Notes: Article
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AFI takes issue in Filmnews (Australia) (Sep-82) vol.XII iss.9 p.2
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010'sAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AUSTRALIA ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; SHERPA (AT/NP, Jennifer Peedom, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; GOLDSTONE (AT, Ivan Sen, 2016) ; JASPER JONES (AT, Rachel Perkins, 2017) ; LION (AT, Garth Davis, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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After Stations the Australian Dream in Australian film review (7-20th June 1984) vol.2 iss.8 p.25
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After taste : cultural value and the moving image / edited by Julia Vassilieva and Constantine Verevis Abingdon: Routledge, 2012.
Call No: 62(04) AFTSource: KPlace: AbingdonPublisher: RoutledgePubDate: 2012PhysDes: viii, 173 pages ; 25 cm.Subject: B-MOVIES ; CRITICISM ; RECEPTION ; AMATEUR FILMS ; LOW BUDGET FILMS ; CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste.
More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image.
This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.Notes: Includes bibliographical references and index.ISBN: 9780415845939Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.
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After the Co-op : the AFI or "the Cohen"? in Filmnews (Australia) (May-86) vol.XVI iss.2 p.5-6
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The AFTRS book : a story about change / Australian Film Television & Radio School [Strawberry Hills, NSW]: Australian Film Television and Radio School,
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AFTRS graduates / Australian Film Television & Radio School North Ryde, NSW: AFTRS Publications, 1991 -.
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The age of Whedon in Daily Telegraph [Best Weekend] (25/04/2015) p.12
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Agencies cool to new contract push in The Australian (31/10/2016) p.23
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Agency to assist scriptwriters in The Australian (31/08/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INKAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; AUSTRALIAN WRITERS GUILD ; BRENNAN, SHANE Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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[Alan Hopgood Collection]
Call No: DONATION - ALAN HOPGOODSource: ATPhysDes: 1 boxSubject: HOPGOOD, ALAN ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974) ; BELLBIRD [TV] (AT, 1967-1977) ; PACIFIC BANANA (AT, John Lamond, 1981) Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection.
Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors.
Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research CollectionDonation: donated by Alan Hopgood, 2010ID2: 56
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Alan Silvestri : Back to the future in Cinema Score (1984-85) vol.13/14 iss.Winter/Summer p.3
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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Alice, queen of hearts : a new exhibition introduces us to the breadth of Lewis Carroll's cultural legacy in Weekend Australian [Review] (31/3/2018) p.1
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The Alien Queen - "Aliens" : Ingenious rod puppets designed by Doug Beswick made the Alien Queen come alive in combat in Cinefantastique (October 1986) vol.16 iss.4/5 p.10, 123
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All's Mel that ends well in Daily Telegraph (08/12/2016) p.3
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All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Alternative Distribution Systems in Lumiere (November, 1972) iss.18 p.25
Author: Thoms, Albie PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE Summary: Article on the failings of the current Australian distribution systems and proposed developments. Mentions problems with different and conflicting state-by-state distribution practices within Australia.
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book
Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Aly's award simply shows we should lose the Logies in Herald Sun (10/05/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; AWARDS. LOGIEAuthor: Panahi, Rita PhysDes: Clippings File ArticleSubject: AWARDS. LOGIE ; ALY, WALEED Summary: Critical appraisal of the TV Week Logie Awards and the 2016 winner of the awards Waleed Aly
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I Am A Girl in Australian Cinematographer (December 2012) iss.56 p.30-37
Author: Daly, Nicola PhysDes: ArticleSubject: DOCUMENTARY FILMS ; BARRY, REBECCA ; I AM A GIRL (US, Rebecca Barry, 2013) Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required)
Call No: 408.3 (73/94) AMEAuthor: Danks, Adrian (ed.) ; Gaunson, Stephen (ed.) ; Kunze, Peter C. (ed.) Source: SZ/ATPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: c2018PhysDes: xvii, 333 pages : illustrations ; 22 cmSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; AUSTRALIA ; USA ; GLOBALISATION ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; MAD MAX (AT, George Miller, 1979) ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; PETER PAN (US, P.J. Hogan, 2003) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9783319666754Donation: Stephen GaunsonContents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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The American film musical / Rick Altman London: British Film Institute, 1989.
Call No: 751 ALTAuthor: Altman, Rick Place: LondonPublisher: British Film InstitutePubDate: 1989PhysDes: [386] p. : ill. ; 26cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; EDDY, NELSON ; GARLAND, JUDY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; VIDOR, KING ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) ; APPLAUSE (US, Rouben Mamoulian, 1929) ; OKLAHOMA! (US, Fred Zinneman, 1955) Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes indexISBN: 0851702279 (pbk) : ª12.95 : CIP confirmedLON: 6008672 6008672
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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The American movies : the history, films, awards / Paul Michael, editor in chief ; James Robert Parish, associate editor ; John Robert Cocchi, Ray Hagen, Jack Edmund Nolan, contributing editors New York: Galahad, 1969.
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
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AMOUR FUGITIF, L [BAD HATS] : (FR/UK, Pascal Ortega, 1982)
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Analysis of the performance of Australian films since 1980 : a paper for the House of Representatives Standing Committee on Environment, Recreation and the Arts Inquiry into the performance of Australian film -"The Moving Pictures Enquiry" / Australian Film Commission [North Sydney]: The Commission, 1991.
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And now, the news. in Australian Cinematographer (December 2015) iss.68 p.58 - 63
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And the losers are... in Filmnews (Australia) (Nov-88) vol.XVIII iss.10 p.07-Oct
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And the nominees are... in Saturday Age (16/01/2016) p.16
Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMYAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY Summary: A roundup of the nominations for the 2016 Academy awards
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And the Oscar goes to...Turnbull and Abbott in Sydney Morning Herald [Editorial] (27/02/2017) p.14
Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMYPhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY Summary: Commentary on the Australian films, cast and crew that have been nominated at the Academy Awards
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Columbia University Press, 1990.
Call No: 81BAZ ANDAuthor: Andrew, Dudley, 1945 Edition: Morningside edPlace: New YorkPublisher: Columbia University PressPubDate: 1990PhysDes: xxi, 277 p. : ill. ; 22 cmSubject: BAZIN, ANDRE Notes: "Appendix, 'Andre Bazin from 1945 to 1950: the time of struggles and consecration,' by Jean-Charles Tacchella."; Reprint. Originally published: London : Oxford University Press, 1978; Includes bibliographical references (p. 261-272) and indexISBN: 0231073984 (acid-free paper); 0231073992 (pbk. : acid-free paper); 023173984 (cover)LON: 90039363; 7329950
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Oxford University Press, 1978.
Call No: 81BAZ ANDAuthor: Andrew, Dudley, 1945 Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xi, 253 p. : ill. ; 22 cmSubject: BAZIN, ANDRE Notes: Includes bibliographical references (p. 236-247) and indexISBN: 0195021657 : $11.95LON: 77009409; 861550
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ballerina [leap!](fr/cn, eric summer and eric warin, 2016)
Animated dance quest lacks a certain magic in Canberra Times [Arts & Entertainment] (12/01/2017) p.20
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Anime from Akira to Howl's Moving Castle : experienceing contemporary Japanese animation / Susan Napier Basingstoke, England: Palgrave Macmillan, 2005.
Call No: 772(520) NAP; 2 copiesAuthor: Napier, Susan Edition: RevisedSource: US/UKPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2005PhysDes: 355 p. ; 24 cmSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; MIYAZAKI, HAYAO ; AKIRA (JA, Katsuhiro Otomo, 1989) ; GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995)
SEE
KOKAKU KIDOTAI ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; BAREFOOT GEN (JA, Masaki Mori, 1983) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
SEE
MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989) Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURBNotes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.ISBN: 9781403970527Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --
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Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10
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An annotated bibliography of the Australian film industry and key films, 1980-1982 / by Bernadette O'Brien Melbourne: Australian Film Institute, Research & Information Centre, 1985.
Call No: 71(94)(01) AUSCopy Management: Copy 1; Copy 2Author: O'Brien, Bernadette CorpAuthor: Australian Film Institute. Research & Information CentrePlace: MelbournePublisher: Australian Film Institute, Research & Information CentrePubDate: 1985PhysDes: 62 p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: AUSTRALIA. 1980's Notes: Cover title: Australian film industry & key films, 1980-1982; Spiral bindingISBN: 0908023103 : price unknownLON: abn86045931; 4350508
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another News Corp recruit at Aunty in Crikey.com.au (07/02/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lewis, Charlie PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION Summary: Report of former Foxtel staffer Josie Mason-Campbell being recruited to the ABC as Head of Non-Scripted Production
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[Antarctic man 2: 'this is not a place for humans' : location sho] Australian Broadcasting Corporation,
Call No: TITLE STILL AUSTRALIASource: ATPublisher: Australian Broadcasting CorporationPhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983) ; AUSTRALIAN BROADCASTING CORPORATION Summary: Group of twelve doctors rest by their skidoos during the International Biomedical Expedition to the Antarctic while ttravelling inland toward the South PoleNotes: Still from television programme.; Fingerprints visible on reverse of the photograph.; Paper note attached to reverse of photograph with plastic adhesive tape which is deteriorating leaving yellowing stains.; Film synopsis on reverse
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Anti-cuts chorus fails to resonate in The Australian (12/07/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA COUNCILAuthor: Westwood, Matthew PhysDes: Clippings File ArticleSubject: AUSTRALIA COUNCIL ; STATE AND THE CINEMA. AUSTRALIA Summary: Commentary on the lack of effectiveness of Australia's arts organisations campaigning at the recent federal election, who promoted a restoration of previous funding levels from the government
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / [by] Ian Cameron & Robin Wood London: Studio Vista, 1968.
Call No: 81ANT CAMAuthor: Cameron, Ian, 1937 ; Wood, Robin, 1931- joint author Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: [144] p. : illus. ; 17 x 18 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Notes: Bibliography: p. 144; "Filmography": p. 141- [144]ISBN: 0289795982LON: 70397126; 63651
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Levy Collection
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Antonioni Bergman Resnais / Peter Cowie New York: Tantivy Press, Barnes & Co., 1963.
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Aotearoa and the sentimental strine : making films in Australia & New Zealand in the silent period / special consultant & editor of the catalogue, Jonathan Dennis ; film selection by Paora Cherchi Usai & Jonathan Dennis Wellington, N.Z.: Moa Films, 1993.
Call No: 70"01" (9) AOTAuthor: Dennis, Jonathan ; Usai, Paora Cherchi ; Baylis, Ann ; Harris, Witarina CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)Place: Wellington, N.Z.Publisher: Moa FilmsPubDate: 1993PhysDes: 44 p. : ill., ports ; 26 cmSubject: AUSTRALIA. 1895-1930 ; NEW ZEALAND. 1895-1930 ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and indexISBN: 0473021730 (pbk.) : $15.00LON: zbn93104287; 10665575
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Appointments at the AFI in Movie Trader (June 2000) p.10
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE Summary: The AFI has appointed a new Awards Manager and National Publicist.
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Appointments to the A.F.C. in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995.
Call No: 62 APPAuthor: Hollows, Joanne ; Jancovich, Mark Place: Manchester New York New YorkPublisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1995PhysDes: 203 p. : ill. ; 23 cmSeries: Inside popular filmSubject: GENRES ; AUTEUR THEORY ; FEMINISM AND THE CINEMA ; THEORY ; POPULAR CULTURE AND THE CINEMA ; STARS Notes: Includes bibliographical references (p. [192]-196) and indexISBN: 0719043921; 071904393X (pbk.)LON: 11213175URL status: URL: 'http://-'
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Appt. to Council of Aust Film and TV School in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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Archive forges bond with VIDA in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.2
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Old collection
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Archives index : index to a guide to material on film, broadcasting and television held in the Australian Archives, Canberra branch / Suzanne Ridley (compiler) Sydney: Australian Film and Television School, 1979.
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Are we ready for a black-themed film? in Encore (8th - 21st May 1986) vol.4 iss.7 p.13
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Interim
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The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978.
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992.
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992.
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serial
Artforce North Sydney, N.S.W.: Australia Council. Arts Information Program, 1975.
Call No: held no.2- 1975- incompleteCorpAuthor: Australia Council. Arts Information ProgramSource: ATPlace: North Sydney, N.S.W.Publisher: Australia Council. Arts Information ProgramPubDate: 1975PhysDes: v. : ill. ; 35 cmSubject: AUSTRALIA COUNCIL Notes: Description based on: No. 45 (Summer, 1984)ISSN: 0312-6765Order Notes: CurrentLON: qus00013485; 7248573 7294861
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Arthouse boosts Becker back to profit in Encore (Online) (Sept 13 2000)
Call No: DVD RESEARCH FOLDERAuthor: Harty, Jason Subject: BECKER GROUP ; MAGNA PACIFIC HOLDINGS Summary: Financial figures for Becker Group. Says their profits got a boost due to 30 percent holding in video and DVD distributor Magna PacificNotes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1
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newspaper article
Ashes comedy bowls them over in Sydney Morning Herald [Short Cuts] (14/11/2013) p.34
Call No: CLIPPINGS FILE; TITLE CLIPPINGS FILE; BACKYARD ASHES (AT, Mark Grentell, 2013)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: BACKYARD ASHES (AT, Mark Grentell, 2013) Summary: A small article about the opening of Australian film, Backyard Ashes in Wagga Wagga.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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ASSA newsletter : Australian Screen Studies Association / Australian Screen Studies Association Melbourne: 1980-.
Call No: held No.2-Feb.1990 Feb.1982-Feb.1990 incompleteCorpAuthor: Australian Screen Studies AssociationSource: ATPlace: MelbournePubDate: 1980-PhysDes: v. ; 30 cmSubject: Australian Screen Studies Association Notes: Caption titleFrequency: IrregularLON: ans00725881; 1972232
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976.
Call No: 81AST TOPAuthor: Topper, Susanne Source: USPlace: New YorkPublisher: Nordon PublicationsPubDate: 1976PhysDes: 206 p. : ill. ; 18 cmSubject: DANCE FILMS ; MUSICALS ; ASTAIRE, FRED ; ROGERS, GINGER ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; TOP HAT (US, Mark Sandrich, 1935) ; SWING TIME (US, George Stevens, 1936) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the DepressionISBN: 0843900380Donation: donated by the family of Wayne Levy, 2006
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newspaper article
At the gate and threatening in Weekend Australian [Review] (2/7/12016) p.25
Call No: TITLE CLIPPINGS FILE; BARBARIANS RISING [TV] (US, 2016-)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: BARBARIANS RISING [TV] (US, 2016-) Summary: Blundell reviews docudrama History Cannel series BARBARIANS RISING - tales of barbarians that confronted Rome through the ages.
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ATOM news in Australian Screen Education (1999) iss.20/21 p.81-83
PhysDes: Article; Illustration(s)Subject: AUSTRALIAN TEACHERS OF MEDIA Summary: News items from ATOM Victoria and ATOM NSW, including activities planned for 2000.
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Attitudes to television : a report based on surveys made in Adelaide and Sydney during 1969 and 1970 / Australian Broadcasting Control Board [Melbourne]: Australian Broadcasting Control Board, 1971.
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Aunty must re-energise its audience in Canberra Times [TV Guide] (24/04/2017) p.3
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Mathieson, Craig PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; ABC IVIEW ; KATERING SHOW, THE [TV](AT, 2015-) ; YOU CAN'T ASK THAT [TV](AT, 2016) ; MY YEAR 12 LIFE [TV](AT, 2017) ; PLEASE LIKE ME [TV] (AT, 2013 - ) ; WARRIORS, THE [TV](AT, 2017) Summary: Commentary on a number of recent ABC shows, how they have performed, and what the ABC could do to ensure their productions are successfulNotes: A
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Aunty promises to bring digital into sharper focus in The Australian (26/03/2015) p.3
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Sinclair, Lara PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION Summary: ABC Managing Director Mark Scott talks about the plans to prioritise investment in particular areas of ABC's online prescence and he acknowledges the public's move to streaming content.Notes: located in the AUSTRALIAN BROADCASTING CORPORATION. 2015 clippings file
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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Aussie films and greats honoured in awards in Sunday Age (08/01/2017) p.12
Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTSAuthor: Idato, Michael PhysDes: Clippings File ArticleSubject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS Summary: Review of the 6th annual AACTA International awards, where the nights major winners were the films LA LA LAND and MANCHESTER BY THE SEA
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Aussie films and greats honoured in awards in Sunday Age [General News] (08/01/2017) p.12
Call No: SUBJECT CLIPPINGS FILE; AWARDS, AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTSAuthor: Idato, Michael PhysDes: ClippingsSubject: AWARDS, AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS Summary: A summary of winners and awards presented at the 6th annual AACTA International AwardsNotes: This article was also published in the Sun Herald 08/01/2017
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Aussie production halted in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5
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Aussie sound awards in Movie Trader (Nov 1999) p.10
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Aussie talent shines bright at Sundance in The Australian (25/01/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017Author: Westwood, Christine PhysDes: Clippings File ArticleSubject: FESTIVALS. PARK CITY. SUNDANCE ; BERLIN SYNDROME (AT, Cate Shortland, 2017) ; KILLING GROUND (AT, Damien Power, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) ; ORBITAL VANITAS (AT, Shaun Gladwell, 2017) Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS
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Aussies in a world classified in Herald Sun [General News] (04/01/2017) p.28
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Aussies in Asia [co-productions] in Encore (December 2007) vol.26 iss.12 p.24-5
PhysDes: ArticleSubject: COPRODUCTION. CHINA ; BARNARD, ANTONIA ; PAINTED VEIL, THE (C/US, John Curran, 2006) Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.
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Aussies La La lap up glory in Sunday Herald Sun [General News] (08/01/2017) p.12
Call No: SUBJECT CLIPPINGS FILE; AWARDS, AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS 2017PhysDes: ClippingsSubject: AWARDS, AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS Summary: A review of the Australian Academy of Cinema and Television Arts international awards ceremony, 2017.
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Aussies shine just not on emmys list in Daily Telegraph [General news] (22/9/15) p.7
Call No: SUBJECT CLIPPINGS FILE; AWARDS. EMMY 2015Author: Rawsthorne, Sally PhysDes: ClippingsSubject: AWARDS. EMMY Summary: Assessment of Australians attending the 2015 awards, although not winning anything.
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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AUSTISM - WHO CARES? : (AT, Ivan Gaal, [1980])
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AUSTRALIA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AUSTRALIA URL status: URL: 'http://file://Q:/T/AUSTRALIA.zip'
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AUSTRALIA : (BE/FR/SZ, Jean-Jacques Andrien, 1989)
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AUSTRALIA : (UK, 1987)
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AUSTRALIA : (AT/US, Baz Luhrmann, 2008)
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AUSTRALIA. 1895-1930
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AUSTRALIA. 1970s
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AUSTRALIA. 2010
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AUSTRALIA AFTER DARK : (AT, John Lamond, 1975)
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AUSTRALIA: BEYOND THE FATAL SHORE [TV] : (UK/US, 2000)
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AUSTRALIA BY NUMBERS : [TV] (AT, 2000)
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AUSTRALIA COUNCIL
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Australia Council Annual report / Australia Council Canberra: Australian Govt. Pub. Service, 1975. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1974/75-2010/11; DIGITAL FILES; held 2009/10-2018/19, 2020/21-2021/22CorpAuthor: Australia CouncilSource: ATPlace: CanberraPublisher: Australian Govt. Pub. ServicePubDate: 1975PhysDes: v. : ill. ; 25 cmSubject: AUSTRALIA COUNCIL ISSN: 0725-7643LON: 1021402
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Australia Council arts monopoly in Australian Financial Review [Budget Supplement] (13/05/2015) p.9
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA COUNCILPhysDes: Clippings File ArticleSubject: AUSTRALIA COUNCIL ; SCREEN AUSTRALIA Summary: Rundown of government budget cuts to the arts with extra $100m put into a new government run organisation that will fund a wider range of arts companies and practitioners than those funded by the Australia Council.
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Australia Council stripped of $104m in The Age [Budget Supplement] (13/05/2015) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA COUNCILAuthor: Knott, Matthew PhysDes: Clippings File ArticleSubject: AUSTRALIA COUNCIL ; NATIONAL PROGRAMME FOR EXCELLENCE IN THE ARTS ; SCREEN AUSTRALIA Summary: Changes in funding to the arts sector in Australia following the 2015 federal budget, including the creation of a new government administred arts body, the National Programme for Excelllence in the Arts, and the decrease in funding to the Australia Council and Screen Australia.
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Australia Council stripped of $104m in Sydney Morning Herald [Arts] (13/05/2015) p.13
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Australia Council stripped of $104m in Sydney Morning Herald [Arts] (13/05/2015) p.13
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digital clippings file
AUSTRALIA DAY : (AT, Kriv Stenders, 2017) Digital clippings file available
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script
Australia day / written by Stephen M. Irwin. AT: 2016.
Call No: S AUSAuthor: Irwin, Stephen M. Edition: Shooting script (goldenrod)Place: ATPubDate: 2016PhysDes: 118 leaves ; 30 cm.Subject: AUSTRALIA DAY (AT, Kriv Stenders, 2017) Summary: "On Australia's most controversial national holiday, the lives of three Australians from diverse cultural backgrounds will collide, illuminating contemporary issues of racial tension and national identity that simmer beneath the surface of modern Australia." - Written by IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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AUSTRALIA DAY SHOWDOWN, THE [TV] : AT, 2013
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AUSTRALIA DAZE : (AT, Pat Fiske, 1988)
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[Australia Daze : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 21 x 26 cm : 1 transparency : col ; 7 x 11 cmSubject: AUSTRALIA DAZE (AT, Pat Fiske [et al], 1988) Summary: 3 black and white photographs of Aboriginal people in traditional dress and non-Aboriginal children dressed as Australian settlers. 1 transparency of the "well to do" on Sydney Harbour.
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AUSTRALIA. DEPARTMENT OF THE MEDIA
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Australia [DVD] : A Baz Luhrman Film [Northcote, Victoria]: Umbrella Entertainment, [2008?].
Call No: D AUSTRALIASource: ATPlace: [Northcote, Victoria]Publisher: Umbrella EntertainmentPubDate: [2008?]PhysDes: 1 videodisc (DVD) (159 min.) : sd., col. ; 4 3/4 inSubject: AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Technical Details: Region 4
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AUSTRALIA - EYE OF THE STORM [TV] : (AT, 1999)
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AUSTRALIA FOUNDATION FOR CULTURE AND THE HUMANITIES
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AUSTRALIA IN COLOUR [TV] : (AT, 2019) Digital clippings file available
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AUSTRALIA IN FILMS
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Australia in the 80'S [1981].
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Australia in the 80'S : commerce [1981].
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Australia in the 80'S : legal and political systems [1981].
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script
Australia in the 80'S : rural industries [1982].
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Australia in the 80s : culture and recreation [1982].
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script
Australia in the eighties : mining / written by Lawrence Durrant and John Edwards [1982].
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Australia in the eighties : medical and scientific / written by Lawrence Durrant and John Edwards [1982].
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AUSTRALIA: LAND BEYOND TIME : (AT, David Flatman, 2002)
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AUSTRALIA LIVE: CELEBRATION OF A NATION : [TV] (AT, 1998)
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AUSTRALIA ON TRIAL [TV] : (AT, 2012)
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poster
[Australia : poster]
Call No: P AUSPhysDes: 1 poster : col. ; 101 X 69 cm.Subject: AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Summary: Image: A large photo of Nicole Kidman and Hugh Jackman in a passionate embrace with a montage of smaller images under it of scenes from the movie all against a red firey background.Notes: Printed on reverse side
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AUSTRALIA'S ANIMAL MYSTERIES : (US, Barbara Jampel, 1983)
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book
Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987.
Call No: 71(94) BRAAuthor: Brand, Simon, 1951 Place: SydneyPublisher: Australian KnowledgePubDate: 1987PhysDes: 16 p. : ill. (some col.), ports. ; 28 cmSeries: Australian knowledge ; no. 10Subject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Cover titleISBN: 0864350104LON: 5446371
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AUSTRALIA'S FUNNIEST HOME VIDEOS : [TV](AT, 1990-)
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AUSTRALIA'S GOT TALENT [TV] : (AT, 2007-)
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AUSTRALIA'S GREAT WAR HORSE [TV] : (AT, Russell Vines 2015)
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AUSTRALIA'S IMPROBABLE ANIMALS : (AT, Gary Steer, [1985-])
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book
Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmondson and Andrew Pike Canberra: National Library of Australia, 1982.
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AUSTRALIA'S LOST IMPRESSIONIST JOHN RUSSELL : (AT, Catherine Hunter, 2018)
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AUSTRALIA'S MOST WANTED : [TV] (AT, [1989-])
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book
Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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AUSTRALIA'S NEXT TOP MODEL[TV] : (AT, 2004-)
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journal article
Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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AUSTRALIA'S WORST DRIVERS [TV] : (AT, 2003-)
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AUSTRALIA - TAKE A BOW : (AT, Brian Morris, 1988)
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AUSTRALIA: THE GREAT WHITE SHARK : (AT, Prod: Andrew Wight, 1994)
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AUSTRALIA VERSUS [TV] : (AT, 2010)
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AUSTRALIA YOU"RE STANDING IN IT : (AT, Kris Noble and John Eastway, 1983)
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AUSTRALIAN ABORIGINES AND TV
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Australian alternatives : Against the Grain in NFT (July 1984) p.20-21
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Australian Association of Film and Video Libraries Newsletter / Australian Association of Film and Video Libraries [East Melbourne]: The Association, 1981-.
Call No: held no.12-35 July 1983-Mar. 1993 incompleteCorpAuthor: Australian Association of Film and Video Libraries; Australian Association of Film and Video Libraries. Victorian Branch; Newsletter (Australian Association of Film and Video Libraries)Source: ATPlace: [East Melbourne]Publisher: The AssociationPubDate: 1981-PhysDes: v. ; 21 cmSubject: Australian Association of Film and Video Libraries Periodicals Notes: From no. 5: 32 cm; Some issues have Victorian Branch printed on them; Film & videotape recording libraries: Organisations. Australia. Australian Association of Film and Video Libraries. Serials (ANB/PRECIS SIN 0556726); Caption titleISSN: 0728-3717LON: ans00728371; 2100096 2650292
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AUSTRALIAN ASSOCIATION OF NATIONAL ADVERTISING
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AUSTRALIAN BIOGRAPHY [TV] : (AT, 1991-)
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Australian box office reports in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.8
Subject: BOX OFFICE. AUSTRALIA ; AUSTRALIA Summary: Australian box office reports (two weeks ending 13/6) from Sydney, Melbourne, Adelaide, Perth and Newcastle
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AUSTRALIAN BREAK, THE [TV] : (AT, Chris Langham, 1989)
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book
Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian Broadcasting Authority
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Australian Broadcasting Authority Annual report / Australian Broadcasting Authority Sydney: Australian Broadcasting Authority, 1993.
Call No: ANNUAL REPORT SHELVES; held 1992/93-CorpAuthor: Australian Broadcasting AuthorityPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1993PhysDes: v. ; 25 cmSubject: Australian Broadcasting Authority Notes: Includes indexesISSN: 1320-2863LON: 10714328 10670270
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AUSTRALIAN BROADCASTING COMMISSION
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annual report
Australian Broadcasting Commission Annual report Sydney: ABC, 1963-1983.
Call No: ANNUAL REPORT SHELVES; held 1981/82CorpAuthor: Australian Broadcasting CommissionPlace: SydneyPublisher: ABCPubDate: 1963-1983PhysDes: 21 v. : ill. ; 25 cmSubject: AUSTRALIAN BROADCASTING COMMISSION ISSN: 0313-3222Frequency: AnnualLON: 3732108 5679197 5750427
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AUSTRALIAN BROADCASTING CONTROL BOARD
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annual report
Australian Broadcasting Control Board Annual Report Canberra: Australian Government Publishing Service, 1949 -.
Call No: ANNUAL REPORT SHELVES; Held 1949 -1973 (some missing)CorpAuthor: Australian Broadcasting Control BoardPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1949 -Subject: AUSTRALIAN BROADCASTING CONTROL BOARD Notes: First & Second Annual reports (1949/50)
Fourth Annual Report (1951/52) - Eleventh Annual Report (1958/59)
Sixteenth Annual Report (1963/64) - Nineteenth Annual Report (1966/67)
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AUSTRALIAN BROADCASTING CORPORATION Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AUSTRALIAN BROADCASTING CORPORATION URL status: URL: 'http://file://Q:/S/AUSTRALIAN_BROADCASTING_CORPORATION.zip'
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annual report
Australian Broadcasting Corporation Annual report / Australian Broadcasting Corporation [Sydney, Australia]: The Corporation, [1984]. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1984-2011,2018 lacks 1988-89, 1992-93, 1994-95 - 2011; DIGITAL FILES; held 1994/95-2021/22CorpAuthor: Australian Broadcasting CorporationSource: ATPlace: [Sydney, Australia]Publisher: The CorporationPubDate: [1984]PhysDes: v. ; 26 cmSubject: AUSTRALIAN BROADCASTING CORPORATION Notes: Cover titleOrder Notes: CurrentLON: 5135535
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Australian Broadcasting Tribunal
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annual report
Australian Broadcasting Tribunal Annual report / Australian Broadcasting Tribunal Canberra: A.G.P.S., 1978-1992.
Call No: ANNUAL REPORT SHELVES; held 1983/84-1990/91CorpAuthor: Australian Broadcasting Tribunal; Australian Broadcasting Control BoardPlace: CanberraPublisher: A.G.P.S.PubDate: 1978-1992PhysDes: v. : maps (col.) ; 25 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; AUSTRALIAN BROADCASTING CONTROL BOARD Notes: First report incorporates 29th annual report of Australian Broadcasting Control Board, 1 July to 31 Dec. 1976ISSN: 0728-8883LON: 2513589
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book
Australian Broadcasting Tribunal Australian content proposal for commercial television / Australian Broadcasting Tribunal [Australia]: Australian Broadcasting Tribunal, December 1988.
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book
The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984].
Call No: 205-053.2(94) AUSAuthor: Jones, David ; Archer, Ken ; Weigall, Catharine ; Armstrong, Mark ; Watterson, Ray ; James Bailey, Julie CorpAuthor: Australian Broadcasting TribunalSource: ATPubDate: [1984]PhysDes: 92 leaves : 31 cmSubject: INDUSTRY, TV. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; LAW AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.Notes: Spiral bound; Includes determination and 3 attachments
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book
Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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book
Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990.
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annual report
Australian Broadcasting Tribunal Report on activities, 1st July, 1992-4th October, 1992 / Australian Broadcasting Tribunal Sydney : Australian Broadcasting Authority, 1993?:
Call No: ANNUAL REPORT SHELVES; heldPlace: Sydney : Australian Broadcasting Authority, 1993?PhysDes: 1vSubject: AUSTRALIAN BROADCASTING TRIBUNAL Notes: Telephone 23/6/93ISBN: 0642193800 (prepublication)LON: 10199735
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book
The Australian centre for the moving image East Melbourne, Vic.: State Film Centre of Victoria Council, 1990.
Call No: 11 ACMISource: ATPlace: East Melbourne, Vic.Publisher: State Film Centre of Victoria CouncilPubDate: 1990PhysDes: 21 p. : ill. (some col.) ; 21 x 30 cmSubject: STATE FILM CENTRE OF VICTORIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Summary: Document outlining the benefits of building a 'centre of the moving image' located within Melbourne's 'Southgate'.Notes: Cover title. -- "7 May 1990"--Back of cover.
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AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] URL status: URL: 'http://file://Q:/S/AUSTRALIAN_CENTRE_FOR_THE_MOVING_IMAGE.zip'
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annual report
Australian Centre for the Moving Image annual report Melbourne: Australian Centre for the Moving Image, Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 2002/3-2010/11; No longer printed, digital publication available from ACMI website; DIGITAL FILES; held 2002-2019/2020CorpAuthor: AUSTRALIAN CENTRE FOR THE MOVING IMAGESource: ATPlace: MelbournePublisher: Australian Centre for the Moving ImageSubject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Order Notes: Current [Online]
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AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION
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annual report
Australian Children's Television Foundation Annual report / Australian Children's Television Foundation North Melbourne, Vic.: The Foundation, c1983. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1982/83-1988/89,1990/91,1992/93,1993/94, 1995/96-2010/11; DIGITAL FILES; held 2008/09-2021/22CorpAuthor: Australian Children's Television FoundationSource: ATPlace: North Melbourne, Vic.Publisher: The FoundationPubDate: c1983PhysDes: v. : ill. ; 25 cmSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ISSN: 0814-7280Missing Issues: 1989/90; 1991/92; 1994/95Order Notes: CurrentLON: 3016895
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serial
Australian Children's Television Foundation newsletter : ACTF news North Melbourne, Vic.: ACTF, 1982-1982.
Call No: held no.1-2 Aug. 1982-Nov. 1982CorpAuthor: Australian Children's Television FoundationSource: ATPlace: North Melbourne, Vic.Publisher: ACTFPubDate: 1982-1982PhysDes: 2 v. ; 30 cmSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION Notes: Continued by Care for kidsLON: abn83095508; 2743124
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AUSTRALIAN CHILDRENS TELEVISION ACTION COMMITTEE
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book
Australian cinema / edited by Scott Murray North Sydney: Allen & Unwin in association with Australian Film Commission, 1994.
Call No: 71(94) AUSAuthor: Murray, Scott, 1951 CorpAuthor: Australian Film CommissionPlace: North SydneyPublisher: Allen & Unwin in association with Australian Film CommissionPubDate: 1994PhysDes: ix, 350 p. ; ill., ports. : 24 cmSubject: AUSTRALIA Notes: Includes index; CIP confirmed; Bibliography p. 337-338ISBN: 1863733116 (pbk.)LON: 11690337
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book
The Australian cinema [Sydney]: Pacific Books, 1970].
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983.
Call No: 71(94) SHIAuthor: Shirley, Graham, 1949 ; Shirley, Graham, 1949 ; Adams, Brian, 1934 Place: SydneyPublisher: Angus & RobertsonPubDate: 1983PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cmSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308ISBN: 0207145814 : price unknownLON: anb20714581; 2419431ID2: 38URL status: URL: 'http://-'
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Australian cinema / edited by Scott Murray North Sydney: Allen & Unwin in association with Australian Film Commission, 1994.
Call No: 71(94) AUSAuthor: Murray, Scott, 1951 CorpAuthor: Australian Film CommissionPlace: North SydneyPublisher: Allen & Unwin in association with Australian Film CommissionPubDate: 1994PhysDes: ix, 350 p. ; ill., ports. : 24 cmSubject: AUSTRALIA Notes: Includes index; CIP confirmed; Bibliography p. 337-338ISBN: 1863733116 (pbk.)LON: 11690337
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book
Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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AUSTRALIAN CINEMA AND THEATRE SOCIETY
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Australian cinema : bibliography / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1995.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1995Subject: AUSTRALIA
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AUSTRALIAN CINEMA EXHIBITORS' COALITION
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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AUSTRALIAN CINEMA PIONEERS, THE
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subject clippings file
AUSTRALIAN CINEMATOGRAPHERS FOUNDATION
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serial
Australian Commonwealth Film Unit newsletter / Australian Commonwealth Film Unit Lindfield, N.S.W.: Australian Commonwealth Film Unit, 1968-1973.
Call No: held v.1, no.1-v.2, no.4 Jan. 1968-Nov. 1969CorpAuthor: Australian Commonwealth Film Unit; Newsletter (Australian Commonwealth Film Unit)Source: ATPlace: Lindfield, N.S.W.Publisher: Australian Commonwealth Film UnitPubDate: 1968-1973PhysDes: 4 v. ; 26 cmSubject: Australian Commonwealth Film Unit Periodicals ISSN: 0311-7677LON: nls00005115; 7612692
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AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY
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AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY
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AUSTRALIAN COMPETITION AND CONSUMER COMMISSION
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subject clippings file
AUSTRALIAN CONSOLIDATED PRESS
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book
Australian content inquiry discussion paper : news and current affairs programs / Australian Broadcasting Tribunal [Sydney?]: The Tribunal, 1987.
Call No: 205.2(94)(094.3)ACI AUSSource: ATPlace: [Sydney?]Publisher: The TribunalPubDate: 1987PhysDes: 53 pages ; 30 cmSeries: Discussion Paper (Australian Broadcasting Tribunal. Australian Content Inquiry)Subject: NEWS PROGRAMMES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL Summary: Report on the "Australian Broadcasting Tribunal's Australian content standards and the position of news and current affairs in relation to these standards" as well as other issues around news and current affairs television broadcasting in AustraliaNotes: "October 1987" -- "This paper was prepared by a consultant, Mr. Richard Colville."
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annual report
Australian Copyright Council Annual report / Australian Copyright Council Limited Milsons Point, N.S.W.: The Council, 1983-.
Call No: ANNUAL REPORT SHELVES; held 1982CorpAuthor: Australian Copyright CouncilPlace: Milsons Point, N.S.W.Publisher: The CouncilPubDate: 1983-PhysDes: v. ; 30 cmSubject: Australian Copyright Council ; COPYRIGHT. AUSTRALIA Notes: Cover titleISSN: 0813-6718LON: 3022001
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book
Australian Council for Children's Films and Television : a history 1957-1989 / by Betty Rankin Melbourne: The Council, 1990.
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subject clippings file
AUSTRALIAN COUNCIL FOR CHILDREN'S FILMS AND TELEVISION
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subject clippings file
AUSTRALIAN COUNCIL FOR THE ARTS
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annual report
Australian Council for the Arts Annual report / Australian Council for the Arts Canberra: Australian Council for the Arts,
Call No: ANNUAL REPORT SHELVES; held 1974CorpAuthor: Australian Council for the ArtsPlace: CanberraPublisher: Australian Council for the ArtsPhysDes: 2 v. : ill. ; 25 cmSubject: Australian Council for the Arts Notes: Also issued as a parliamentary paperISSN: 0311-5100LON: 993074 7849604
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subject clippings file
AUSTRALIAN COUNCIL OF FILM SOCIETIES
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book
Australian Council of Government Film Libraries : minutes of the Bicentennial Conference 1985, held in Canberra 17 April, 1985 to 19 April, 1985 [Canberra]: The Council?, [1985?].
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subject clippings file
AUSTRALIAN CREATIVE EXCHANGE
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book
Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011.
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title clippings file
AUSTRALIAN DREAM : (AT, Jack McKimmie, 1986)
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poster
[Australian dream : poster]
Call No: P AUSPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986) Summary: Image: Photos of four cast members/characters. Text: 'May all your dreams come true.../A prime cut comedy.'Notes: Tear on right-hand side.
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still
[Australian dream : stills file] Ronin Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Ronin FilmsPhysDes: 1 photograph : b&w ; 13 x 18cmSubject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986) Summary: 1 black and white photograph of the writer-director, Jackie McKimmie.
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title clippings file
AUSTRALIAN DREAM, THE : (AT, Daniel Gordon, 2019)
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journal article
Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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book
Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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script
Australian eye no.15 : man feeding his dogs [1980].
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script
Australian eye no.17 : Mount William to Mount Dryden [1980].
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script
The Australian eye no.23 : The creative eye [1982].
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title clippings file
AUSTRALIAN EYE, THE : [TV] (AT, David Martin & Martin Daley, 1989)
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title clippings file
AUSTRALIAN FAIRY TALE, AN : (AT, 1978)
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Levy Collection
book
Australian families and their children : a new and challenging audience / Don Edgar Melbourne: Australian Children's Television Foundation, 1985.
Call No: 722-053.2EDGAuthor: Edgar, Don CorpAuthor: Australian Children's Television FoundationSource: ATPlace: MelbournePublisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 20 cm ; 30 p.Series: The Challenge of Kids' TVSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paperISBN: 0864210884Donation: donated by the family of Wayne Levy, 2006
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Old collection
book
Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995.
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book
Australian feature films : November 2003 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2003.
Call No: REFERENCE SECTION; 023(94) AUS "2003"CorpAuthor: Australian Film CommissionEdition: 2003Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2003PhysDes: 24 p. : ill. ; 26 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Cover title: Recent Australian feature films catalogue November 2003; 2 copies
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Interim
book
Australian feature films 93-94 1994.
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book
Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 71(94)(01) ALLCopy Management: Copy 1; Copy 2; Copy 3Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information CentrePlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: xi, 79, [12] p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137)ISBN: 0908023073LON: 2993513
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Australian feature films 1980-1986 / compiled by Sally Jackson Australian Film Institute Research and Information Centre, 1987.
Call No: 023(94) JACPublisher: Australian Film Institute Research and Information CentrePubDate: 1987PhysDes: 6 v. ; 30 cmSubject: AUSTRALIA. 1970s ; AUSTRALIA. 1980's Summary: Listings of Australian feature films made between 1979-1987 which for each film listing includes: key cast, crew, film synopsis, budget, box office, awards won, and whether film was completed and screenedNotes: Research commissioned by Jack Clancy. Contracted to the AFI's Research and Information Centre. Sub-contracted to Sally JacksonContents: v.1: 1979/80-1980-1980/81 -- v.2: 1981-1981/82 -- v. 3: 1982-1982/83 -- v.4: 1984-1984/85 -- v.5: 1985-1985/86 -- 1986-1986/87
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book
Australian feature films 2005 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2005.
Call No: REFERENCE SECTION; 023(94) AUS "2005"CorpAuthor: Australian Film CommissionEdition: 2005Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2005PhysDes: 28 p. : ill. ; 26 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; Includes plot summary and biographies for Director and Producer of Australian feature films released in 2005
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Australian feature films 2006 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2006.
Call No: REFERENCE SECTION; 023(94) "2006" AUSCorpAuthor: Australian Film CommissionEdition: 2004Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2006PhysDes: 48 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; includes 36 page A5 supplement booklet "Recent Australian feature films catalogue May 2006" in pocket inside back cover.
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Interim
book
Australian feature films 2007-8 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2007-2008Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2007PhysDes: 60 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; Includes plot summary and biographies for Director and Producer of Australian feature films released in 2007/8
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Interim
book
Australian feature films in production and recently completed : as at May 2007 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; NEW HOLDINGS SHELF; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2007Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2007PhysDes: 16 p. ; 22 cmSubject: FILMOGRAPHIES. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA Summary: This booklet provides information on features currently in production and recently completed. It supplements the AFC catalogue Australian Feature Films 2007/08 published in May 2007.--BOOKLET
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book
Australian feature films mini catalogue January 2006 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2005.
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book
Australian feature films mini catalogue January 2007 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2006.
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Interim
book
Australian features 1970-1990 : a checklist of feature film production 1998.
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subject clippings file
AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT
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AUSTRALIAN FEDERATION OF FILM AND TELEVISION ASSOCIATIONS
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Australian film : a bibliography / Brian Reis London Washington: Mansell, 1997.
Call No: 71(94) REI REFAuthor: Reis, Brian Place: London WashingtonPublisher: MansellPubDate: 1997PhysDes: xvii, 622 p. ; 29 cmSubject: AUSTRALIA Notes: Includes bibliographical references (p. xiii-xvii) and indexesISBN: 0720123151 (hard cover)LON: 96028623; 12509882URL status: URL: 'http://-'
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Australian film, 1900-1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourne: Oxford University Press in association with the Australian Film Institute, 1980.
Call No: 71(94) PIK REFCopy Management: Copy 1; Copy 2Author: Pike, Andrew, 1946 ; Cooper, Ross, 1944 CorpAuthor: Australian Film InstitutePlace: MelbournePublisher: Oxford University Press in association with the Australian Film InstitutePubDate: 1980PhysDes: xi, 448 p., [8] p. of col. plates : ill., ports. ; 22 x 28 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Australian cinema films, 1900-1977 (ANB/PRECIS SIN 0422983); Index; Includes bibliographical refererences; 2 copiesISBN: 0195542134 : $75.00 AustLON: anb19554213; 1767086 12436475
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Australian film 1978-1992 : a survey of theatrical features / compiled and edited by Scott Murray ; editorial assistant Raffaele Caputo Melbourne: Oxford University Press in association with the Australian Film Commission and Cinema papers, 1993.
Call No: 71(94) MURAuthor: Murray, Scott, 1951 ; Caputo, Raffaele CorpAuthor: Australian Film Commission; Cinema papersPlace: MelbournePublisher: Oxford University Press in association with the Australian Film Commission and Cinema papersPubDate: 1993PhysDes: x, 414 p. : ill. ; 28 cmSubject: AUSTRALIA Notes: Includes index; Filmography: p. 355-381; Bibliography: p. 382-383ISBN: 0195535847LON: 10391416URL status: URL: 'http://-'
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Australian film 1978-1994 : a survey of theatrical features / compiled and edited by Scott Murray ; editorial assistants Raffaele Caputo ; Alissa Tanskaya Melbourne: Oxford University Press in association with the Australian Film Commission and Cinema papers, 1995.
Call No: 71(94) MURAuthor: Tanskaya, Alissa ; Murray, Scott, 1951 ; Caputo, Raffaele CorpAuthor: Australian Film Commission; Cinema papers; Australian film 1978-1992Edition: 2nd edPlace: MelbournePublisher: Oxford University Press in association with the Australian Film Commission and Cinema papersPubDate: 1995PhysDes: ix, 448 p. : ill., ports. ; 28 cmSubject: AUSTRALIA Notes: CIP confirmed; Rev. and expanded ed. of: Australian film 1978-1992; Includes index; Bibliography: p. 413-414; Filmography: p. 412ISBN: 0195537777 (pbk.)LON: 12657222
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Interim
book
Australian film 1985-86 [1986?].
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journal article
The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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Interim
book
Australian film and television checklist April 1989.
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Interim
book
Australian film and television checklist February 1989.
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Interim
book
Australian film and television checklist : mini-series/telemovies April 1989.
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book
Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985.
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Yet to catalogue
book
Australian Film and Television School : 1981 handbook Sydney: Australian Film and Television School, 1981.
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annual report
Australian Film and Television School Annual report / Australian Film and Television School [Canberra: Australian Government Publishing Service], 1976-1985.
Call No: ANNUAL REPORT SHELVES; held 1973/74-1981/2, 1984/5CorpAuthor: Australian Film and Television SchoolSource: ATPlace: [CanberraPublisher: Australian Government Publishing Service]PubDate: 1976-1985PhysDes: 10 v. : ill., ports. ; 26 cmSubject: Australian Film and Television School Notes: Continued by Australia Film Television Radio School annual report ID 26917ISSN: 0728-6619 0313-9376Order Notes: CeasedFrequency: AnnualLON: 2377220
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serial
Australian Film and Television School newsletter / Australian Film and Television School Chatswood N.S.W.: Australian Film and Television School, 1977.
Call No: held no.1-no.11 May 1974-Sept. 1977CorpAuthor: Australian Film and Television School; Newsletter (Australian Film and Television School)Source: ATPlace: Chatswood N.S.W.Publisher: Australian Film and Television SchoolPubDate: 1977PhysDes: v. : ill. ; 27 cmSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Caption titleLON: abn89018879; 6176106 6238004
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journal article
Australian Film Awards in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; LONELY HEARTS (AT, Paul Cox, 1982) ; MILLER, GEORGE ; HAZLEHURST, NONI ; MONKEY GRIP (AT, Ken Cameron, 1982) ; ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: List of winners at the 1982 Australian Film Institute Awards.
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Australian film awards - prizewinners in Filmnews (Australia) (Oct-77) vol.VII iss.9 p.1
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The Australian film book : 1930-today / Simon Brand Sydney: Dreamweaver Books, 1985.
Call No: 71(94) BRAAuthor: Brand, Simon, 1951 Place: SydneyPublisher: Dreamweaver BooksPubDate: 1985PhysDes: 159 p. : ill., (some col.), ports. (some col.) ; 26 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Includes indexISBN: 0949825107 : $22.50 AustLON: abn85260550; 4063310
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Australian film catalogue : television drama / Australian Film Commission [Sydney]: Australian Film Commission, 2000.
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AUSTRALIAN FILM COMMISSION
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; FUNDING. AUSTRALIA ; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988) ; UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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journal article
Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9
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annual report
Australian Film Commission Annual report / Australian Film Commission Canberra: A.G.P.S., 1977.
Call No: ANNUAL REPORT SHELVES; held 1975-2007/08CorpAuthor: Australian Film CommissionPlace: CanberraPublisher: A.G.P.S.PubDate: 1977Subject: AUSTRALIAN FILM COMMISSION Notes: Also issued as: Parliamentary paperISSN: 0816-9682 0816-9624LON: 3394907; 3394914; 14169256
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book
Australian Film Commission Creative Development Branch : annual review 1984/85 / Australian Film Commission Creative Development Branch Australian Film Commission, 1985.
Call No: 201.65(94) AFC CDBSource: ATPublisher: Australian Film CommissionPubDate: 1985PhysDes: 60 pages (various pagings) ; 30 cmSubject: AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND Contents: 1. Creative Development Branch -- 2. Administration -- 3. CDB production funding -- 3.1 Introduction -- 3.2 Creative Development Fund -- 3.3 Women's Film Fund -- 3.4 No Frills Fund -- 3.5 Low budget features scheme -- 3.6 Bicentennial cinema shorts project -- 4. Distribution -- Cultural activities -- Appendix: A. Creative Development Branch funding 1984/85 -- B. Creative Development Branch completed project profile 1984/85 -- C. Awards to CDB and WFF films 1984/85 -- D. Cultural activities funding 1984/85
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AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND
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AUSTRALIAN FILM COMMISSION. NO FRILLS FUND
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AUSTRALIAN FILM COMMISSION. PROJECT DEVELOPMENT FUND
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AUSTRALIAN FILM COMMISSION. TELEVISION PRODUCTION FUND
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AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48
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AUSTRALIAN FILM CRITICS ASSOCIATION
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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AUSTRALIAN FILM DEVELOPMENT CORPORATION
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annual report
Australian Film Development Corporation Annual report / Australian Film Development Corporation Canberra: Acting Commonwealth Government Printer,
Call No: ANNUAL REPORT SHELVES; held 1973-1974CorpAuthor: Australian Film Development CorporationPlace: CanberraPublisher: Acting Commonwealth Government PrinterPhysDes: v. ; 25 cmSubject: AUSTRALIAN FILM DEVELOPMENT CORPORATION Notes: Description based on: 1974-75LON: 3421946
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AUSTRALIAN FILM FAIR
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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festival catalogue
The Australian film festival in New York city : November 27 through December 3, 1978 / Australian Films Office Inc US: [s.n.], 1978.
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AUSTRALIAN FILM FINANCE CORPORATION
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Online resource
annual report
Australian Film Finance Corporation Annual report / Australian Film Finance Corporation Pty Limited [North Sydney]: Australian Film Finance Corporation, c1989-. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1988/89-; DIGITAL FILES; held 1999/2000-2007/08CorpAuthor: Australian Film Finance CorporationPlace: [North Sydney]Publisher: Australian Film Finance CorporationPubDate: c1989-PhysDes: v. : ill., ports. ; 25 cmSubject: AUSTRALIAN FILM FINANCE CORPORATION Notes: Cover titleISSN: 1033-8179LON: 7056208
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AUSTRALIAN FILM FINANCE CORPORATION. FUNDING APPROVALS
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Australian Film Finance Corporation Newsletter Sydney: The Corporation,
Call No: held Feb. 1992-CorpAuthor: Australian Film Finance CorporationSource: ATPlace: SydneyPublisher: The CorporationPhysDes: v. ; 30 cmSubject: AUSTRALIAN FILM FINANCE CORPORATION Notes: Description based on: June 1992Order Notes: CurrentLON: abn95168318; 11654123
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Interim
book
Australian Film Finance Corporation presentation to producer alumni : 30 March 1995 / Tricia Nolan [Sydney]: Australian Film Finance Corporation, 1995.
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book
Australian film index : a guide to Australian feature films since 1900 / consulting editor Sandra Hall Port Melbourne: Thorpe, 1992.
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book
The Australian film industry, 1919 - 1939 : an evaluative guide to sources of information / Vikki Hutton [Melbourne] : [s.n.], [198-?]:
Call No: 71(94)(01) HUTAuthor: Hutton, Vikki Place: [Melbourne] : [s.n.], [198-?]PhysDes: 32 p. ; 30 cmSubject: AUSTRALIA Order Received: 1997LON: abn98027557; 13652473
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book
The Australian film industry and key films of the 1970's : an annotated bibliography / [compiled by Ken Berryman] Carlton South, Vic.: George Lugg Film Information & Research Centre, Australian Film Institute, 1980.
Call No: 71(94)(01) BERCopy Management: Copy 1; Copy 2; Copy 3Author: Berryman, Ken CorpAuthor: George Lugg Film Information and Research CentrePlace: Carlton South, Vic.Publisher: George Lugg Film Information & Research Centre, Australian Film InstitutePubDate: 1980PhysDes: iii, 95 p. ; 30 cmSubject: AUSTRALIA. 1970's Notes: Cinema industries. Australia. Bibliographies (ANB/PRECIS SIN 0534900); Australian cinema films. Bibliographies (ANB/PRECIS SIN 0534919)ISBN: 0908023030 : $5.50 AustLON: anb90802303; 2049866
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Australian film industry takes a vigorous and suprising turn in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; MAD MAX II (AT, George Miller, 1981) ; DESOLATION ANGELS (AT, Chris Fitchett, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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AUSTRALIAN FILM INSTITUTE
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The Australian Film Institute : a programme for change / a submission to the board of directors by Murray Brown 1979.
Call No: 11(94)AFI BROPubDate: 1979PhysDes: 30 cmSubject: AUSTRALIAN FILM INSTITUTE Summary: A report on the Australian Film Institute requesting that it endeavours to create a more positive image around it's activities and public standing
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Online resource
annual report
Australian Film Institute Annual report / Australian Film Institute South Melbourne, Vic.: The Institute, [1991]. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1975/76- lacks 1977/78; We have the 05/06,07/08, 08/09, 09/10, 10/11 Financial reports; DIGITAL FILES; held 2008/09-2010/11, 2018/19CorpAuthor: Australian Film InstituteSource: ATPlace: South Melbourne, Vic.Publisher: The InstitutePubDate: [1991]PhysDes: v. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Downloaded 2008/9, 2009/10; requested hard copies 23 Feb 2011Missing Issues: 2002-->2005; 2006/7Order Notes: CurrentLON: 7691258; 8525121
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poster
[Australian Film Institute autumn calendar 87 : poster]
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poster
[Australian Film Institute calendar August-November 86 : poster]
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serial
Australian Film Institute ... new releases South Melbourne, Vic.: The Institute,
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serial
Australian Film Institute news Carlton, Vic.: A.F.I., 1982.
Call No: held no.20-no.25 Jan./Feb. 1982-Nov./Dec. 1982CorpAuthor: Australian Film InstituteSource: ATPlace: Carlton, Vic.Publisher: A.F.I.PubDate: 1982PhysDes: 6 v. ; 31 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Cinema films. Serials (ANB/PRECIS SIN 0436666); Caption titleISSN: 0813-3387LON: abn84025790; 3050684
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journal article
Australian Film Institute news in Filmnews (Australia) (Nov-75) vol.V iss.10 p.5
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Australian Film Institute newsletter Carlton, Vic.: A.F.I., 1976-[1981].
Call No: held no.1 July/Aug. 1976 - no.19 Oct./Nov. 1981CorpAuthor: Australian Film InstituteSource: ATPlace: Carlton, Vic.Publisher: A.F.I.PubDate: 1976-[1981]PhysDes: 19 v. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Caption title; Continued by [Australian Film Institute] NewsletterISSN: 0313-7031LON: abn84000835; 3000140
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annual report
[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute,
Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987)CorpAuthor: The InstituteSource: ATPlace: Carlton South, Vic.Publisher: Australian Film InstituteSubject: AUSTRALIAN FILM INSTITUTE ; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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book
Australian Film Institute report : information/education division : the George Lugg Library : May 1981 1981.
Call No: 11(94)AFI INFSource: ATPubDate: 1981Series: 17 p.Subject: AUSTRALIAN FILM INSTITUTE Summary: A report on the George Lugg library in 1981 and projections/recommendations for it's future
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poster
[Australian Film Institute spring calendar '87 : poster]
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poster
[Australian Film Institute summer calendar 86-87 : poster]
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subject clippings file
AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1982
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1983
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1984
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1985
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1986
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1987
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1988
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1989
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1996
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1997
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1998
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 2000
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 2001
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book
Australian film posters 1906-1960 / [by] Judith Adamson Sydney: Currency Press with Australian Film Institute, 1978.
Call No: 915(94) ADA; FOLIOAuthor: Adamson, Judith, 1930 CorpAuthor: Australian Film InstitutePlace: SydneyPublisher: Currency Press with Australian Film InstitutePubDate: 1978PhysDes: 56p. : chiefly col.ill. ; 37cmSubject: POSTERS ; AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955)ISBN: 090802388X : $7.50 AustLON: anb90802388; 1473255Donation: Simon WincerID2: 229
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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subject clippings file
AUSTRALIAN FILM STUDIOS
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AUSTRALIAN FILM SYNDICATE
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digital clippings file
AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL URL status: URL: 'http://file://Q:/S/AUSTRALIAN_FILM_TELEVISION_AND_RADIO_SCHOOL.zip'
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annual report
Australian Film, Television and Radio School Annual report / Australian Film, Television and Radio School North Ryde, N.S.W.: The School, 1986-. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1990/91-2010/11
missing 04/05?; DIGITAL FILES; held 1997/98-2021/22 lacks 2004/05CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W.Publisher: The SchoolPubDate: 1986-PhysDes: v. : ill., ports. ; 24 cmSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Continues Australian Film and Television School annual report ID 26916ISSN: 0819-2316 0313-9376Order Notes: CurrentLON: 4980431
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journal article
The Australian Film Television and Radio School. Reviews : An Australian Summer in Filmviews (Winter 1987) vol.32 iss.132 p.33
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Australian Film Television & Radio School news North Ryde, N.S.W.: AFTRS, 1990.
Call No: held no.35-no.94 Feb.1990-June 1995) lacks 54, 74CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W.Publisher: AFTRSPubDate: 1990Subject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Continues Monthly news sheet of the Australian Film & Television School; Description based on: No. 44 (Nov. 1990)LON: abn91056869; 7756953
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serial
Australian Film Television & Radio School newsletter [North Ryde, N.S.W.]: AFTRS,
Call No: held Dec 1995-CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: [North Ryde, N.S.W.]Publisher: AFTRSPhysDes: v. : illSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Description based on: Oct. 1996; Continues: Australian Film, Television and Radio School newsLON: abn97041303; 13019075
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reference folder
Australian film/video festival and awards entry forms / AFI Research & Information
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Interim
book
Australian films : TV drama & documentaries Woolloomooloo, N.S.W.: Australian Film Commission, 2002.
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Interim
book
Australian films : features Sydney, N.S.W.: Australian Film Commission, 2002.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2002-2003Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2002PhysDes: v. : ill. ; 25 cmSeries: Australian Film Commision CatalogueSubject: AUSTRALIA Notes: Includes supplement: Australian films mini catalogue/features.
Australian features since 1990 is available on the Australian Film Commission's website at www.afc.gov.au/features
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book
Australian films 1959.
Call No: REFERENCE SECTION; 023(94)"year" AUS
held 1948/59-1981CorpAuthor: Commonwealth National LibraryPubDate: 1959Subject: AUSTRALIA ; FILMOGRAPHIES Notes: Catalogue
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Interim
book
Australian films : mini catalogue/features October 2000.
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Interim
book
Australian films April 1999.
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journal article
Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Interim
book
Australian films: Australian Film Commission catalogue Sydney: Australian Film Commission, April 1999.
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Interim
book
Australian films catalogue: documentaries 2000.
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book
Australian films catalogue/features / Australian Film Commission Sydney: Australian Film Commission, 2000.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 2000PhysDes: v. : ill. ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA Notes: Description based on: April 2000; title from cover
Includes plot summary and biogs for Director and Producer of Australian feature films released in 2000.Frequency: Three times a yearLON: 21689856
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Interim
book
Australian films: documentaries [1993?].
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Interim
book
Australian films October 2000 mini catalogue / features / Australian Film Commission [Australia]: Australian Film Commission, 2000.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionSource: ATPlace: [Australia]Publisher: Australian Film CommissionPubDate: 2000PhysDes: 1 v.Subject: AUSTRALIAN FILM COMMISSION
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subject clippings file
AUSTRALIAN FOOTBALL LEAGUE
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian gothic : a cinema of horror / Jonathan Rayner Cardiff: University of Wales Press, 2022.
Call No: 735.2(94) RAYAuthor: Rayner, Jonathan Edition: 2022Place: CardiffPublisher: University of Wales PressPubDate: 2022PhysDes: x, 294 pages : illustrated ; 23 cmSeries: Gothic Literary StudiesSubject: HORROR FILMS. AUSTRALIA ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; DYING BREED (AT, Jody Dwyer, 2008) ; KILLING GROUND (AT, Damien Power, 2016) ; LOST GULLY ROAD (AT, Donna McRae, 2017) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; MAD MAX (AT, George Miller, 1979) ; MYSTERY ROAD (AT Ivan Sen, 2013) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; WOLF CREEK (AT, Greg McLean, 2005) ; WOLF CREEK 2 (AT, Greg Mclean, 2013) Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web siteISBN: 9781786838896Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index
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newspaper article
'Australian gothic vs the apocalypse' in Sunday Age (29/11/2015) p.14
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script
Australian history [1971].
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still
[Australian history : stills file]
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AUSTRALIAN IDOL [TV] : (AT, 2003-)
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AUSTRALIAN IMAGE, THE : (AT, Nick Hildyard, 1987)
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Australian images / Barrie McMahon, Robyn Quin Marrickville, N.S.W.: Science Press, 1990.
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AUSTRALIAN INDEPENDENT DISTRIBUTORS ASSOCIATION
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AUSTRALIAN INTERNATIONAL MOVIE CONFERENCE
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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AUSTRALIAN IS A WIDE WORD : [TV] (AT, 1986)
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AUSTRALIAN MADE : (AT, Richard Lowenstein, 1987) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AUSTRALIAN MADE (AT, Richard Lowenstein, 1987) URL status: URL: 'http://file://Q:/T/AUSTRALIAN_MADE.zip'
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AUSTRALIAN MEDIA HALL OF FAME
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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book
Australian movies and the American dream / Glen Lewis New York: Praeger, 1987.
Call No: 71(94) LEWAuthor: Lewis, Glen, 1943 Place: New YorkPublisher: PraegerPubDate: 1987PhysDes: xiv, 215 p., [2] p. of plates : ill. ; 25 cmSeries: Media and society seriesSubject: NATIONAL IDENTITY IN FILMS. AUSTRALIA ; AUSTRALIA Notes: Includes indexes; Bibliography: p. [203]-207ISBN: 0275926753 (alk. paper) : $35.85LON: 87014590; 5332200
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book
Australian movies to the world : the international success of Australian films since 1970 / David White ; profiles of actors and directors by Debi Enker Sydney: Fontana Australia, 1984.
Call No: 71(94) WHIAuthor: White, David, 1940 ; Enker, Debi Place: SydneyPublisher: Fontana AustraliaPubDate: 1984PhysDes: 143 p. : ill., ports. ; 29 cmSubject: AUSTRALIA Notes: Based on a film documentary; Ill. on lining papers; Bibliography: p. 142ISBN: 0006367186LON: abn84227957; 3422115
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AUSTRALIAN MOVIES TO THE WORLD : (AT, Gordon Glenn & Scott Murray, [1983])
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AUSTRALIAN MULTI FILMS FUND
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Australian multicultural policy and television drama in comparative contexts / by Harvey May Queensland: 2003.
Call No: 409(94) MAYAuthor: May, Harvey Source: ATPlace: QueenslandPubDate: 2003PhysDes: xi, 274 p. ; 30 cmSubject: AUSTRALIA ; DRAMAS. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; SOCIETY AND TV ; SOCIETY AND TV. AUSTRALIA ; ETHNIC GROUPS ON TV. AUSTRALIA ; PIZZA [TV] (AT, Paul Fenech, 2000) ; PIZZA [TV] (AT, Paul Fenech, 2000-) Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004.
Includes bibliographical references (p. 253-274)Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --
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Interim
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Australian multimedia catalogue January 2000.
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Interim
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Australian multimedia catalogue February 1999.
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book
Australian multimedia catalogue February 1998.
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Australian multimedia catalogue 1996 1996.
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AUSTRALIAN MULTIMEDIA ENTERPRISE
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AUSTRALIAN MUSEUM OF MOTION PICTURE TECHNOLOGY
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AUSTRALIAN MUSIC IN TUNE [MOM] : (AT, 2008)
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Australian National Cinema in Metro (1997) iss.111 p.81-82
Author: Williams, Deane PhysDes: Book review; Illustration(s)Subject: AUSTRALIA Summary: Review of 'Australian national cinema' by Tom O'Regan.
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Australian (national & state) funding & development guidelines / AFI Research & Information
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AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY
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AUSTRALIAN NINJA WARRIOR [TV] : (AT, 2017 - )
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Australian post-war documentary film : an arc of mirrors / Deane Williams Bristol, U.K. ; Chicago, USA: Intellect, 2008.
Call No: 761 WILAuthor: Williams, Deane Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2008PhysDes: 165 p., [8] p. of plates : ill. ; 24 cmSubject: DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; THREE IN ONE (AT, Cecil Holmes, 1956) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; MIKE AND STEPHANI (AT, Maslyn Williams, 1948-49) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VALLEY IS OURS, THE (AT, John Heyer, 1948) Summary: "This book is, at one level, a selective history of Australian documentary film in the immediate post-war years. At another level it is a sketch of an internationalist progressive film culture in the same place and period. It examines some landmark films in Australian Film History and places these important works in an international context. In this work of film history Deane Williams proposes that, while these films have been understood as inferior remakes of "overseas" written, theatrical and filmic texts, these films are evidence of an Australian film culture that was a key participant in an international network of documentary practice and criticism."--BOOK JACKET.Notes: Includes bibliographical references (p. [157]-165); Includes filmography: p. [153]-156.ISBN: 9781841502106Contents: A realist film unit and association in Australia -- Cecil Holmes's folk politics : the intertextuality of Thee in one -- John Heyer's international perspective : The overlanders, The valley is ours, The back of beyond -- The neo-realism of Mike and Stefani -- Settler journeys
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AUSTRALIAN PRINCESS : [TV] (AT, 2005)
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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title clippings file
AUSTRALIAN RULES : (AT, Paul Goldman, 2002)
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journal article
Australian Rules in Empire (Australian Ed.) (September 2002) iss.18 p.43
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AUSTRALIAN SAS, THE: THE UNTOLD HISTORY : (AT, Bruce Horsfield, 2017)
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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journal article
The Australian screen in Filmnews (Australia) (Oct-79) vol.IX iss.10 p.5
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AUSTRALIAN SCREEN ASSOCIATION
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AUSTRALIAN SCREEN AUTHORITY
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AUSTRALIAN SCREEN COUNCIL
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AUSTRALIAN SCREEN CULTURE INDUSTRY ASSOCIATION
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AUSTRALIAN SCREEN DIRECTORS ASSOCIATION
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Australian Screen Editors newsletter Melbourne: Australian Screen Editors, 1999-.
Call No: No. 38 - December 1999-CorpAuthor: Australian Screen EditorsSource: ATPlace: MelbournePublisher: Australian Screen EditorsPubDate: 1999-PhysDes: vol.Subject: AUSTRALIAN SCREEN EDITORS Order Notes: Current
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book
Australian short films 1991-1993 [1993?].
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book
Australian short films 2005/06 / Australian Film Commission Australian Film Commission, 2005.
Call No: REFERENCE SECTION; 023(94)"2005/2006" AUSCorpAuthor: Australian Film CommissionSource: ATPublisher: Australian Film CommissionPubDate: 2005PhysDes: 160 p., ill. : 22 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Summary: This catalogue includes information about Australian short films (fiction films under 60 minutes and documentary films under 30 minutes) made since November 2004 until 2005.Notes: Donation from the Australian Film Commission.
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book
Australian short films 2006/07 / Australian Film Commission Australian Film Commission, [2006?].
Call No: REFERENCE SECTION; 023(94)"2006/2007" AUSCorpAuthor: Australian Film CommissionSource: ATPublisher: Australian Film CommissionPubDate: [2006?]PhysDes: 176 p., ill. : 22 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Notes: Donation from the Australian Film Commission.
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book
Australian short works Woolloomooloo, N.S.W.: Australian Film Commission, c1995.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionSource: ATPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: c1995PhysDes: v. ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Frequency: AnnualLON: 12263710 12263710
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Interim
book
Australian short works November 2000.
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Interim
book
Australian short works 1994 August 1995.
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Interim
book
Australian short works 1996-97 June 1997.
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book
Australian short works 1997-98 Woolloomooloo, NSW: Australian Film Commission, November 1998.
Call No: REFERENCE SECTION; 023(94)"1997/98" AUSCorpAuthor: Australian Film CommissionPlace: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: November 1998PhysDes: not paginated ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Summary: List of short films made in Australia between July 1997/June 1998. Lists productions shot on: film, Betacam, 1 inch video and other video
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Interim
book
Australian short works 1998-99 November 1999.
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Interim
book
Australian short works 1999-2000 November 2000.
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book
Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970].
Call No: 71(94) REAAuthor: Reade, Eric, 1912-1978 Place: [Melbourne]Publisher: LansdownePubDate: 1970]PhysDes: 192 p. : ill. ; 29 cmSubject: AUSTRALIA. 1895-1930 ; CINEMAS. AUSTRALIA ; SMITH'S WEEKLY ; SPENCER, CHARLES COZENS ; PERRY, JOSEPH ; HURLEY, FRANK ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; CARBASSE, LOUISE ; RICKARDS, HARRY ; WEST, T.J. ; WILLIAMSON, J.C. ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207LON: 74876255; 376334
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AUSTRALIAN SILICON STUDIO TRAINING CENTRE
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AUSTRALIAN SPARTAN [TV] : (AT, 2018 - )
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AUSTRALIAN STORY : [TV] (AT, 1997-)
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AUSTRALIAN SUBSCRIPTION TELEVISION AND RADIO ASSOCIATION
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AUSTRALIAN SUMMER, AN : (AT, Megan Simpson, 1987)
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still
[Australian summer, an : stills file] AFI Distribution Ltd,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: AFI Distribution LtdPhysDes: 4 photographs : b&w ; 21 x 26 cmSubject: TENNEY, ANNE ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) Summary: 4 black and white photographs of actors posing in various family-related situations.Notes: 1 duplicate of the family standing in front of the car ready to go to the beach.
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AUSTRALIAN SURVIVOR : [TV] (AT, 2002)
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AUSTRALIAN SURVIVOR [TV] : (AT, 2016 - )
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AUSTRALIAN TALENTED YOUTH PROJECT
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Australian Teachers of Media
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book
Australian television : historical overview / by Julie James Bailey [North Ryde, N.S.W.]: Open Program Resources, Australian Film and Television School, 1979.
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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AUSTRALIAN THEATRE HISTORICAL SOCIETY
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Australian Theatre Historical Society newsletter / Australian Theatre Historical Society Seven Hills,[N.S.W.]: The Society,
Call No: held no.19-no.34 Aug. 1987-May 1991 incompleteCorpAuthor: Australian Theatre Historical Society; Newsletter (Australian Theatre Historical Society)Source: ATPlace: Seven Hills,[N.S.W.]Publisher: The SocietyPhysDes: v. ; 28-34 cmSubject: Australian Theatre Historical Society Periodicals Notes: Description based on: No. 8 (1/85); Some issues published in Glenhuntly, Vic; From May 1991 incorporated in KinoLON: abn85094768; 3806552 4661330
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AUSTRALIAN THEATRICAL AND EMPLOYEES ASSOCIATION
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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book
Australian TV : the first 25 years / edited by Peter Beilby ; assistant editor: John Tittensor, research: Ross Lansell, picture research: Keith Robertson Melbourne, Vic.: Thomas Nelson Australia, 1981.
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Interim
book
Australian tv drama & documentary : a catalogue of tv drama & documentary production October 2002.
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Australian tv drama & documentary catalogue March 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Australian tv drama & documentary catalogue March 2007 / Australian Film Commission Sydney: Australian Film Commission, 2007.
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Australian tv drama & documentary catalogue September 2005 / Australian Film Commission Sydney: Australian Film Commission, 2005.
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Australian tv drama & documentary catalogue September 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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script
Australian vintage [1981].
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AUSTRALIAN VISUAL COMMUNICATIONS
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AUSTRALIAN WAR MEMORIAL
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AUSTRALIAN WOMEN COMPOSERS : (AT, Adele Sztar, 1983)
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Australian women's film & video : a catalogue of films and video produced or directed by Australian women / compiled and researched by Chris Brophy; edited by Annette Blonski Melbourne: AFI Distribution Ltd, 1988.
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AUSTRALIAN WRITERS GUILD
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Levy Collection
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The Australians / compiled by Tony Stephens and Peter Luck Sydney: Lansdowne Press, 1981.
Call No: 79 AUS LUCAuthor: Luck, Peter Source: ATPlace: SydneyPublisher: Lansdowne PressPubDate: 1981PhysDes: 144 p. : ill. (some col.) ; 29 cm.Subject: AUSTRALIANS, THE [TV] (AT, 1981) Notes: Hard cover. -- Dust jacket. -- From scripts based on the tv series 'The Australians', by Curtis Levy, Bill Bennett, Kerry O'Brien, David Salter and Peter Luck.ISBN: 0701815515Donation: donated by the family of Wayne Levy, 2006
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Australians and the arts : what do the arts mean to Australians? : overview / a report to the Australia Council from Saatchi & Saatchi Australia Surry Hills, N.S.W.: Australia Council, 2000.
Call No: 410(94) COSAuthor: Costantoura, Paul CorpAuthor: Saatchi & Saatchi Australia; Australia CouncilPlace: Surry Hills, N.S.W.Publisher: Australia CouncilPubDate: 2000PhysDes: 100 pSubject: AUSTRALIA COUNCIL Notes: "Researched and written by Paul Costantoura" --T.p. versoISBN: 0642472270LON: 21704424
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Australians at MIPCOM 2005 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2005.
Call No: 171(94) "2005" MIPCorpAuthor: Australian Film CommissionEdition: 2005Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2005PhysDes: 72 p. ; 21 cmSubject: MIPCOM ; AUSTRALIAN FILM COMMISSION
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Australians at MIPCOM 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
Call No: 171(94) "2006" MIPCorpAuthor: Australian Film CommissionEdition: 2006Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2006PhysDes: 72 p. ; 21 cmSubject: MIPCOM ; AUSTRALIAN FILM COMMISSION
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Australians at MIPTV and MILIA 2004 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2004.
Call No: 171(94) "2004" MIPCorpAuthor: Australian Film CommissionEdition: 2004Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2004PhysDes: 48 p. ; 21 cmSubject: MIP-TV ; AUSTRALIAN FILM COMMISSION
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Australians at MIPTV and MILIA 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
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Australians at MIPTV and MILIA 2007 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2007.
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title clippings file
AUSTRALIANS AT WAR : (AT, Michael Caulfield, 2001)
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AUSTRALIANS ON TV
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AUSTRALIANS OVERSEAS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AUSTRALIANS OVERSEAS URL status: URL: 'http://file://Q:/S/AUSTRALIANS_OVERSEAS.zip'
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newspaper article
Australians poised for Oscars glory in The Age (29/12/2016) p.22
Call No: SUBJECT CLIPPINGS FILE; BEST FILMSAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BEST FILMS Summary: Reviewer discusses his choices for the best films of the year (and the worst one), as well as various interesting film events and happenings
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AUSTRALIANS REMEMBER : (AT, Robert Walker, 1977)
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AUSTRALIANSCREEN
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AUSTRALIEN SKIES : (AT, Don Meers, 2015)
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AUSTRAM
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Austrian avant-garde cinema 1955-1993 : A film series curated by Steve Anker, San Francisco Cinematheque, Sixpack Film / catalogue by Martin Arnold and Peter Tscherkassky [Vienna]: Sixpack Film, 1994.
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personality clippings file
AUTANT-LARA, CLAUDE
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personality clippings file
personality microfilm collection
AUTEUIL, DANIEL
Call No: PERSONALITY CLIPPINGS FILE
PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AUTEUIL, DANIEL
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AUTEUR THEORY
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: AUTEUR THEORY
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The auteur theory myths and magic in Metro Education (2000) iss.12 p.13-16
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AUTEUR TV : (AT, [1997-])
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Auteurs and authorship : a film reader / edited by Barry Keith Grant Malden, MA: Blackwell Publishing, 2008.
Call No: 621(04) GRAAuthor: Grant, Barry Keith Source: USPlace: Malden, MAPublisher: Blackwell PublishingPubDate: 2008PhysDes: xv, 323p. : ill. ; 25cmSubject: AUTEUR THEORY Summary: Collection of critical essays on film authorship.Notes: Includes bibliographic referencesISBN: 9781405153348Language: EnglishContents: A certain tendency of the French cinema (1954) / Francois Truffaut -- La politique des auteurs (1957) / Andre Bazin -- Films, directors, and auteurs (1962) / Ian Cameron -- Notes on the auteur theory in 1962 (1962) / Andrew Sarris -- Circles and squares (1963) / Pauline Kael -- The auteur theory (1969) (excerpt) / Peter Wollen -- Direction and authorship (1972) (excerpt) / V.F. Perkins -- Ideas of authorship (1973) / Edward Buscombe -- Ideology, genre, auteur (1977) / Robin Wood -- The death of the author (1968) / Roland Barthes -- The English cine-structuralists (1973) / Charles Eckert -- Alternatives to auteurs (1973) / Graham Petrie -- Women's cinema as counter-cinema (1973) / Claire Johnston -- Refocusing authorship in women's cinema (2003) / Angela Martin -- The men with the movie cameras (1972) / Richard Kosarzski -- Notes on a screenwriter's theory, 1973 (1974) / Richard Corliss -- Who makes the movies? (1976) / Gore Vidal -- Script/performance/text : performance theory and auteur theory (1978) / Peter Lehman -- Studio authorship (2006) (excerpt) / Jerome Christensen -- The producer as auteur (2006) / Matthew Bernstein -- Authorship, design, and execution (1987) / Bruce Kawin -- Hitchcock's imagery and art (1977) / Maurice Yacowar -- John Ford's Young Mr. Lincoln (1970) / editors of Cahiers du Cinema -- Towards an analysis of the Sirkian system (1972) / Paul Willeman -- My name is Joseph H. Lewis (1983) / Paul Kerr -- Authorship as a commodity: the art cinema and The cabinet of Dr. Caligari (1984) / Michael Budd -- The place of women in the cinema of Raoul Walsh (1974) / Claire Johnston and Pam Cook -- Female authorship reconsidered (the case of Dorothy Arzner) (1990) / Judith Mayne -- Man's favorite sport?--the action films of Kathryn Bigelow (2004) / Barry Keith Grant -- Todd Haynes and queer authorship (2006) / Michael DeAngelis -- Twoness in the style of Oscar Micheaux (1993) / J. Ronald Green -- Spike's joint (1998) (excerpt) / S. Craig Watkins.
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AUTHOR! AUTHOR! : (US, Arthur Hiller, 1982)
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AUTHOR: THE JT LEROY STORY : (US, Jeff Feuerzeig, 2016)
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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AUTHORSHIP
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Authorship and criticism / by Dugald Williamson Sydney: Local Consumption Publications, 1989.
Call No: 621 WILAuthor: Williamson, Dugald Edition: [2nd ed.]Place: SydneyPublisher: Local Consumption PublicationsPubDate: 1989PhysDes: 98 p. ; 21 cmSeries: Critical categories series ; no. 1Subject: AUTHORSHIP ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; WEIR, PETER Notes: Previous ed.: Sydney : Local Consumption Publication, [1986?]; Includes index; Bibliography: p. 89-94ISBN: 0949793167 (pbk.) : $10.00LON: anb94979316; 6320460
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journal article
Authorship and Hollywood in Wide Angle (1983) vol.5 iss.3 p.16-22
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book
Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd London: I.B. Tauris, 2012.
Call No: 81LYN TODAuthor: Todd, Antony Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: ix, 181 p. : ill. ; 24 cmSubject: AESTHETICS ; AUTEUR THEORY ; LYNCH, DAVID ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text.
Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.
This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURBNotes: includes bibliographical references; includes indexISBN: 9781848855809Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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AUTISM IN LOVE : (US, Matt Fuller, 2015) Digital clippings file available
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[Autism - who cares : stills file]
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AUTO FOCUS : (US, Paul Schrader, 2002)
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AUTO STORIES : (AT, Catherine Marciniak, 1999)
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AUTOBIOGRAPHY OF A PRINCESS : (UK, James Ivory, 1975)
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Autobiography of a princess, also being the adventures of an American film director in the land of the Maharajas / compiled by James Ivory ; photos. by John Swope and others ; screenplay by Ruth Prawer Jhabvala New York: Harper & Row, c1975.
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AUTOLUMINESCENT : ROLAND S. HOWARD : (AT, Richard Lowenstein and Lynn-Maree Milburn, 2011)
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AUTOMOBILES IN FILMS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AUTOMOBILES IN FILMS URL status: URL: 'http://file://Q:/S/AUTOMOBILES_IN_FILMS.zip'
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AUTOMOVIL GRIS, EL : (MX, Claudio Valdez Kuri, 2002)
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AUTOPSIE D'UN COMPLOT : (AE, Mohammed Salim Riad, 1978)
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AUTOPSY OF JANE DOE, THE : (UK/US, André Øvredal, 2016)
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AUTOPSY: THE LAST HOURS OF... [TV] : (UK, 2014-)
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AUTRE COTE DE LA MER, L : (FR, Dominique Cabrera, 1997)
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AUTRE HOMME, UNE AUTRE CHANCE, UN : (FR/US, Claude Lelouch, 1977)
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AUTRE NUIT, L' : (FR, Jean-Pierre Limosin, 1988)
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personality microfilm collection
AUTRY, GENE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AUTRY, GENE
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AUTUMN IN NEW YORK : (US, Joan Chen, 2000)
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AUX YEUX DU MONDE : (FR, Eric Rochant, 1990)
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AUZINS, IGOR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AUZINS, IGOR
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AVALANCHE : (US, Corey Allen, 1978)
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AVALANCHE : (AT, Andrew Vial, 1974)
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AVALANCHE EXPRESS : (IE, Mark Robson, 1979)
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AVALON : (US, Barry Levinson, 1990)
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AVALON : (JA, Mamoru Oshii, 2001)
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AVALON, PHILLIP
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AVALON, PHILLIP
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AVANIM : (IS, Raphael Nadjari, 2004)
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book
The avant-garde film : a reader of theory and criticism / edited by P. Adams Sitney New York: Anthology Film Archives, 1987.
Call No: 771 SITAuthor: Sitney, P. Adams Source: USPlace: New YorkPublisher: Anthology Film ArchivesPubDate: 1987PhysDes: xlv, 295 pages : illustrations ; 23 cmSeries: Anthology film archives series ; v. 3Subject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS ; UNDERGROUND FILMS Summary: "This is a comprehensive anthology of writings by and about avant-garde filmmakers, edited with an historical introduction by a noted authority on film. Several theoretical and critical articles appear here for the first time, while many others have been translated into English especially for this collection, making available to the reader the vivid and continuing debate about the essence of cinema which began with the Surrealist, Dadist and Constructivist filmmakers of the 1920s and which is an important and fascinating aspect of the history of the most modern art." - taken from back cover.Notes: Includes index (pp. 291-295). -- c1978ISBN: 0911689087Contents: P. Adams Sitney: Introduction -- Dziga Vertov: Selected Writings -- Sergei Eisenstein: On the Question of a Materialist Approach to Form -- Hans Richter: The Badly Trained Sensibility -- Jean Epstein: The Essence of Cinema -- Jean Epstein: For a New Avant-Garde -- Germaine Dulac: From "Visual and Anti-visual Films" -- Germaine Dulac: The Essence of the Cinema: The Visual idea -- Germaine Dulac: The Avant-Garde Cinema -- Atonin Artaud: Sorcery and the Cinema -- Joseph Cornell: Monsieur Phot -- Maya Deren: Cinematography: The Creative Use of Reality -- Sidney Peterson: Cine Dance and Two Notes -- James Broughton: Two Notes on Mother's Day -- John and James Whitney: Audio-Visual Music -- P. Adams Sitney: Harry Smith Interview -- Harry Smith: On Mahogany -- Carel Rowe: Illuminating Lucifer -- Stan Brakhage: from Metaphors on Vision -- Stan Brakhage: Letter to Yves Kovacs (On Surrealism) -- Stan Brakhage: Letter to Ronna Page (On Music) -- Peter Kubelka: The Theory of Metrical Film -- Stephen Koch: Andy Warhol's Silence -- Annette Michelson: Toward Snow -- Michael Snow: Two Letters and Notes on Films -- Jonas Mekas: The Diary Film -- P. Adams Sitney: Autobiography in Avant-Garde Film -- Ernie Gehr: Program Notes -- Anthony McCall: Two Statements -- Paul Sharits: Hearing:Seeing -- Paul Sharits: from "Words Per Page" -- Tony Conrad: A Few Remarks Before I Begin -- Hollis Frampton: Lecture -- Hollis Frampton: A Pentagram For Conjuring the Narrative
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AVANT-GARDE FILMS
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The avant-garde finds Andy Hardy / Robert B. Ray Cambridge, Mass.: Harvard University Press, 1995.
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AVANTAZ : (BU, Georgi Djulgerov, 1977)
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AVANTI : (US, Billy Wilder, 1972)
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AVANTI POPOLO : (IS, Raphi Bukaee, 1986)
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AVARY,ROGER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: Publicity; ClippingsSubject: AVARY,ROGER
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AVATAR : (US, James Cameron, 2009)
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AVATAR: THE WAY OF WATER : (US, James Cameron, 2022) Digital clippings file available
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AVATI, PUPI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: PublicitySubject: AVATI, PUPI
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AVDEI HASHEM : (IS, Hadar Friedlich, 2002)
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The avengers : Toby Miller Bath: Bath Press, 1997.
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AVENGERS : AGE OF ULTRON : (US, Joss Whedon, 2015)
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Avengers: age of ultron in Sunday Herald Sun [Arts & Entertainment] (26/04/2015) p.87
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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AVENGERS: ENDGAME : (US, Anthony Russo/Joe Russo, 2019)
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AVENGERS : INFINITY WAR : (US, Anthony Russo / Joe Russo, 2018)
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AVENGERS OF THE REEF : (AT, Chris McCullough, 1973)
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AVENGERS, THE : [TV] (UK, 1961-69)
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AVENGERS, THE : (US/UK, Jeremiah S. Chechik, 1998)
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AVENGERS, THE : (US, Joss Whedon, 2012)
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AVENGING ANGEL : (US, Robert Vincent O'Neil, 1985)
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AVENGING FORCE : (US, Sam Firstenberg, 1986)
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AVENTURE DE CATHERINE C. : (FR/IT, Pierre Beuchot, 1990)
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AVENTURERA : (MX, Alberto Gout, 1949)
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AVENTURES D’UN HEROS, LES : (?,Merzak Allouache, 1978)
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AVERAGE BLOKE : (AT, David Morgan, 2015)
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AVERY, JULIUS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: AVERY, JULIUS
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AVERY, SID
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AVERY, SID
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AVERY, TEX
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AVERY, TEX
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AVEUX LES PLUS DOUX, LES : (FR/AE, Edouard Molinaro, 1971)
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Aviation Australia [1982].
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AVIATOR, THE : (US, Martin Scorsese, 2004)
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AVICII TRUE STORIES : (SW/NE, Levan Tsikurishvili, 2017)
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AVID
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: AVID
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AVNET, JON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AVNET, JON
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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AVOCAT DE LA TERREUR, L' : (FR, Barbet Schroeder, 2007)
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AVONDALE DOGS : (NZ, Gregor Nicholas, 1994)
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AVSKEDET : (FI/SW, Tuija-Maija Niskanen, 1982)
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book
L'avventura / Geoffrey Nowell-Smith London: British Film Institute, 1997.
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L'avventura : a film / by Michelangelo Antonioni. From the filmscript by Michelangelo Antonioni with Elio Bartolini and Tonino Guerra New York: Grove Press, c1969.
Call No: 79AVV AVVAuthor: Antonioni, Michelangelo Source: USPlace: New YorkPublisher: Grove PressPubDate: c1969PhysDes: 288 p. : illus. ; 19 cmSubject: AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) Summary: Although Antonioni had already directed five features, L'Avventura was the first to bring him to worl-wide attention. A fim which makes no compromises with its audience, it was booed at the Cannes Film Destival (later winning a consolation prize from a critics' panel) and again at its New York premiere. Nevertheless, L'Avventura quickly made its way to large audiences and great critical acclaim. ..This volume includes an authentic scenario, reconstructed from the finished film, a number of interviews and critical pieces, and over 80 illustrations carefully keyed to the text.' -- Back coverLON: 67027887; 677596
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AVVENTURA, L' : (IT/FR, Michelangelo Antonioni, 1960)
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AWAIT FURTHER INSTRUCTIONS : (UK, Johnny Kevorkian, 2018)
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AWAITING FREEDOM - EAST TIMOR THROUGH THE EYES OF DR DAN : (AT, Sophie McNeill, 2001)
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AWAKE: THE LIFE OF YOGANANDA : (US, Paola di Florio and Lisa Leeman, 2014) Digital clippings file available
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poster
[Awake: The Life of Yogananda : poster]
Call No: P AWAPhysDes: 1 poster : col. ; 97 X 69cmSubject: AWAKE: THE LIFE OF YOGANANDA (US, Paola di Florio and Lisa Leeman, 2014) Summary: Image: close up of Paramahansa Yogananda's face in sepia on orange background. Text: 'The enlightening documentary about Hindu mystic Paramahansa Yogananda who brought yoga and meditation to the West.'Donation: Cinema Nova
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AWAKENING, THE : (UK, Mike Newell, 1980)
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AWAKENINGS : (US, Penny Marshall, 1990)
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AWARD SHOWS
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AWARDS Digital clippings file available
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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AWARDS.AACTA Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AWARDS. AACTA Cross Reference: AWARDS.AACTA
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AWARDS. AACTA. 2012
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AWARDS. ACADEMY Digital clippings file available
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AWARDS. AMERICAN FILM INSTITUTE
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AWARDS. APRA-AGSC SCREEN MUSIC
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AWARDS. ARENA'S GRAVEYARD SHIFTY FILMS
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AWARDS. ASIA-PACIFIC FILM AND TELEVISION
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AWARDS. ASTRA
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AWARDS. AUSTRALIA
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AWARDS.AUSTRALIA.LIVE AND LOVE
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AWARDS AUSTRALIAN FILM
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Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AWARDS. BRITISH ACADEMY OF FILM AND TELEVISION ARTS URL status: URL: 'http://file://Q:/S/AWARDS.BAFTA.zip'
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AWARDS. CAFE NESCAFE SHORT
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AWARDS. CRITICS' CHOICE MOVIE
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AWARDS. EUROPEAN
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AWARDS. FILM CRITIC'S CIRCLE OF AUSTRALIA
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AWARDS. GOLDEN GLOBE Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AWARDS. GOLDEN GLOBE URL status: URL: 'http://file://Q:/S/AWARDS.GOLDEN_GLOBES.zip'
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AWARDS. GOLDEN RASPBERRY
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AWARDS. IF
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AWARDS. INDEPENDENT SPIRIT
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AWARDS. INSIDE FILM
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AWARDS. IRISH FILM AND TELEVISION
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AWARDS. LOGIE Digital clippings file available
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AWARDS. LONDON FILM CRITICS CIRCLE
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AWARDS. LOS ANGELES FILM CRITICS ASSOCIATION
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AWARDS. LOTTIE LYLE
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AWARDS. MOBY
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AWARDS. NATIONAL BOARD OF REVIEW OF MOTION PICTURES
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AWARDS. NATIONAL SOCIETY OF FILM CRITICS
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AWARDS. NEW YORK FESTIVALS INTERNATIONAL
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AWARDS. NEW YORK FILM CIRCLE
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AWARDS. NICKELODEON KIDS CHOICE
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AWARDS. OOMPH (WA Film & Television Institute)
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AWARDS. OZZIES
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AWARDS. PEGASUS
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AWARDS. PENGUIN
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AWARDS. PEOPLE'S CHOICE
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AWARDS. PRODUCERS & DIRECTORS GUILD OF AUSTRALIA
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AWARDS. PRODUCERS GUILD OF AMERICA
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AWARDS. QUEENSLAND NEW FILMMAKER
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AWARDS. RAYMOND LONGFORD
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AWARDS RAZZIES Digital clippings file available
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AWARDS.ROBIN ANDERSON FILM
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AWARDS. SAMMY
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AWARDS, SCREEN IT!
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AWARDS. SCREEN PRODUCERS AUSTRALIA
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AWARDS, SHORT POPPY
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AWARDS. UNITED STATES
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AWARDS. US. AUSTRALIANS IN FILM BREAKTHROUGH
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AWARDS. VICTORIA. FUTURE SHOTS
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AWARDS. VICTORIA. GREG TEPPER
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AWARDS. WA SCREEN
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AWARDS. WRITERS GUILD OF AMERICA
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AWARDS. YOUNG AT HEART SHORT FILM
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AWAY FROM HER : (CN, Sarah Polley, 2006)
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newspaper article
Away from the light in The Age [E.G.] (14/04/2017) p.1
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AWAY WE GO : (US/UK, Sam Mendes, 2009)
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AWAY WITH WORDS : (HK/JA/SI, Christopher Doyle, 1999)
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AWFUL TRUTH, THE : (US, Leo McCarey, 1937)
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AWFULLY BIG ADVENTURE, AN : (UK, Mike Newell, 1995)
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AWKWARD MOMENT, THE : (US, Tom Gormican, 2014)
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Awkward translation of refugee tales in The Age (06/10/2016) p.27
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AWOL : (US, Deb Shoval, 2016)
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AXEL, GABRIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: AXEL, GABRIEL
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AXELROD, GEORGE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AXELROD, GEORGE
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AY CARMELA! : (SP/IT, Carlos Saura, 1990)
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AYA : (AT, Solrun Hoaas, 1990)
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AYAM FI LONDON : (LE, Samir Al Ghosaini, 1978)
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AYKROYD, DAN
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AYLETT, CAROLE-ANN
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AYN RAND: A SENSE OF LIFE : (US, Michael Paxton, 1998)
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AYNEH : (IR, Jafar Panahi, 1997)
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AYRES, LEW
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AYRES, LEW
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AYRES, TONY
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AYYAR, SURESH
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AYYAR, SURESH
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AZ FILMS
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journal article
AZ Films buys into quality in Australasian Cinema (28/1/1983) vol.12 iss.1 p.4, 6
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AZARIA: A QUESTION OF EVIDENCE : (AT, Kevin Hitchcock, [1984])
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AZARIA, HANK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: AZARIA, HANK
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AZCONA, RAFAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AZCONA, RAFAEL
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AZIZA : (TI/AE, Abdel Latif Ben Ammar, 1980)
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AZMI, SHABANA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AZMI, SHABANA
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AZUCAR AMARGA : (US, Leon Ichaso, 1996)
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AZUL : (US, Roland Legiardi-Laura, 1988)
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AZUMI : (JA, Ryuhei Kitamura, 2003)
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B.A.P.S. : (US, Robert Townsend, 1997)
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B, BETH & SCOTT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: B, BETH & SCOTT
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B'Glal Hamilhamah Hahi : IS, Orna Ben-Dor-Niv, 1989
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014.
Call No: 730.2 BISAuthor: Perkins, Claire ; Verevis, Constantine Source: USPlace: Albany, New YorkPublisher: State University of New York PressPubDate: c2014PhysDes: xi, 262 pages : illustrations ; 24 cmSubject: AESTHETICS ; AUTHORSHIP ; B-MOVIES ; CULT FILMS ; CULTURE AND THE CINEMA ; EXPLOITATION FILMS ; POLITICS AND THE CINEMA ; SUBTITLES ; CANDY (AT, Neil Armfield, 2005) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781438449951Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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B. L. STRYKER [TV] : (US. 1989-1990)
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B. MONKEY : (UK, Michael Radford, 1996)
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B-MOVIES Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: B-MOVIES URL status: URL: 'http://file://Q:/S/B-MOVIES.zip'
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B-TEAM, THE : [TV] (AT, 2005)
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still
[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer.Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE ; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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[Ba weng bei ji : Gong Li as Juxian a young lady in 20th century China.] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; LI, GONG ; KAIGE, CHEN Summary: Gong Li wearing a qi-pao stares off into the distance with intent, she has her hair parted and pulled back revealing drop pearl ear rings. The image shoes a soft focus leading the woman to have a glowing effectNotes: Minor abrasions on the bottom right corner; Adhesive label on reverse of the photograph
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BAADER MEINHOF KOMPLEX, DER : (G/FR/CZ, Uli Edel, 2008)
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BAAL : (GW, Volker Schlöndorff, 1970)
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BAARD, ROB
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BAARD, ROB
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BAAROUA, LIDA
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BAB EL-OUED CITY : (FR/AG/GG/SZ, Merzak Allouache, 1994)
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The Babadook / by Jennifer Kent 2012. Digital clippings file available
Call No: S BABAuthor: Kent, Jennifer Edition: Draft 6.6PubDate: 2012PhysDes: 96 leaves : 30 cmSubject: BABADOOK , THE (AT, Jennifer Kent, 2014) Notes: Unpublished Script -- Developed at the Binger Writers Lab (Amsterdam) and with assistance from Screen Australia, Screen NSW, Waking Dream Productions and the Screen Australia Enterprise Program -- Producer Kristina Ceyton, Causeway Film c2011.Donation: Australian Academy Cinema Television and ArtsURL status: URL: 'http://file://Q:/scripts/BABADOOK,_THE.zip'
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BABADOOK , THE : (AT, Jennifer Kent, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BABADOOK , THE (AT, Jennifer Kent, 2014) URL status: URL: 'http://file://Q:/T/BABADOOK,_THE.zip'
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journal article
Babaouo in Cinemages (August 1 1958) vol.2 iss.9 p.19
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BABAR: THE MOVIE : (CN/FR, Alan Bunce, 1989)
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BABATU : (NG/FR, Jean Rouch, 1976)
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BABBIT, JAMIE
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BABE : (AT, Chris Noonan, 1995) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Publicity; Stills; ClippingsSubject: BABE (AT, Chris Noonan, 1995) Notes: Stills in closed access. Please see staff.URL status: URL: 'http://file://Q:/T/BABE.zip'
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book
Babe / Dick King-Smith ; illustrated by Mary Rayner. Ringwood, Vic: Puffin, 1995.
Call No: N79BAB KINAuthor: King-Smith, Dick Edition: Tv and film tie-in ed.Source: ATPlace: Ringwood, VicPublisher: PuffinPubDate: 1995PhysDes: 118 p : ill. ; 20 cmSubject: BABE (AT, Chris Noonan, 1995) Notes: Originally published as The sheep-pig c1983. -- Film directed by Chris Noonan and starring James Cromwell and Magda Szubanski-Back Cover.ISBN: 0140381430
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book
The Babe activity book / Troy Alexander and Alison Graham (compilers) Penguin Books, 1995.
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BABE: PIG IN THE CITY : (AT, George Miller, 1998)
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[Babe: stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 26 x 21cmSubject: CROMWELL, JAMES ; BABE (AT, Chris Noonan, 1995) Summary: 2 black and white photographs of Babe film poster and James Cromwell sitting with Babe.
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BABE, THE : (US, Arthur Hiller, 1992)
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BABEL : (US/MX, Alejandro Gonzalez Ioarritu, 2006)
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BABES IN ARMS : (US, Busby Berkeley, 1939)
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BABETTES GAESTEBUD : (DK, Gabriel Axel, 1987)
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BABI LETO : (CZ, Vladimir Michalek, 2004)
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[BABIES, SNAKES & BARKING DOGS - KEITH HARING IN AUSTRALIA] : (AT, Robert Alcock, [1985])
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BABINGTON, ANDREW
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BABY : (G, Philipp Stolzl, 2002)
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Baby : a shaggy dinosaur story from Walt Disney Productions in Cinefantastique (January 1985) vol.15 iss.1 p.23, 50
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BABY BATH MASSACRE / Warik Lawrence [1994].
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BABY BLUE MARINE : (US, John Hancock, 1976)
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BABY BOOM : (US, Charles Shyer, 1987)
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BABY BOY : (US, John Singleton , 2001)
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BABY DOLL : (US, Elia Kazan, 1956)
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Baby doll : the script for the film / Tennessee Williams Harmondsworth: Penguin Books in association with Secker and Warburg, 1957.
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BABY DONE : (NZ, Curtis Vowell, 2020) Digital clippings file available
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BABY DRIVER : (UK/ US, Edgar Wright, 2017)
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BABY FACE NELSON : (US, Donald Siegel, 1957)
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BABY GENIUSUES : (US, Bob Clark, 1999)
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BABY IT'S YOU : (US, John Sayles, 1983)
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journal article
Baby it's you in Fade-in (August 1986) vol.26 iss.8 p.1
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BABY M : [TV] (US, James Steven Sadwith, 1988)
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BABY MAMA : (US, Michael McCullers, 2008)
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BABY OF MACON, THE : (NE/FR, Peter Greenaway, 1993)
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BABY'S DAY OUT : (US, Patrick Read Johnson, 1994)
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BABY-SECRET OF THE LOST LEGEND : (US, B.W.L. Norton, 1985)
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BABY-SITTERS CLUB, THE : (US, Melanie Mayron, 1995)
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BABY SITTERS CLUB [TV] : (US, 2020) Digital clippings file available
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title clippings file
BABY SNAKES : (US, Frank Zappa, 1979)
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journal article
Baby snakes in Variety (26th December 1979) vol.297 iss.8 p.13
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BABYFATHER [TV] : (UK, Alrick Riley, 2001-)
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BABYFEVER : (US, Henry Jaglom, 1994)
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BABYLON : (UK, Franco Rosso, 1980)
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BABYLON 5 [TV] : (US, 1994 - 1998)
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BABYLON A.D. : (FR/UK, Mathieu Kassovitz, 2008)
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BABYMOTHER : (UK, Julian Henriques, 1998)
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BABYSITTER, THE : (US, Guy Ferland, 1994)
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journal article
Babystrich im sperrbezirk in Kino (1983) iss.2 p.1
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BABYTEETH : (AT, Shannon Murphy, 2019) Digital clippings file available
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script
Babyteeth / written by Rita Kalnejais 12/02/2019. Digital clippings file available
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personality clippings file
BACALL, LAUREN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BACALL, LAUREN
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personality microfilm collection
BACH, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BACH, JOHN
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personality clippings file
BACHCHAN, AMITABH
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title clippings file
BACHEHA-YE ASEMAN : (IR, Majid Majidi, 1997)
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BACHELOR AUSTRALIA, THE [TV] : (AT, 2013)
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BACHELOR GIRL : (AT, Rivka Hartman, 1987)
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BACHELOR PARTY : (US, Neal Israel, 1984)
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BACHELOR, THE : (US, Roberto Faenza, 1991)
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BACHELOR, THE : (US, Gary Sinyor, 1999)
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BACHELOR WEEKEND, THE : (IE, John Butler, 2013) Digital clippings file available
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BACHELORETTE : (US, Leslye Headland, 2012)
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BACHELORETTE, THE [TV] : (AT, 2015-)
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BACHLEDA, ALICJA
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BACHMAN-TURNER OVERDRIVE : (CN, W. Peter Allies, 1976)
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BACHMANN, GIDEON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BACHMANN, GIDEON
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personality microfilm collection
BACIA, JENNIFER
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BACIA, JENNIFER
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title clippings file
BACIAMI ANCORA : (IT/FR, Gabriele Muccino, 2010)
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title clippings file
BACIO DI TOSCA, IL : (SZ, Daniel Schmid, 1984)
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BACK CHAT [TV] : (AT, 1986 - 1995)
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BACK, FREDERIC
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: PublicitySubject: BACK, FREDERIC
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BACK IN ACTION : (US, Seth Gordon, 2022) Digital clippings file available
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BACK IN THE USSR : (US, Deran Sarafian, 1992)
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title clippings file
BACK IN TIME FOR DINNER [TV] : [TV] (AT, 2018 - )
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title clippings file
BACK IN VERY SMALL BUSINESS [TV] : (AT, 2018-)
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book
Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988.
Call No: 71(94) BACCopy Management: Copy 1; Copy 2Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial AuthorityPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1988PhysDes: viii, 112 p. : ill., ports. ; 23 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; MILLER, GEORGE ; HAYES, TERRY ; KENNEDY MILLER ENTERTAINMENT ; LANDSCAPES IN FILMS. AUSTRALIA ; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copyISBN: 0731643909LON: 6280621Contents: George Miller, p34-43 -- Terry Hayes, p44-51.URL status: URL: 'http://-'
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BACK OF BEYOND : (AT, Michael Robertson, 1994)
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book
The back of beyond / a compilation by Eric Else for use in studying John Heyer's film of inland Australia London: Longmans, 1968.
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book
The back of beyond / Sylvia Lawson Canberra: Currency Press, National Film and Sound Archive, 2013.
Call No: 79BAC LAWAuthor: Lawson, Sylvia CorpAuthor: Australian Screen ClassicsSource: ATPlace: Strawberry Hills, NSW; CanberraPublisher: Currency Press; National Film and Sound ArchivePubDate: 2013PhysDes: viii, 76 pages : illustrations ; 19 cmSeries: Australian screen classics, 1447-557XSubject: DOCUMENTARY FILMS. AUSTRALIA ; HEYER, JOHN ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The Back of Beyond is a 1954 documentary celebrating the life and times of Australia's best known Royal Mail driver Tom Kruse in outback central Australia. It tells the story of how he battled isolation, heat, sand and flood to deliver mail, stores and supplies to the families along the 517 kilometre Birdsville Track. In her book, Lawson gives an in-depth and thoughtful critique of the film, giving its historical context within documentary tradition.Notes: Includes bibliographical references and filmography; Co-published with National Film and Sound ArchiveISBN: 9780868199757ISSN: 1447-557XContents: -- Part one: Before Television,After Grierson -- Part two: 'A Carrier Called Kruse' --
Part three: On to the Track -- Part four: The Education of a Director -- Part five: Tracking Documentary -- Part six: East of Maralinga -- Part seven: The Lectern and the Water-Cart -- Part eight: A Film in Rear Vision -- Part nine: 'Poetry and Earthiness' -- Part 10: History Lessons, Scenic Flights
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BACK OF BEYOND, THE : (AT, John Heyer, 1953)
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BACK OF THE NET : (AT, Louise Alston, 2018)
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BACK ROADS : (US, Martin Ritt, 1981)
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BACK ROADS [TV] : (AT, 2015 - )
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BACK STREET : (US, John M. Stahl, 1932)
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BACK TO SCHOOL : (US, Alan Metter, 1986)
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BACK TO THE BEACH : (US, Lyndall Hobbs, 1987)
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BACK TO THE FUTURE : (US, Robert Zemeckis, 1985) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BACK TO THE FUTURE (US, Robert Zemeckis, 1985) URL status: URL: 'http://file://Q:/T/BACK_TO_THE_FUTURE.zip'
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book
Back to the future / a novel by George Gipe ; based on a screenplay by Robert Zemeckis and Bob Gale London: Corgi, 1985.
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book
Back to the future / Andrew Shail & Robin Stoate London ; New York: Palgrave Macmillan, 2010.
Call No: 79BAC SHAAuthor: Shail, Andrew ; Stoate, Robin Source: UKPlace: London ; New YorkPublisher: Palgrave MacmillanPubDate: 2010PhysDes: 117 p. : col. ill. ; 19 cmSeries: BFI film classicsSubject: BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) Summary: Back to the Future was the top-grossing film of 1985 and the eighth highest-grossing film of the 1980s. It was nominated for an Oscar and a Golden Globe for Best Original Screenplay in 1986, and won the 1986 People's Choice Award for Favourite Motion Picture. Co-written and directed by Spielberg protégé Robert Zemeckis, it became a landmark of 'New New Hollywood' and has continued to grow in popularity, voted 20th in Empire magazine's 2006 readers' poll of the best films of all time. In 2007, the United States Library of Congress deemed Back to the Future to be 'culturally, historically or aesthetically' significant enough to be 'preserved for all time' in the National Film Registry. Other choices that year included such classics as The Man Who Shot Liberty Valance (1962), Now, Voyager (1942), Oklahoma! (1955) and 12 Angry Men (1957).
Andrew Shail and Robin Stoate's study of the film places it in the historical context of Reaganite America and the cinematic context of the 'New New Hollywood' and Zemeckis's film-making career. They discuss the film's treatment of time travel and its depiction of the potential and pitfalls of science and of atomic energy. Shail and Stoate consider Back to the Future's attitudes towards teen culture of the 1980s and the 1950s, seen in the film as a period in which traditional 'American' values and gender roles held sway to the benefit of family and community life, in contrast to the more troubled decade from which Marty McFly begins his time-travelling adventures. -- Extract taken from the back of the book.Notes: A BFI book published by Palgrave Macmillan --
Includes bibliographical references.ISBN: 9781844572939Contents: You're gonna see some serious shit : new new Hollywood in action -- The 1950's and teen culture -- The 1950's imagined in the 1980s -- Film and time -- Conclusion : your kids are gonna love it.
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BACK TO THE FUTURE PART II : (US, Robert Zemeckis, 1989)
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Back to the future part II / Craig Shaw Gardner London: Headline, 1989.
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BACK TO THE FUTURE PART III : (US, Robert Zemeckis, 1990)
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BACK TO THE HAPPY EVER AFTER : (AT, Shane Carn & Philip "Sunday" Hopkins & Michael Carn, 1994)
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BACK TO THE OUTBACK : (US/AT, Harry Cripps, Clare Knight, 2021) Digital clippings file available
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BACK TO YOU : [TV](US, James Burrows, 2007)
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BACK-UP PLAN, THE : (US, Alan Poul, 2010)
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BACKBEAT : (UK, Ian Softley, 1994)
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script
Backbeat [1993].
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title clippings file
BACKBERNER [TV] : (AT, 1999-2002)
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book
The backchat book / Tim Bowden Crows Nest, N.S.W.: ABC Enterprises for the Australian Broadcasting Corporation, 1990.
Call No: 79 BAC BOWAuthor: Bowden, Tim CorpAuthor: Australian Broadcasting CorporationSource: ATPlace: Crows Nest, N.S.W.Publisher: ABC Enterprises for the Australian Broadcasting CorporationPubDate: 1990PhysDes: 152 p. ; b&w ill. : 25cmSubject: BACKCHAT [TV] (AT, 1986-) ISBN: 0733300006Language: English
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BACKDRAFT : (US, Ron Howard, 1991)
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BACKFIRE : (US, Gilbert Cates, 1987)
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personality clippings file
BACKHOUSE, CHRIS
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Crawford collection
script
Backlands / written by John Reeves AT: 1999?].
Call No: SC BACAuthor: Reeves, John Place: ATPubDate: 1999?]PhysDes: 122 leaves ; 35 cmSubject: BACKLANDS [TV] ( AT/ G, 1999) Notes: Unpublished script -- Marked up script -- Includes continuity report , amendments -- Scriptwriter details obtained from media kitDonation: Gift of Crawford Productions
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Crawford collection
script
[Backlands] : picture analysis based on draft script three AT: [1999?].
Call No: SC BACPlace: ATPubDate: [1999?]PhysDes: 112 leaves ; 35 cmSubject: BACKLANDS [TV] ( AT/ G, 1999) Notes: Contains picture analysis for each scene -- The analysis for each scene includes main character, scene's course of events, character's composure and the scene's function. The scene's function is further subdivided into intended effect and transformation/meansDonation: Gift of Crawford Productions
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Crawford collection
crawford publicity bac
[Backlands. Publicity ]
Call No: CRAWFORD PUBLICITY BACPhysDes: 31 leaves ; 30 cmSubject: BACKLANDS [TV] ( AT/ G, 1999) Summary: Media Information kit for the telemovie 'Backlands'Notes: Media information kit (30 leaves) -- Telefax (1 leaf)Donation: Gift of Crawford Productions
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Crawford collection
script
[Backlands. Storyboard] AT:
Call No: SC BACPlace: ATPhysDes: 105 leaves ; 30 cmSubject: BACKLANDS [TV] ( AT/ G, 1999) Notes: A storyboard containing black and white drawings and annotations of scenes for the telemovie 'Backlands' -- Some duplicate pagesDonation: Gift of Crawford Productions
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title clippings file
BACKLASH : (AT, Bill Bennett, 1986)
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poster
[Backlash : poster]
Call No: P BACPhysDes: 1 poster : col. ; 76 X 51 cm.Subject: BACKLASH (AT, Bill Bennett, 1986) Summary: Image: photo of three characters in black and white.Notes: Some fold lines.
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title clippings file
BACKPACKER, THE : (AT, Dion Boland, 2011)
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journal article
Backroads in Empire (Australian Ed.) (December 2004) iss.45 p.112
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title clippings file
BACKROADS : (AT, Philip Noyce, 1977)
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title clippings file
BACKS TO THE BLAST : (AT, Harry Bardwell, 1981)
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still
[Backsai, Juliet : portrait of Juliet Backsai from the film 'Inside looking out'] 1977.
Call No: PERSONALITY STILLSource: ATPubDate: 1977PhysDes: 1 photograph : b&w ; 23 x 16 cm.Subject: INSIDE LOOKING OUT (AT, Paul Cox, 1977) ; BACKSAI, JULIET Summary: Interior shot of Juliet Backsai sitting on a couch looking at a photograph of a women.Notes: details on reverse in blue pen and pencil
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BACKSLIDING : (AT/UK, Simon Target, 1991)
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still
[Backsliding : stills file] Palace Entertainment,
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BACKSTAGE : (AT, Jonathan Hardy, 1988)
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BACKSTAGE : (US, Chris Fiore, 2000)
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BACKSTAGE AT THE KIROV : (US, Derek Hart, 1983)
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book
Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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book
Backstory 3 : interviews with screenwriters of the 1960s / Pat McGilligan Berkeley: University of California Press, 1997.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1997PhysDes: viii, 428 p. : ill. ; 24 cmSubject: ALLEN, JAY PRESSON ; AXELROD, GEORGE ; BERNSTEIN, WALTER ; FOOTE, HORTON ; GREEN, WALON ; GRIFFITH, CHARLES B. ; HAYES, JOHN MICHAEL ; LARDNER, RING, Jr. ; MATHESON, RICHARD ; MAYES, WENDELL ; RAVETCH, IRVING ; FRANK, HARRIET ; SCHULMAN, ARNOLD ; SILLIPHANT, STIRLING ; SOUTHERN, TERRY Notes: Includes bibliographical references (p. 401-406) and indexesISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)Order Received: 1997LON: 96044753; 12803455
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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digital clippings file
BACKTRACK : (AT, Michael Petroni, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BACKTRACK (AT, Michael Petroni, 2015) URL status: URL: 'http://file://Q:/T/BACKTRACK.zip'
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BACKTRACK BOYS : (AT, Catherine Scott, 2018)
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poster
[Backtrack boys: poster] / Screen Australia AT: 2018.
Call No: P BACPlace: ATPubDate: 2018PhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BACKTRACK BOYS (AT, Catherine Scott, 2018) Summary: Image: Outline of a sitting dog with images from the film inside. Text: 'Wild boys and the dogs that tame them'.Notes: 4 copies heldDonation: Cinema Nova
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personality microfilm collection
BACKUS, JIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BACKUS, JIM
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BACKYARD ASHES : AT, Mark Grentell, 2013
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BACON, KEVIN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BACON, KEVIN
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BACON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BACON, MICHAEL
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personality clippings file
BACON, RUSSELL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BACON, RUSSELL
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BACON, TIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BACON, TIM
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personality clippings file
BACRI, JEAN-PIERRE
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title clippings file
BAD 25 : (US, Spike Lee, 2012)
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BAD AND THE BEAUTIFUL, THE : (US, Vincente Minnelli, 1952)
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title clippings file
BAD ASS MONO-WINGED ANGEL : (AT, Kieran Galvin, 2001)
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still
[Bad ass mono-winged angel : stills file]
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title clippings file
BAD BABY AMY : (AT, Anthony Lucas, 2001)
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title clippings file
BAD BANKS [TV] : (GG/LU, 2018-)
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BAD BATCH, THE : (US, Ana Lily Amirpour, 2016)
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BAD BEHAVIOUR : (UK, Les Blair, 1993)
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BAD BEHAVIOUR : (AT, Joseph Sims, 2010)
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title clippings file
BAD BLOOD : (NZ, Mike Newell, 1981)
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BAD BLOOD : (AT, David Pulbrook, 2017)
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script
Bad blood / screenplay by David Pulbrook ; based on an original story by Patrick Edgeworth ; script consultants Joe Forte and Charlie Carman. AT: 2016.
Call No: S BADAuthor: Pulbrook, David Edition: Shooting scriptPlace: ATPubDate: 2016PhysDes: 86 leaves ; 30 cm.Subject: BAD BLOOD (AT, David Pulbrook, 2017) Summary: "A story of family, loyalty, deceit, power, greed, and ultimately revenge. Montreal Mafia boss Vito Rizzuto is a criminal anomaly. Determined to bring peace to the disparate wings of the Montreal crime world of the day, Rizzuto successfully unifies them, serving as a de facto CEO while ensuring a lucrative payday for all. When Rizzuto is suddenly arrested and extradited to Colorado's Supermax Prison for the 1981 murders of three Bonanno crime family members, the powerful empire he built begins to crumble. Rizzuto watches helplessly until his release from prison in October 2012, when a Shakespearean tale of revenge begins to unfold. " - Written by IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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Bad Boy Bubby / Rolf de Heer Sydney: Currency Press, 1996.
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BAD BOY BUBBY : (AT, Rolf de Heer, 1993)
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Bad Boy Bubby in Empire (Australian Ed.) (August 2005) iss.53 p.108
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Bad Boy Bubby / Gabrielle Murray (author) Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 79 BAD MURAuthor: Murray, Gabriel Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 152 pages : illustrations ; 19 cm.Series: controversiesSubject: BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CENSORSHIP. AUSTRALIA ; CENSORSHIP. UK ; ANIMALS IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITEISBN: 9780230296769Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index
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still
[Bad Boy Bubby : stills file] Roadshow Film Distributors,
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title clippings file
BAD BOYS : (US, Michael Bay, 1995)
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BAD BOYS : (US, Richard Rosenthal, 1983)
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journal article
'Bad Boys' in Australasian Cinema (22/7/1983) vol.12 iss.13 p.6
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BAD BOYS FOR LIFE : (US/MX, Adil El Arbi & Bilall Fallah, 2020)
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BAD BOYS II : (US, Michael Bay, 2003)
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BAD BUSH : (AT, Samuel Genochhio, 2009)
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BAD BUSH : (AT, Samuel Genocchio, 2009)
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title clippings file
BAD COMPANY : (US, Damian Harris, 1995)
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BAD COMPANY : (US, Joel Schumacher, 2002)
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title clippings file
BAD COP, BAD COP [TV] : (AT, 2002)
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BAD CREDIT AND ALIENS : (AT, Michael Mono, 2001)
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title clippings file
BAD DREAMS : (US, Andrew Fleming, 1988)
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BAD EGGS : (AT, Tony Martin, 2002)
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script
Bad eggs 2002.
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title clippings file
BAD GENIUS : (TH, Nattawut Poonpiriya, 2017)
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title clippings file
BAD GIRL : (AT, Fin Edquist, 2016)
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script
Bad girl / story by Fin Edquist and Steve Kearney. AT: 2015.
Call No: S BADAuthor: Edquist, Fin ; Kearnery, Steve Edition: 9th draft (shooting)Place: ATPubDate: 2015PhysDes: 86 leaves ; 30 cm.Subject: BAD GIRL (AT, Fin Edquist, 2016) Summary: "Bad girl Amy, 17, is given one last chance by her adoptive parents, who think Amy's friendship with local girl Chloe is a step in the right direction. But when Amy discovers Chloe's secret she finds herself fighting for her life, and for the future of the family she herself tried to destroy." Written by Producers - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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BAD GIRLS : (US, Jonathan Kaplan, 1994)
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BAD GIRLS : (US, Amos Kollek, 1993?)
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BAD GIRLS GO TO HELL : (US, Doris Wishman, 1965)
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title clippings file
BAD GUY : (K, Kim Ki-duk, 2001)
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subject clippings file
BAD GUYS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BAD GUYS
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BAD GUYS : (US, Joel Silberg, 1986)
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Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee New York: Palgrave Macmillan, 2012.
Call No: 45:93 MCGAuthor: McGee, Patrick Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2012PhysDes: 209 p. ; 22 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; INGLOURIOUS BASTERDS (US/G, Quentin Tarantino, 2009) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; TITANIC (US, James Cameron, 1997) Summary: "In his latest book, Patrick McGee argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds. Through philosophical and historical contextualization, he reveals the logic of what appears on the screen, a logic that shows how these films both represent and distort the historical record in order to articulate a truth that challenges conventional history as a discipline. Counterdisciplinary in its method, this exciting work asserts that no movie can ever be reduced to the absolutely authentic or the absolutely inauthentic." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780230116511Contents: -- acknowledgments -- Introduction: truth, history, and counterdisciplinary practices in film studies -- 1: Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. -- 2: Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent -- 3: "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse-- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds -- works cited -- index --
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BAD INFLUENCE : (US, Curtis Hanson, 1990)
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BAD KARMA : (US/AT, Suri Krishnamma, 2012)
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BAD KIDS, THE : (US, Keith Fulton / Louis Pepe, 2016)
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BAD LANGUAGE IN FILMS Digital clippings file available
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"BAD LANGUAGE" ON TV
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BAD LIEUTENANT : (US, Abel Ferrara, 1992)
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BAD LIEUTENANT: PORT OF CALL NEW ORLEANS : (US, Werner Herzog, 2009)
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journal article
Bad loser in Federation news (September 1979) iss.101 p.4
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BAD MANNERS : (US, Jonathan Kaufer, 1997)
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BAD MEDICINE : (US, Harvey Miller, 1985)
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BAD MOMS : (US, Jon Lucas & Scott Moore, 2016)
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BAD MOMS 2, A : (US/C, Jon Lucas & Scott Moore, 2017)
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BAD MOON : (US, Eric Red, 1996)
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BAD MOTHERS [TV] : (AT, 2019)
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BAD NEIGHBOURS 2 : (US, Nicholas Stoller, 2016)
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BAD NEWS BACHELOR : (AT, Franco Di Chiera, 1990)
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BAD NEWS BEARS : (US, Richard Linklater, 2005)
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BAD NEWS BEARS GO TO JAPAN : (US, John Berry, 1978)
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BAD NEWS BEARS, THE : (US, Michael Ritchie, 1976)
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BAD RAP : (US, Salima Koroma, 2016) Digital clippings file available
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BAD REPUTATION : (US, Kevin Kerslake, 2018)
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BAD SANTA : (US, Terry Zwigoff, 2003)
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BAD SANTA 2 : (US, Mark Waters, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BAD SANTA 2 (US, Mark Waters, 2016) URL status: URL: 'http://file://Q:/T/BAD_SANTA_TWO.zip'
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BAD SEED, THE : (US, Mervyn Leroy, 1956)
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BAD SISTER, THE : (UK, Laura Mulvey & Peter Wollen, 1983)
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BAD SOCIETY, THE : (AT, Jim Stevens & Gil Scrine & Mike Jacob, 1977)
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[Bad society, the : stills file]
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BAD TASTE : (NZ, Peter Jackson, 1988)
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BAD TEACHER : (US. Jake Kasdan, 2011)
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BAD TIMES AT THE EL ROYALE : (US, Drew Goddard, 2018)
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