Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED AND TWENTY-SEVEN] 127 HOURS (UK/US, Danny Boyle, 2010)

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFL INSIDER (AT, 2010-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AIN'T IN IT FOR MY HEALTH: A FILM ABOUT LEVON HELM (US, Jacob Hatley, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE IN WONDERLAND (US, Tim Burton, 2010)
URL status: URL: 'http://file://Q:/T/ALICE_IN_WONDERLAND.2010.zip' Checked: 31/08/2021 1:19:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGSFILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI)
Author: Hawker, philippa
PhysDes: Clippings File_Article
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949); ALICE IN WONDERLAND (US, Tim Burton, 2010); ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)
Summary: Review of new "Alice" exhibition coming to ACMI discussing ongoing interpetation's of Carroll's work.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN, THE (US, Anton Corbijn, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOURS IMAGINAIRES, LES (CA, Xavier Dolan, 2010); HEARTBEATS (CA, Xavier Dolan, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGELE ET TONY (FR, Alix Delaporte, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGELS IN NEW YORK [TV] (AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANOTHER YEAR (UK, Mike Leigh, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANTON CHEKHOV'S THE DUEL (US, Dover Koshashvili, 2010)

Call No: 408.1(94) WEA
Author: Weaver, Roslyn
Source: US
Place: Jefferson, N.C.
Publisher: McFarland & Company Inc.
PubDate: c2011
PhysDes: x, 230 p. : ill., maps ; 23 cm
Series: Critical explorations in science fiction and fantasy ; 28
Subject: APOCALYPSE IN FILMS; DISASTERS IN FILMS; SCIENCE-FICTION FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MAD MAX [...] (AT, 1979-85); TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010)
Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisher
Notes: Includes bibliographic references and index
ISBN: 978-0-7864-6051-9
Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novels
ID2: 189

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARBOR, THE (UK, Clio Barnard, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARCTIC BLAST (CN, Brian Trenchard-Smith, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARGUES, THE (AT, Mark Hembrow, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARNACOEUR, L' (FR/MC, Pascal Chaumeil, 2010); HEARTBREAKER (FR/MC, Pascal Chaumeil, 2010)

Call No: 79 ART PER
Author: Perkins, Hetti
Place: Carlton, Victoria
Publisher: Miegunyah Press
PubDate: 2010
PhysDes: 288 p. : illus. ; 29 cm
Subject: ART AND SOUL [TV] (AT, Warwick Thornton, 2010)
Notes: The companion to the major ABC Television series
ISBN: 9780522857634

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ART AND SOUL [TV] (AT, Warwick Thornton, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATTENBERG (GR, Athina Rachel Tsangari, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AURORA (RM/FR/SZ/GG, Cristi Puiu, 2010)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA. 2010

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA VERSUS [TV] (AT, 2010)

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: 753.5 MSC
Author: McSweeney, Terence
Source: US/UK
Place: London
Publisher: Wallflower Press published by Columbia University Press
PubDate: c2018
PhysDes: vii, 310 pages : illustrations ; 24 cm
Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9780231186254
Donation: Senses of Cinema
Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KISS ME AGAIN (IT/FR, Gabriele Muccino, 2010); BACIAMI ANCORA (IT/FR, Gabriele Muccino, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACK-UP PLAN, THE (US, Alan Poul, 2010)

Call No: TITLE CLIPPINGS FILE
Subject: BAD BEHAVIOUR (AT, Joseph Sims, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLAD OF DES AND MO, THE (AT, James Fair, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BARNEY'S VERSION (CN/IT, Richard J Lewis, 2010)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BE STILL LIFE (US, Michael Harrell & Phil Harrell, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL (AT, Genevieve Clay, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEBE(S) (FR, Thomas Balmes, 2010); BABIES (FR, Thomas Balmes, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEGINNERS (US, Mike Mills, 2010)
URL status: URL: 'http://file://Q:/T/BEGINNERS.zip' Checked: 31/08/2021 1:21:58 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEIJING TAXI (US, Miao Wang, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BELLE JOURNEE, LA (FR, Ginette Lavigne, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY'S END [BELLE VISITE, LA] (CN, Jean-Francois Caissy, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEN LEE: CATCH MY DISEASE (AT, Amiel Courtin-Wilson, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BENDA BILILI (FR, Renaud Barret/Florent de La Tullaye, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BENEATH HILL 60 (AT, Jeremy Sims, 2010)
ID2: 62

Call No: S BEN
Author: Roach, David
Edition: final shooting draft, with German translations
Place: AT
PubDate: c2010
PhysDes: 110 leaves
Subject: BENEATH HILL 60 (AT, Jeremy Sims, 2010)
Notes: Unpublished script -- Donated by AFI -- Final shooting draft -- Credit: director, Jeremy Sims ; producer, Bill Leimbach ; co-producers, David Roach & Jeremy Sims ; production company, The Silence Productions 2008-2010, Two Heads Media ; in association with Sceren NSW, Screen QLD, Lucky Country Productions and The Silence Productions, Intandem Films UK.

Call No: P BEN
Place: AT
PhysDes: 1 poster : col. ; 100 x 70 cm.
Subject: BENEATH HILL 60 (AT, Jeremy Sims, 2010)
Summary: Image: A group of muddy soldiers in WWI costume; above the horizon head shots of a woman and two men. Text: 'After Gallipoli there was still a war to be won.' Beneath the title: 'Based on an extraordinary true story'
Notes: Double-sided, image mirrored on verso
ID2: 44

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BEWARE THE GONZO (US, Bryan Goluboff, 2010)
Cross Reference: BEWARE THE GONZO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BILL CUNNINGHAM NEW YORK (US/FR, Richard Press, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIUTIFUL (MX/SP, Alejandro Inarritu, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK SWAN (US, Darren Aronofsky, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESSED MARY: A SAINT FOR ALL AUSTRALIANS (AT, Serge Ou, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUE VALENTINE (US, Derek Cianfrance, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOARDWALK EMPIRE [TV] (US, 2010-?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOK OF ELI, THE (US, Albert Hughes/Allen Hughes, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOUNTY HUNTER, THE (US, Andy Tennant, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: A BOUT PORTANT (FR, Fred Cavaye, 2010); POINT BLANK (FR, Fred Cavaye, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOXING FOR PALM ISLAND (AT, Adrian Wills, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY (NZ, Taika Waititi, 2010)

Call No: TITLE CLIPPINGS FILE; RAISING HOPE [TV] (US, 2010-14)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: RAISING HOPE [TV] (US, 2010-14)
Summary: Review of TV comedy series Raising Hope

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIAN ENO: ANOTHER GREEN WORLD (UK, Nicola Roberts, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRING 'EM BACK (AT, Phillip Donnellon, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRING ME THE HEAD OF RAFAELLO CARBONI! (AT, Simon Strong, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURIED (SP, Rodrigo Cortes, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURKE AND HARE (UK, John Landis, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)

Call No: S BUT
Author: Clay, Alan
Source: NZ
Place: New Zealand
PubDate: 2009
PhysDes: 88 pages, 30cm
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)
Notes: Unpublished script Based on the novel "Dance Sisters" by Alan Clay

Call No: P BUT
Place: New Zealand
PubDate: 2010?
PhysDes: 5 posters : colour ; 60 x 84 cm
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)
Summary: Image: Top third of poster is a photo of two female singers. The rest of the poster shows various photos of the cast. Text: "A modern love story set against the backdrop of the Sydney music industry, where the villains are members of a Kings Cross cult, into astrology and vrtual dreaming." Text: "music, cute boys and a whole lotta intrigue - Girlfriend magazine" Text: "On the brink of fame, a song and dance duos' chance of succes is in jeopardy, when one joins the Dreamguides cult and her friend mus risk everything to rescue her."
Notes: Five copies.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAIRO 678 (UA, Mohamed Diab, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARLOS (FR/G, Olivier Assayas, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Press kit
Subject: CATFISH (US, Ariel Schulman/Henry Joost, 2010)
ID2: 62
URL status: URL: 'http://file://Q:/T/CATFISH.zip' Checked: 31/08/2021 1:21:13 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUGHT INSIDE (US, Adam Blaiklock, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAVE OF FORGOTTEN DREAMS (CN/US/FR/G/UK, Werner Herzog, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CEMETERY JUNCTION (UK, Ricky Gervais & Stephen Merchant, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Press kit
Subject: CENTURION (UK, Neil Marshall, 2010)
ID2: 62
URL status: URL: 'http://file://Q:/T/CENTURION.zip' Checked: 31/08/2021 1:20:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHEAP THRILLS [TV] (AT, 2010)

Call No: 81 NOL MOO
Author: Mooney, Darren
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc., Publishers
PubDate: 2018
PhysDes: v, 212 pages ; 26 cm.
Subject: NOLAN, CHRISTOPHER; FOLLOWING (UK, Christopher Nolan, 1998); MEMENTO (US, Christopher Nolan, 2000); INSOMNIA (US, Christopher Nolan, 2002); BATMAN BEGINS (US, Christopher Nolan, 2005); PRESTIGE, THE (US/UK, Christopher Nolan, 2006); DARK KNIGHT, THE (US, Christopher Nolan, 2008); INCEPTION (US, Christopher Nolan, 2010); DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012); INTERSTELLAR (US, Christopher Nolan, 2014); DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017)
Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"
Notes: Includes bibliographical references and index
ISBN: 9781476674803
Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRONICLES OF NARNIA, THE: THE VOYAGE OF THE DAWN TREADER (AT, Michael Apted, 2010)

Call No: 63 CIN
Author: Bruhn, Jorgen; Gjelsvik, Anne
Edition: 2018
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2018
PhysDes: vi, 154 pages : illustrated ; 24 cm
Subject: CITIZEN KANE (US, Orson Welles, 1941); BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) (US, Alejandro G. Inarritu, 2014); LOUDER THAN BOMBS (NO/FR/US/DK, Joachim Trier, 2015); MARIA LARSSON'S EVIGA OGONBLICK (SW, Jan Troell, 2008); HOWL (US, Rob Epstein/Jeffrey Friedman, 2010); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012); CHASING ICE (US, Jeff Orlowski, 2012); ICE AND THE SKY [GLACE ET LE CIEL, LA] (FR, Luc Jacquet, 2015)
Summary: Cinema has always been a mixed medium, sharing its basic form with photography, borrowing heavily from performing arts and the novel, and combining medialities like painting and music. But although it could be argued that cinema is the intermedial art form par excellence, this insight has not affected film analysis as much as might be expected. Seeking to change our perceptions of cinema as a medium, Cinema Between Media draws on case studies of films like Zero Dark Thirty, Citizen Kane, Howl and Birdman to rethink cinema as an aesthetic form, and to raise new ideas about the practice of film analysis. -- publisher's web site
ISBN: 9781474429023
Contents: Preface -- Chapter 1: Introduction Cinema Between Media -- Chapter 2: Media behind the Scene: Orson Welles’s Citizen Kane -- Chapter 3: Cinematic Theatre: Alejandro G. Inárritu’s Birdman -- Chapter 4: A Novelist on Film? Joachim Trier’s Louder Than Bombs -- Chapter 5: Between Cinema and Photography: Jan Troell’s Eternal Moments -- Chapter 6: Mixing senses and media: Epstein and Friedman’s Howl. -- Chapter 7: Surveilling Media: Kathryn Bigelow’s Zero Dark Thirty. -- Chapter 8: Cinematic representations of a "super wicked problem": climate change in documentary film (Ice and the Sky and Chasing Ice) -- Chapter 9: Conclusion -- List of illustrations -- Film references -- Bibliography -- Index

Call No: 409 SIN
Author: Sinnerbrink, Robert
Source: UK/US
Place: London ; New York
Publisher: Routledge
PubDate: 2016
PhysDes: xiii, 216 pages ; 24 cm
Subject: ETHICS IN FILMS; ETHICS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; THEORY; STELLA DALLAS (US, King Vidor, 1937); TALK TO HER (SP, Pedro Almodovar, 2002) SEE HABLE CON ELLA; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); BIUTIFUL (MX/SP, Alejandro Inarritu, 2010)
Summary: " How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Can movies 'do ethics'? Cinema Ethics : Exploring Ethical Experiences through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional engagement and philosophical thinking. In a clear and engaging manner, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. " -- BOOK BLURB
Notes: Includes bibliographical references, index and filmography
ISBN: 9781138826168
Contents: -- list of figures -- preface -- overview of this book -- part I --Cinema and/as ethics -- 1: Cinematic ethics: Film as a medium of ethical experience -- part II -- Philosophical approaches to cinematic ethics -- 2: From scepticism to moral perfectionism (Cavell) -- 3: From cinematic belief to ethics and politics (Deleuze) -- 4: Cinempathy: phenomenology, cognitivism, and moving images -- part III Performing cinematic ethics -- 5: The moral melodrama (Stella Dallas, Talk to Her) -- 6: Melodrama, realism, and ethical experience (Biutiful, The Promise) -- 7.Gangster film: Cinematic ethics in The Act of Killing -- conclusion -- appendix 1 -- appendix 2 -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIRCLE, THE [TV] (AT, 2010 - 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIVIC LIFE (UK, Christine Molloy/Joe Lawlor, 2003-2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASH OF THE TITANS (UK/US, Louis Leterrier, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOCK , THE (UK, Christian Marclay, 2010)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: CLUSTER (NE/US/UK, Zachary M. Newmark, 2010)
Cross Reference: CLUSTER

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

Call No: TITLE CLIPPINGS FILE; GRUEN NATION [TV] (AT, 2010)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GRUEN TRANSFER, THE [TV] (AT, 2008); GRUEN NATION [TV] (AT, 2010)
Summary: Article discusses the return of the 'Gruen transfer' program (in a new incarnation) 'Gruen s7'

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPANY MEN, THE (UK/US, John Wells, 2010)

Call No: TITLE CLIPPINGS FILE; OFFSPRING [TV](AT, 2010)
Author: Dennehy, Luke -- Epstein, Jackie -- Te Koha, Nui
PhysDes: Clippings File Article
Subject: LE NEVEZ, MATTHEW; OFFSPRING [TV] (AT, 2010)
Summary: Report on Matthew Le Nevez reappearing on the TV drama OFFSPRING after his character died in the previous season

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONVICTION (US, Tony Goldwyn, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COOL IT (US, Ondi Timoner, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COP OUT (US, Kevin Smith, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COPIE CONFORME (FR/IT/IR, Abbas Kiarostami, 2010); CERTIFIED COPY (FR/IT/IR, Abbas Kiarostami, 2010)

Call No: TITLE CLIPPINGS FILE
Subject: COPS LAC [TV] (AT, 2010)

Call No: 722-053.2(94) POT
Author: Potter, Anna
Edition: 2015
Place: Bristol ; Chicago
Publisher: Intellect
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: CHILDREN, PROGRAMMES FOR. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012); AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; BRITISH BROADCASTING CORPORATION; IRWIN, BINDI; DANCE ACADEMY [TV] (AT, 2010); DISNEY CHANNEL; GURLS WURLD, A [TV](AT/G/SI, 2011); H [TWO OH] 2O [TV] (AT, 2006-); HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007); MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ); MY PLACE [TV] (AT, Kim Daiton, 2009); SCREEN AUSTRALIA
Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web site
ISBN: 9781783204410
Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE CRIME (FR, Alain Corneau, 2010); CRIME D'AMOUR (FR, Alain Corneau, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROOK (II, Mohit Suri, 2010); CROOK: IT'S GOOD TO BE BAD (II, Mohit Suri, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CYBER SIN (AT, Matt Inglis, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCE ACADEMY [TV] (AT, 2010)

Call No: N79 BUT CLA
Author: Clay, Alan
Source: AT
Place: [Surry Hills, N.S.W.]
Publisher: Artmedia
PubDate: 1997
PhysDes: 294 pages ; 20 cm
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)
Summary: "A female song and dance trio threatens to self-destruct on the brink of fame, when its leader becomes involved with a manipulative cult, touting sex, astrology and virtual dreaming" -Book blurb
ISBN: 0646302671

Call No: TITLE CLIPPINGS FILE; DANCE ACADEMY: THE MOVIE (AT/GG, Jeffrey Walker, 2017)
Author: Bungard, Matt
PhysDes: Clippings File Article
Subject: DANCE ACADEMY: THE MOVIE (AT/GG, Jeffrey Walker, 2017); DANCE ACADEMY [TV] (AT, 2010)
Summary: Intervciews with various cast members of the film DANCE ACADEMY: THE MOVIE, as well as reports on the impact of the DANCE ACADEMY tv series has had on dance schools in Australia

Author: Cole, Anna
PhysDes: Article
Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA; AUSTRALIA; DANCING WITH THE PRIME MINISTER (AT, Lara Cole, 2010)
Summary: This article reflects on the process of making a preview for a proposed one-hour documentary film about the first national Aboriginal debutante ball, held to celebrate the 1967 referendum. Forty years after the event, an indigenous and non-indigenous cast and crew explore the memories and life stories of those women who debuted in front of the prime minister of Australia in 1968. In doing so the film, and the making of it, moves from the genocidal fantasy of extermination masquerading as assimilation, into the heart of the complexities of survival and identity in contemporary Australia.--Abstract

Call No: 81 ARO SKO
Author: Skorin-Kapov, Jadranka
Edition: 2016
Place: London; New York
Publisher: Bloomsbury
PubDate: 2016
PhysDes: xxxii, 184 p. : illus. ; 24 cm
Subject: ARONOFSKY, DARREN; PI (US, Darren Aronosky, 1998); REQUIEM FOR A DREAM (US, Darren Aronofsky, 2000); FOUNTAIN, THE (US, Darren Aronofsky, 2006); WRESTLER, THE (US, Darren Aronofsky, 2008); BLACK SWAN (US, Darren Aronofsky, 2010); NOAH (US, Darren Aronofsky, 2014)
Summary: Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.
ISBN: 9781501306976
Contents: Introduction 1. Pi: Is Mathematics “the Language of Nature”? 2. Requiem for a Dream: Addiction and Broken Dreams 3. The Fountain: Death and the Authenticity of Existence 4. The Wrestler: Melodrama and the Gift of Death 5. Black Swan: Limit Experience and Artistic Perfection 6. Noah: Responsibility, Love, and the Moment of Choice 7. Aronofsky's Themes and Auteur's Signature Appendix: Conversation with Aronofsky Notes Bibliography Index Reviews
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=4000419' Checked: 31/08/2021 1:48:10 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DATE NIGHT (US, Shawn Levy, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY AT THE OASIS, A (AT, Tim Lethbridge, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DCI BANKS [TV] (UK, 2010-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAR JOHN (US, Lasse Hallstrom, 2010)

Call No: S DEB
Author: Vaughn, Matthew; Goldman, Jane; Straughan, Peter
Edition: Final shooting script
Place: US
PubDate: [2009]
PhysDes: 59 leaves
Subject: DEBT, THE (US, John Madden, 2010)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEBT, THE (US, John Madden, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEPER THAN YESTERDAY (AT, Ariel Kleiman, 2010)

Author: Windon, Stephen
PhysDes: Article
Subject: STAR TREK: BEYOND (US, Justin Lin, 2016; WINDON, STEPHEN; FURIOUS 7 (JA/US, James Wan, 2015); PACIFIC, THE [TV] (US, Jeremy Podeswa, 2010)
Summary: Cinematographer Stephen Windon ACS ASC talks about working on Star Trek: Beyond directed by Justin Lin. He talks about working on a large budget film and working with CGI and special effects. He also talks in brief about working on the TV series The Pacific and th film Furious 7.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DESPICABLE ME (US, Pierre Coffin/Chris Renaud, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEUX DE LA VAGUE (FR, Emmanuel Laurent, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL (US, John Erick Dowdle, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DI RENJIE (CC/HK, Hark Tsui, 2010); DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (CC/HK, Hark Tsui, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIARY OF A WIMPY KID (US, Thor Freudenthal, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DINNER FOR SCHMUCKS (US, Jay Roach, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DISAPPEARANCE OF ALICE CREED, THE (UK, J Blakeson, 2010)

Call No: 747.77 DOC
Author: Brylla, Catalin; Hughes, Helen
Source: UK
Place: London
Publisher: Palgrave Macmilan
PubDate: 2017
PhysDes: xv, 300 pages : colour illustrations ; 22 cm
Subject: AESTHETICS; PEOPLE WITH DISABILITIES IN FILMS; PEOPLE WITH DISABILITIES IN FILMS; PEOPLE WITH DISABILITIES, FILMS FOR; PEOPLE WITH DISABILITIES AND THE CINEMA; ORCHIDS (AT, Phoebe Hart, 2010)
Summary: This edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies. Documentary film has not only played an historical role in the social construction of disability but continues to be a strong force for expression, inclusion and activism. Offering essays on the interpretation and conception of a wide variety of documentary formats, Documentary and Disability reveals a rich set of resources on subjects as diverse as Thomas Quasthoff’s opera performances, Tourette syndrome in the developing world, queer approaches to sexual functionality, Channel 4 disability sports broadcasting, the political meaning of cochlear implant activation, and Christoph’s Schlingensief’s celebrated Freakstars 3000. -- publisher's website
Notes: Includes bibliographies, filmographies and index
ISBN: 9781137598936
Contents: Introduction: The Bricolage of Documentary and Disability / Catalin Brylla and Helen Hughes -- Part One: Film Practice -- Not Without Us - Collaborating Across Difference in Documentary Filmmaking / Samuel Avery -- Visual Psychological Anthropology and the Lived Experience of Disability / Annie Tucker and Robert Lemelson-- Valorising Disability on Screen: When did 'Inspirational' Become a Dirty Word? / Veronica Wain -- Spectatorship and Alternative Portrayals of Blindness / Catalin Brylla -- Aberrancy and Autobiographical Documentary / Phoebe Hart -- Part Two: Representation -- Thomas Quasthoff and the Performativity of Disability in Michael Harder's The Dreamer / Anna Drum and Martin Brady -- Rethinking Ability and Disability in the Work of Johan van der Keuken / Hing Tsang -- (Dis)abling the Spectator: Embodying Disability Experience in Animated Documentary / Slava Greenberg -- The Poetics of Touch: Mediating the Reality of Deafblindness in Planet of Snail / Anne-Marie Callus -- Sexual Dissidence and Crip Empowerment in Yes, We Fuck! / Andrea Garcia-Santesmases -- Part Three: Identity, Participation and Exhibition -- Accessing Alternative Ethical Maps of Interdepenent Living in Global Disability Documentary / David T. Mitchell and Sharon L. Snyder -- Interface Productions and Disability Programming for Channel 4: 1984 - 1986 / Tony Steyger and Jamie Clarke -- Disability and the Para-TV Communities of Reality Television / Anita Biressi -- Singing Altogether Now: Unsettling Images of Disability and Experimental Filmic Practices / Robert Stock -- To Document is to Preserve: Moving Pictures and Sign Language / Magdalena Zdrodowska -- Documenting Neuropolitics: Cochlear Implant Activation Videos / Beate Ochsner -- On Andrew Koetting's Mapping Perception / Helen Hughes.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWNTON ABBEY [TV] (UK, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRUM, THE [TV] (AT, 2010-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUE DATE (US, Todd Phillips, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUNNO Y NO JAANE KYUN (II, Anil Sharma, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EASY A (US, Will Gluck, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EASY RIDER: THE RIDE BACK (US, Dustin Rikert, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EAT PRAY LOVE (US, Ryan Murphy, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ECLIPSE (US, David Slade, 2010); TWILIGHT SAGA: ECLIPSE (US, David Slade, 2010); ECLIPSE: TWILIGHT 3 (US, David Slade, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDGE OF DARKNESS (UK/US, Martin Campbell, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMILY (AT, Benjamin Mathews, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMOTIFS ANONYMES, LES (FR/BE, Jean Pierre Ameris, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EU CAND VREAU SA FLUIER, FLUIER (RM/SW, Florin Serban, 2010); IF I WANT TO WHISTLE, I WHISTLE (RM/SW, Florin Serban, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXIT THROUGH THE GIFT SHOP (US/UK, Banksy, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXPORTING RAYMOND (US/RU, Philip Rosenthal, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE TO FACE (AT, Michael Rymer, 2010)

Call No: P FAC
Place: AT
PubDate: 2010
PhysDes: 1 poster : col. ; 100 X 69 cm
Subject: FACE TO FACE (AT, Michael Rymer, 2010)
Summary: Image: Headshots of characters with blue backgrounds placed around the edges of poster. Poster background colour is white. Film title at the centre of the poster. Text: 'Scratch beneath the surface'; 'From Australia's top dramatist David Williamson and the director of Angel Baby Michael Rymer'; '"An amazing piece of cinema... rivieting, thought-provoking. transformative" Michael Moore'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAIR GAME (US, Doug Liman, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAMILY, A [FAMILIE, EN] (DK, Pernille Fischer Christensen, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAMILY CONFIDENTIAL [TV] (AT, 2010-2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FASTER (US, George A. Tillman, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: DVD
Subject: FAT SICK AND NEARLY DEAD (AT, Joe Cross, Kurt Engfehr, 2010)
Notes: Simon Strong import 14_Oct2019

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIGHTER, THE (US, David O Russell, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FILM SOCIALISME (SZ/FR, Jean -Luc Godard, 2010)

Call No: 10268
Author: Quinlivan, Davina
Edition: 2015
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PhysDes: x, 188 p. : illus. ; 22 cm
Subject: PSYCHOLOGY AND THE CINEMA; WALTZ WITH BASHIR (IS/G/FR, Ari Forman, 2008); ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009); FELICIA'S JOURNEY (UK/CN, Atom Egoyan, 1999); TREE OF LIFE, THE (US, Terrence Malick, 2011); HERE (US, Braden King, 2011); BEGINNERS (US, Mike Mills, 2010); HUNGER (UK, Steve McQueen, 2008); CRONENBERG, DAVID
Notes: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. -- publisher's blurb
ISBN: 9781137361363

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FINDING MY MAGIC [TV] (AT, Matt McCullough, 2010)

Call No: 71(943) CRA
Author: Craven, Allison
Source: UK/US
Place: London ; New York
Publisher: Anthem Press
PubDate: 2016
PhysDes: xii, 158 pages ; 24 cm
Series: Anthem studies in Australian literature and culture
Subject: QUEENSLAND; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND; LANDSCAPES IN FILMS. AUSTRALIA; ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; SEA IN FILMS; IRISHMAN, THE (AT, Don Crombie, 1978); JEDDA (AT, Charles Chauvel, 1955); AGE OF CONSENT (AT, Michael Powell, 1969); NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008); UNINHABITED (AT, Bill Bennett, 2010); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PETER PAN (US, P.J. Hogan, 2003); REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005); STRAITS, THE [TV] (AT, 2012-); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); MYSTERY ROAD (AT Ivan Sen, 2013)
Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destination
ISBN: 9781783085491
Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRE IN BABYLON (UK, Stevan Riley, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST GRADER, THE (UK/US/KE, Justin Chadwick, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST LOVE (AT/US, Claire Gorman, 2010)

Call No: TITLE CLIPPINGS FILE; GRAND DESIGNS AUSTRALIA [TV] (AT, 2010)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GRAND DESIGNS AUSTRALIA [TV] (AT, 2010)
Summary: Review

Call No: TITLE CLIPPINGS FILE; RAKE [TV](AT, 2010)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: ROXBURGH, RICHARD; RAKE [TV](AT, 2010)
Summary: Positive review of the upcoming season of the Australian TV show RAKE, with many plaudits given to the show's star Richard Roxburgh as well as co-stars John Waters, Damien Garvey and credit to witter Andrew Knight and director Peter Duncan

Call No: TITLE CLIPPINGS FILE; DCI BANKS[TV] (UK, 2010-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: CRIME DRAMAS; DCI BANKS [TV] (UK, 2010-)
Summary: Review of the UK crime show DCI BANKS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORCE OF NATURE: THE DAVID SUZUKI MOVIE (CN, Sturla Gunnarsson, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR] 4 LIONS (UK, Christopher Morris, 2010)

Call No: 753.81 FRA
Author: Fleury, James; Hartzheim, Bryan Hikari; Mamber, Stephen
Edition: 2020
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: xvi, 320 pages : illustrated
Subject: FRANCHISES; ALIEN [...] (UK/US, 1979-92); CRITTERS (US, Stephen Herek, 1986); DISNEY; VIDEO GAMES; STAR WARS [...] (US, 1977-2015); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010); TELEVISION; MOBILE AND ONLINE MEDIA; VIRTUAL REALITY
Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms. Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web site
ISBN: 9781474477741
Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANK AND JERRY (AT, Nick McGee, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHEN WE LEAVE [ FREMDE, DIE] (GG, Feo Aladag, 2010)

Call No: TITLE CLIPPINGS FILE
Subject: FRESH SKIN LIKE A BABY (AT, Mike Parr, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRESHWATER BLUE [TV] (AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM PARIS WITH LOVE (FR, Pierre Morel, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GASLAND (US, Josh Fox, 2010)
ID2: 62

Call No: 465(94) GEN
Author: Taylor, Anthea; McIntyre, Joanna
Edition: 2021
Place: Oxon
Publisher: Routledge
PubDate: 2021
PhysDes: 236 pages ; 24 cm
Subject: GENDER AND THE CINEMA. AUSTRALIA; HARRIS, ROLF; CROWE, RUSSELL; GADSBY, HANNAH; SPICER, TRACEY; CARLOTTA; SZUBANSKI, MAGDA; KEDDIE, ASHER; OFFSPRING [TV] (AT, 2010); ME TOO
Summary: This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations. Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption. This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies. -- publisher's web site
ISBN: 9781138366220
Contents: Introduction: ‘Gendering Australian celebrity’, Anthea Taylor and Joanna McIntyre Part I - Celebrity masculinities and settler colonialism -- Chapter One: ‘From mild colonial boy to Jake the Paed: Rolf Harris and Australian celebrity masculinity in the UK’, Tanya Serisier -- Chapter Two: ‘The manly whiteness of Russell Crowe’, Sean Redmond -- Chapter Three: ‘Johnathan Thurston, Indigeneity, and technologies of masculinity in Australian sporting celebrity culture’, Holly Randell-Moon Part II - Feminist politics and celebrity feminisms -- Chapter Four: ‘Celebritised anger: Theorising feminist rage, voice, and affective injustice through Hannah Gadsby’s Nanette’, Jilly Kay Boyce -- Chapter Five: ‘Clementine Ford, online misogyny, and the labour of celebrity feminism’, Anita Brady -- Chapter Six: "Good" girl turned "bad": Tracey Spicer’s memoir, celebrity feminist journalism, and #MeToo activism in Australia’, Anthea Taylor Part III - Queer celebrity and marginalised subjectivities -- Chapter Seven: ‘Interviewing a queer national celebrity: Carlotta as an "outsider within" Australian celebrity culture’, Joanna McIntyre -- Chapter Eight: ‘"It was nice for me watching that, because [Magda Szubanski] was very calming": LGBTIQ+ Australians respond to marriage equality activism’, Lucy Watson Part IV - Self-presentation and celebrity femininities -- Chapter Nine: ‘"I can call myself Australian if I want to": Natalie Tran and Asian Australian femininity on YouTube’, Sara Tomkins -- Chapter Ten: ‘Disarming femininity: Annabel Crabb, celebrity, politics and culture’, Frances Bonner -- Chapter Eleven: ‘"Australian TV’s golden girl": Asher Keddie, Offspring, and the celebrity motherhood narrative’, Renee Middlemost

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET HIM TO THE GREEK (US, Nicholas Stoller, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET OUT OF THE CAR (US, Thom Andersen, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GHOST WRITER, THE (FR/GG/UK, Roman Polanski, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLADES, THE [TV](US, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING THE DISTANCE (US, Nanette Burstein, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRAND DESIGNS AUSTRALIA [TV] (AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010)

Call No: TITLE CLIPPINGS FILE
Subject: GREENBERG (AT, Noah Baumbach, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010)
URL status: URL: 'http://file://Q:/T/GRIFF_THE_INVISIBLE.zip' Checked: 31/08/2021 1:20:36 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S GRI
Author: Ford, Leon
Edition: Draft 7.1
Place: AT
PubDate: 2009 Sept.
PhysDes: 98 leaves
Subject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010)
Summary: "Griff, office worker by day, superhero by night, has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible." - from the official website
Notes: Unpublished script -- Copyright Everyday Pictures 2008 -- Developed with the assistance of Screen Australia through The Indivision Script Lab 2008 -- Director: Leon Ford -- Producer: Nicole O'Donohue -- Executive producers: Scott Meek and Jan Chapman
Donation: Australian Film Institute

Call No: P GRI
PubDate: c2010
PhysDes: 1 poster : col. ; 98 x 70 cm
Subject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010)
Summary: [Image: A man in a hat and yellow trenchcoat casting the shadow of a superhero figure, to the right a woman watches him. Text: 'Love is the greatest superpower']

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWN UPS (US, Dennis Dugan, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRUEN NATION [TV] (AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUEST (SP, José Luis Guerín, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUILTY PLEASURES (UK, Julie Moggan, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: HAEVNEN (DK/SW, Susanne Bier, 2010)
Cross Reference: IN A BETTER WORLD (DK/SW, Susanne Bier, 2010) SEE HAEVNEN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HANYO (KO, Im Sang-soo, 2010); HOUSEMAID, THE (KO, Im Sang-soo, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY FEW (FR, Antony Cordier, 2010)

Call No: 465.29 HAR
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2019
PhysDes: 235 pages : illustrations ; 25 cm.
Series: Fan phenomena
Subject: FANS; HARRY POTTER AND THE CHAMBER OF SECRETS (US/UK, Chris Columbus, 2002); HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 (UK/US, David Yates, 2010); HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (UK/US, David Yates, 2011); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HARRY POTTER AND THE PHILOSOPHER'S STONE [HARRY POTTER] (UK/US, Chris Columbus, 2001); HARRY POTTER AND THE PRISONER OF AZKABAN (US, Alfonso Cuaron, 2004)
ISBN: 9781789380705
Contents: Introduction -- The Wizarding World of Harry Potter: Bringing the Books to Life, Erin Pyne -- Surveying Fanworks: Art, Dance, Fic, Music and Community, Madeline Wilson -- Aya Esther Hayashi, A. J. Holmes -- Lisa Gomez, Justin Zagri -- Valerie Estelle Frankel, Matt Maggiacomo -- Valerie Estelle Frankel, Ariel Birdoff -- Polyjuice and Potterheads: The Changing Face of Fandom from LiveJournal to Tumblr, Emily E. Roach -- The Magic of Video Game Adaptation: The Admirer Becomes the Caster in Harry Potter and the Philosopher's Stone/Sorceror's Stone, Cesar Alfonso Marino -- The Wizarding World of D&D: The Art of Roleplaying in the Potterverse, S. Evan Kreider -- Tommy Taylor Reveals Harry's True Power: Stories and Fans Can Reshape Our World, Joel Hawkes -- Buffy, Hamilton and Jon Snow Go to Hogwarts: Literary Affordance and the Hogwarts Houses as Interpretative Framework and Rhetorical Tool, Jessica Hautsch -- Harry's Magical Move to Broadway, Valerie Guempel -- Tuesdays with Malfoy: The Pain of Sharing Fandoms -- Recharming the Fans? The Expanded Works and Why They Don't Hold Up, Valerie Estelle Frankel

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 (UK/US, David Yates, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUTUMN [HARUD] (II, Aamir Bashir, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAWAII FIVE-O [TV] (US, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAWKE [TV] (AT, Emma Freeman, 2010)

Call No: 737(73) GIL
Author: Gilman, Owen W.
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2018
PhysDes: x, 252 pages ; 24 cm
Subject: WAR AND THE CINEMA; WAR AND THE CINEMA. USA; WAR FILMS. USA; WAR IN FILMS. AFGHANISTAN; WAR IN FILMS. IRAQ; AMERICAN SNIPER (US, Clint Eastwood, 2014); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVATAR (US, James Cameron, 2009); BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016); BODY OF LIES (US, Ridley Scott, 2008); BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007); DA VINCI CODE, THE (US, Ron Howard, 2006); DEER HUNTER, THE (US, Michael Cimino, 1978); [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016); FAHRENHEIT 9/11 (US, Michael Moore, 2004); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GRACE IS GONE (US, James C. Strouse, 2007); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); JARHEAD (US, Sam Mendes, 2005); INFERNO (US/JA/TU/HU, Ron Howard, 2016); MULAN (US, Barry Cook & Tony Bancroft, 1998); REDACTED (US, Brian De Palma, 2007); UP (US, Pete Docter and Bob Peterson, 2009); WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Notes: Includes bibliographical references and index.
ISBN: 9781496815767
Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEREAFTER (US, Clint Eastwood, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIPPIE HIPPIE SHAKE (FR/US/UK, Beeban Kidron, 2010)

Call No: TITLE CLIPPINGS FILE; SHERLOCK [TV] (UK, 2010-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: SHERLOCK [TV] (UK, 2010-)
Summary: Review of the new season of SHERLOCK, with a focus on the episode The Reichenbach Fall

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOME BY CHRISTMAS (NZ, Gaylene Preston, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DES HOMMES ET DES DIEUX (FR, Xavier Beauvois, 2010); OF GODS AND MEN (FR, Xavier Beauvois, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HORS-LA-LOI (FR/AE/BE, Rachid Bouchareb, 2010); OUTSIDE THE LAW (FR/AE/BE, Rachid Bouchareb, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW NOT TO GET A GIRL (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW NOT TO GET A GIRL (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)

Author: Rennie, Sebastian
PhysDes: Article
Subject: HOW TO MAKE IT IN AMERICA [TV] (US, 2010-2011)
Summary: An article about the HBO series How To Make It in America

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010)
ID2: 236

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOWL (US, Rob Epstein/Jeffrey Friedman, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN RESOURCES MANAGER, THE (IS/G/FR, Eran Riklis, 2010)

Call No: 732(5-011) HUM
Author: Revi, Gayatri (ed.); Rahman, Najat (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2014
PhysDes: 282 pages ; 23 cm
Series: Contemporary approaches to film and media
Subject: AFGHANISTAN; ARAB COUNTRIES; AUDIENCE RECEPTION; BOLLYWOOD; CENSORSHIP; COMEDIES. MIDDLE EASTERN COUNTRIES; CULTURAL IMPERIALISM. US; EGYPT; HUMOUR IN FILMS; INDIA; IRAN; IRAQ; ISRAEL; IRONY IN FILMS; NATIONAL CULTURE AND THE CINEMA; PALESTINE; POLITICAL FILMS; ETHNIC GROUPS IN FILMS; SATIRE IN FILMS; TYPE CHARACTERS IN FILMS; PAKISTAN; CHAHINE, YOUSSEF; DHOUIB, MONCEF; KIAROSTAMI, ABBAS; ZARHIN, SHEMI; AMERIKALI (TU, Serif Gören, 1993); BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999); DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); TELE ARRIVE, LA (TI, Moncef Dhouib, 2006); TERE BIN LADEN (II, Abhishek Sharma, 2010); TV IS COMING, THE (TI, Moncef Dhouib, 2006)
Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKS
Notes: Contains bibliography and filmography -- contains index -- contains list of contributors
ISBN: 9780814339374
Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M STILL HERE (US, Casey Affleck, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ILLUSIONISTE, L' (UK/FR, Sylvain Chomet, 2010)

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INCENDIES (CN/FR, Denis Villeneuve, 2010)
URL status: URL: 'http://file://Q:/T/INCENDIES.zip' Checked: 31/08/2021 1:23:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INCEPTION (US, Christopher Nolan, 2010)
URL status: URL: 'http://file://Q:/T/INCEPTION.zip' Checked: 31/08/2021 1:20:33 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79 INC CAR
Author: Carter, David
Edition: 2019
Place: Leighton Buzzard
Publisher: Auteur
PubDate: 2019
PhysDes: 106 pages : illustrated ; 20 cm
Series: Constellations
Subject: INCEPTION (US, Christopher Nolan, 2010)
Summary: Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. It is science fiction, but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his wife. In addition, it plays with time, questioning the certainty of consciously experienced real time, and revealing that the personal experience of the passing of time is variable. The film also explores the nature of the mind and how dreams are related to the conscious and unconscious mind. David Carter's contribution to the Constellation series covers all of these facets of a complex yet highly successful film, as well as considering it in the context of the director's other work. -- publisher's web site
ISBN: 9781911325055
Donation: Senses of Cinema

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. AUSTRALIA. 2010

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE JOB (US, Charles Ferguson, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDIOUS (US, James Wan, 2010)

Call No: 203 FIN
Author: Finney, Angus
Edition: Second edition
Source: UK/US
Place: Abingdon, Oxon -- New York
Publisher: Routledge
PubDate: 2015
PhysDes: xiv, 287 pages ; 25 cm
Subject: INDUSTRY, FILM; PRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; FINANCING; COPRODUCTION; REDBUS GROUP; RENAISSANCE FILMS; ZENTROPA [company]; ARTS ALLIANCE MEDIA; FILM DEPARTMENT, THE; PIXAR; BARKER, MICHAEL; PHAROAH, ASHLEY; RECKONING, THE (UK/SP, Paul McGuigan, 2002); OPAL DREAM (AT, Peter Cattaneo, 2005); KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010); CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002); MOTHER, THE (UK, Roger Michell, 2003); BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011); CLOVERFIELD (US, Matt Reeves, 2008); VAPOR [Neil LaBute - not made]; GOOD OMENS [Terry Gilliam - not made]
Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect
Notes: Includes bibliographical references (pages 272-275) and index
Contents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IRON MAN 2 (US, Jon Favreau, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT'S A TREAT (AT, Luke Mayze, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT'S KIND OF A FUNNY STORY (US, Ryan Fleck/Anna Boden, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JACKASS 3D (US, Jeff Tremaine, 2010)

Call No: 81 SVA JOH
Author: Johnson, Keith Leslie, 1974-, (author)
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2017
PhysDes: xii, 191 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: SVANKMAJER, JAN; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994); CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996); SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010); LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964); ET CETERA (CS, Jan Svankmajer, 1967); OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970); HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967); PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969); DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983); DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991); ANIMATION
Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURB
Notes: Includes bibliographical references (pages 177-185) and index. Includes filmography.
ISBN: 9780252083020
Donation: Senses of Cinema
Contents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIANYU (C, Chao-Pin Su, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOAN RIVERS: A PIECE OF WORK (US, Ricki Stern & Anne Sundberg, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOFFA: THE MOVIE (AT, Chris Liontos, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUNIOR MASTERCHEF [TV] (AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUSTIFIED [TV] (US, 2010-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KABOOM (US/FR, Gregg Araki, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KADOMA (US, Ben Stookesberry, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAK YA PROVYOL ETIM LETOM (RU, Aleksei Popogrebsky, 2010); HOW I ENDED THIS SUMMER (RU, Aleksei Popogrebsky, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KANDAGAR (RU, Andrei Kavun, 2010); KANDAHAR (RU, Andrei Kavun, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KARATE KID, THE (C/US, Harold Zwart, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KARI-GURASHI NO ARIETTI (JA, Hiromasa Yonebayashi/Gary Rydstrom, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEP SURFING (G, Bjorn Richie Lob, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KICK-ASS (US/UK, Matthew Vaughn, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010)
ID2: 62

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: KIDS ARE ALRIGHT, THE (US/FR, Lisa Cholodenko, 2010)
Cross Reference: KIDS ARE ALRIGHT, THE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILLER INSIDE ME, THE (2010) (US, Michael Winterbottom, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILLERS ( US, Robert Luketic, 2010)

Call No: S KIL
Author: Grant, Shaun; Gudgeon, Mac
Edition: Blue amendments
Place: AT
PubDate: 2010 May 12
PhysDes: 47 leaves
Subject: KILLING TIME [TV] (AT, 2010)
Summary: "A 10-part crime drama following the story of Andrew Fraser's rise from small time lawyer to successfully defending the most infamous criminals this country has ever seen, and then his ultimate downfall and imprisonment for five years in maximum security. His clients included Dennis Allen, Jimmy Krakouer, Alan Bond and those accused of the Walsh Street murders. At the top of his game, Fraser commanded a huge salary and lived the dream. But when his cocaine addiction spiralled into a thousand dollar-a-day habit, he lost everything and his life became intertwiined with villains, larrikins and soldiers of justice. He was disbarred, discredited, broken financially and his marriage was destroyed. Caged amongst serial killers and psychopaths, Fraser is forced to reflect on where it all went so wrong, and try to salvage his shattered reputation." - from the Australian Television Information Archive
Notes: Unpublished script -- Copyright 2010 FremantleMedia Australia Pty Ltd
Donation: Australian Film Institute

Call No: S KIL
Author: David, Ian
Edition: Green amendments
Place: AT
PubDate: 2010 May 7
PhysDes: 53 leaves
Subject: KILLING TIME [TV] (AT, 2010)
Summary: "A 10-part crime drama following the story of Andrew Fraser's rise from small time lawyer to successfully defending the most infamous criminals this country has ever seen, and then his ultimate downfall and imprisonment for five years in maximum security. His clients included Dennis Allen, Jimmy Krakouer, Alan Bond and those accused of the Walsh Street murders. At the top of his game, Fraser commanded a huge salary and lived the dream. But when his cocaine addiction spiralled into a thousand dollar-a-day habit, he lost everything and his life became intertwiined with villains, larrikins and soldiers of justice. He was disbarred, discredited, broken financially and his marriage was destroyed. Caged amongst serial killers and psychopaths, Fraser is forced to reflect on where it all went so wrong, and try to salvage his shattered reputation." - from the Australian Television Information Archive
Notes: Unpublished script -- copyright 2010 FremantleMedia Australia Pty Ltd
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILLING TIME [TV] (AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KINGS OF MYKONOS, THE ( AT/GR, Peter Andrikidis, 2010)

Call No: P KIN
Place: AT
PhysDes: 1 poster : col. ; 100 x 70 cm.
Subject: KINGS OF MYKONOS, THE ( AT/GR, Peter Andrikidis, 2010)
Summary: Image: two men in studied casual dress infront of the sea. There is a Greek town in the background. Text: 'It's a wog's life!'
Notes: Double-sided, image mirrored on verso.
ID2: 44

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KONGEN AV BASTOY [KING OF DEVIL'S ISLAND] (NO/FR/SW/PL, Marius Holst, 2010)

Call No: P KON
PubDate: 2010
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: KONGEN AV BASTOY [KING OF DEVIL'S ISLAND] (NO/FR/SW/PL, Marius Holst, 2010)
Summary: Text: 'Escape is the only option'. Text: 'Based on an extraordinary true story'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: L.A. ZOMBIE (US/G, Bruce La Bruce, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST AIRBENDER, THE (US, M. Night Shyamalan, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST EXORCISM, THE (US/FR, Daniel Stamm, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST NIGHT (US/FR,Massy Tadjedin, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST SONG, THE [TV] (US, Julie Anne Robinson, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAP YEAR (MX, Michael Rowe, 2010)

Call No: 737.66 (94) (=1-81) DUT
Author: Dutto, Matteo
Edition: 2019
Place: Oxford
Publisher: Peter Lang
PubDate: 2019
PhysDes: x, 244 pages : illustrated ; 23cm
Series: Australian studies: interdisciplinary perspectives
Subject: ABORIGINAL AUSTRALIAN CINEMA; INDIGENOUS; FIRST AUSTRALIANS, THE [TV] (AT, Beck Cole, Rachel Perkins, 2008); PEMULWUY: A WAR OF TWO LAWS (AT, Grant Leigh Saunders, 2010); JANDAMARRA'S WAR (AT, Mitch Torres, 2011); KEEPERS OF THE STORY: JANDAMARRA (AT, Mitch Torres, 2010); CONFESSIONS OF A HEADHUNTER (AT, Sally Riley, 2000); YAGAN (AT, Kelrick Martin, 2013)
Summary: This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance. -- publisher's web site
ISBN: 9781788745413
Contents: Contents -- Acknowledgements -- Introduction Story One Pemulwuy -- Chapter 1 Pemulwuy as a pan-Aboriginal hero -- Chapter 2 Legacies of resistance in Rachel Perkins’ First Australians and Grant Leigh Saunders’ Pemulwuy: A War of Two Laws Story Two Jandamarra -- Chapter 3 The three lives of Jandamarra: Archivists, copycats and custodians -- Chapter 4 Performing resistance -- Chapter 5 “Keeping story alive”: Screening the voice of Bunuba Country in Mitch Torres’ Jandamarra’s War and Keepers of the Story Story Three Yagan -- Chapter 6 Defacing colonial sovereignty in Sally Riley’s Confessions of a Headhunter -- Chapter 7 Breaching into the settler colonial city: Re-enacting crosshatch history in Kelrick Martin’s Yagan -- Conclusion Reflections from Yagan Square -- Bibliography -- Index

Call No: S LEG
Author: Orloff, John; Stern, Emil
Edition: Final
Place: US/AT
PubDate: 2010 Jun. 23
PhysDes: 103 leaves
Subject: LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE (AT/US, Zack Snyder, 2010)
Summary: "Acclaimed filmmaker Zack Snyder makes his animation debut with the family fantasy adventure "Legends of the Guardians: The Owls of Ga'Hoole" based on the beloved Guardians of Ga'Hoole books by Kathryn Lasky. The film follows Soren, a young owl enthralled by his father's epic stories of the Guardians of Ga' Hoole, a mythic band of winged warriors who had fought a great battle to save all of owlkind from the evil Pure Ones. While Soren dreams of someday joining his heroes, his older brother, Kludd, scoffs at the notion, and yearns to hunt, fly and steal his father's favor from his younger sibling. But Kludd's jealousy has terrible consequences - causing both owlets to fall from their treetop home and right into the talons of the Pure Ones. Now it is up to Soren to make a daring escape with the help of other brave young owls. Together they soar across the sea and through the mist to find the Great Tree, home of the legendary Guardians - Soren's only hope of defeating the pure ones and saving the owl kingdom." - from Warner Bros official website
Notes: Unpublished script -- Copyright Warner Bros. 2010 -- Based on the novels entitled 'Guardians of Ga'Hoole' by Kathryn Lasky
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE (AT/US, Zack Snyder, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEGION (US, Scott Charles Stewart, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET ME IN (UK/US, Matt Reeves, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET ME IN (UK/US, Matt Reeves, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LETTERS TO JULIET (US, Gary Winick, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AS WE KNOW IT (US, Greg Berlanti, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE SPARROWS (AT, Yu-Hsiu Camille Chen, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOONG BOONMEE RALEUK CHAT (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOPE [OUTLAW] (SP/BL/FR, Andrucha Waddington, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOU (AT, Belinda Chayko, 2010)

Call No: S LOU
Author: Chayko, Belinda
Edition: shooting script
Place: AT
PubDate: c2009
PhysDes: 86 leaves
Subject: LOU (AT, Belinda Chayko, 2010)
Notes: Unpublished script -- Donated by AFI -- Credit: director, Belinda Chayko ; producers, Helen Bowden, Tony Ayres, Michael McMahon ; production company Big and Little Films Pty Ltd.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOUIE [TV] (US, 2010 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE AND OTHER DRUGS (US, Edward Zwick, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE, LUST AND LIES (AT, Gillian Armstrong, 2010)

Call No: S LOW
Author: Brotchie, Amanda; Hellier, Trudy; Zwar, Adam
Edition: shooting script September 30 2011
Place: AT
PubDate: c2010
PhysDes: 37 leaves
Subject: LOWDOWN [TV](AT, 2010)
Notes: Unpublished script --Donated by AFI -- Shooting script September 30 2011 -- Credit: script editor, Andrew Knight ; production company, High Wire Films Pty Ltd ; developed with the assistance of the Australian Broadcasting Corporation and with the assistance of Film Victoria.

Call No: S LOW
Author: Brotchie, Amanda; Zwar, Adam
Edition: yellow amendments September 30 2011
Place: AT
PubDate: c2010
PhysDes: 39 leaves
Subject: LOWDOWN [TV](AT, 2010)
Notes: Unpublished script -- Donated by AFI -- Yellow amendments September 30 2011 -- Credit: script editor, Andrew Knight ; production company, High Wire Films Pty Ltd ; developed with the assistance of the Australian Broadcasting Corporation and with the assistance of Film Victoria.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOWDOWN [TV] (AT, 2010-)

Call No: TITLE CLIPPINGS FILE
Subject: MACHETE (US, Ethan maniquis/Robert Rodriguez, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MACHETE MAIDENS UNLEASHED (AT/PH, Mark Hartley, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAD BASTARDS (AT, Brendan Fletcher, 2010)
URL status: URL: 'http://file://Q:/T/MAD_BASTARDS.zip' Checked: 31/08/2021 1:21:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S MAD
Place: AT
PubDate: [2010]
PhysDes: 61 leaves
Subject: MAD BASTARDS (AT, Brendan Fletcher, 2010)
Summary: TJ's quest to find the son he's never known, takes him on a journey across the remote and stunning Kimberley landscape. On the road, TJ questions his life of violence... he meets a host of amazing characters who open up a way of life infused with music and hunting and community (IMDB)
Notes: Unpublished script
Donation: AACTA

Call No: P MAD
PubDate: 2011
PhysDes: 1 poster : col. ; 100 cm x 70 cm
Subject: MAD BASTARDS (AT, Brendan Fletcher, 2010)
Summary: Image: A man and boy lying on parched earth, looking at the sky. Text: 'Because some things really matter'
Notes: Two copies held

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADE IN DAGENHAM (UK, Nigel Cole, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAKING SAMSON AND DELILAH (AT, Beck Cole, 2010)

Call No: 744(4) BRE
Author: Breger, Claudia
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2020
PhysDes: 8 unumbered pages, 336 pages : illustrations ; 23 cm
Subject: WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009); BIUTIFUL (MX/SP, Alejandro Inarritu, 2010); EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007); JODAEIYA NADER AZ SIMIN (IR, Asghar Farhadi, 2011); HAVRE, LE (FI/FR/GG, Aki Kaurismäki, 2011); MIES VAILLA MENNEISYYTTA (FI/GG/FR, Aki Kaurismaki, 2002); OTHER SIDE OF HOPE, THE [TOIVON TUOLLA PUOLEN] (GG/FI, Aki Kaurismäki , 2017); VIE DE BOHEME, LA (FI/FR, Aki Kaurismaki, 1992); AESTHETICS; AUDIENCES; BRECHT, BERTHOLD; DELEUZE, GILLES; EUROPEAN COUNTRIES; FASSBINDER, RAINER WERNER; GODARD, JEAN-LUC; IMMIGRATION IN FILMS AND TELEVISION; REFUGEES
Summary: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akin’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred -- publisher's website
Notes: Includes bibliographical references (page 293-324) and index.
ISBN: 9780231194198
Contents: Affects in Configuration: Controversy and Conviviality in Fatih Akin's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akin's The Cut and Ari Kaurisma¨ki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue: Reconfiguring Resistance.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARMADUKE (US, Tom Dey, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARRIAGE OF FIGARO, THE (AT, Neil Armfield, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARRIAGE REF, THE [TV] (US, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARS (US, Geoff Marslett, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARWENCOL (US, Jeff Malmberg, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MATCHING JACK ( AT, Nadia Tass, 2010)

Call No: S MAT
Author: Renew, Lynne; Parker, David
Edition: shooting script
Place: AT
PubDate: [2009]
PhysDes: 105 leaves
Subject: MATCHING JACK ( AT, Nadia Tass, 2010)
Notes: Unpublished script -- Donated by AFI -- Shooting script.

Call No: P MAT
Place: AT
PhysDes: 1 Poster : col. ; 100 x 70 cm
Subject: MATCHING JACK ( AT, Nadia Tass, 2010)
Summary: Image: Divided into sections, the upper right shows a woman's face, beneath that a man and boy walking along a [European] street at night, and at lower left a portrait of the boy. Text: 'How far would you go for love?'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ME AND MY MONSTERS [TV](UK/AT, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEGAMIND (US, Tom McGrath, 2010)

Call No: 403(73) MIL
Place: Jefferson, North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 2014
PhysDes: viii, 207 pages ; 23 cm
Subject: HOMOSEXUALITY AND TV. USA; GLEE [TV] (US, Ryan Murphy, 2009); [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013); SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013); PRETTY LITTLE LIARS [TV] (US, 2010-2017); [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017); MINDY PROJECT, THE [TV] (US, 2012-2017)
Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back cover
Notes: Includes bibliographical references and index
ISBN: 9780786478804
Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIRACLE CURE? A DECADE OF THE HUMAN GENOME [TV] (UK, Dan Walker, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISTERIOS DE LISBOA (PO/FR, Raul Ruiz, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOLOCH TROPICAL (FR/HT, Raoul Peck, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONSTERS (UK, Gareth Evans, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MORNING GLORY (US, Roger Michell, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTHER AND CHILD (US/SP, Rodrigo Garcia, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTHER FISH (AT, Khoa Do, 2010)

Call No: S MOT
Author: Do, Khoa
Edition: shooting draft 10th November 2008
Place: AT
PubDate: c2008
PhysDes: 83 leaves
Subject: MOTHER FISH (AT, Khoa Do, 2010)
Notes: Unpublished script -- Donated by AFI -- production company, Imaginefly Pty Ltd.

Call No: P MOT
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm
Subject: MOTHER FISH (AT, Khoa Do, 2010)
Summary: Image: A girl lies on the shore. "Mother Fish" is written in the sand. Text: Two sisters brave the ocean to find a safe home. Quote: "Behind every headline, every policy and every queue... is a human face" Khan Do Filmmaker
Notes: Five copies held. Creases.
ID2: 337

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTHER OF ROCK (AT, Paul Clarke, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSE OF FIRE (UK, Dan Poole/Giles Terrera, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY KITCHEN RULES [TV] (AT, 2010- )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY NAME IS KHAN (II, Karan Johar, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MYSTERY OF FLYING KICKS, THE (AT, Matthew Bate, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NANNERL, LA SOEUR DE MOZART (FR, Rene Feret, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEADEKVATNYE LYUDI (RU, Roman Karimov, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEEDLE (AT, John V Soto, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NENETTE (FR, Serge Lalou, 2010)

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIA
Author: Kalina, Paul
PhysDes: Clippings File Article
Subject: INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; LICENCES. AUSTRALIA; ROXBURGH, RICHARD; VIDEO ON DEMAND; OFFSPRING [TV] (AT, 2010)
Summary: Snippets on news in the Australian television industry. Stories include: muted reaction from Australian commercial TV broadcasters to the 25 percent cut to their broadcasting licence fee; Richard Roxburgh to author and illustrate a children's book; anticipation for the new season of OFFSPRING; Australian Productivity Commission making recommendations to the Copyright Act to allow Australian consumers to use VPN's to avoid geoblocking of TV streaming providers such as Netflix

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIA
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: INDUSTRY, TELEVISION. AUSTRALIA; SEVEN NETWORK; GENDER MATTERS; LECKIE, DAVID; MENDELSOHN, BEN; BLOODLINE [TV](US, 2015-); SUNDAY NIGHT [TV] (AT, Mark Llewellyn, 2010)
Summary: Review of TV news for the week including: David Leckie leaving Seven Network; Ben Mendelsohn returning for 3rd series of Netflix's BLOODLINE as well as the ROGUE ONE Star Wars film; Hamish Thomson to be Executive Producer of current affairs show SUNDAY NIGHT; list of new TV projects funded from the Screen Australia Gender Matters initiative

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEVER LET ME GO (UK/US, Mark Romanek, 2010)

Author: Turk, Rachael; Edwards, John
PhysDes: Article
Subject: EDWARDS, JOHN; RUSH [TV] (AT, 2008-); SECRET LIFE OF US, THE [TV] (AT, Lynn-Maree Danzey, 2000-); TANGLE [TV] (AT, 2009); SPIRITED [TV] (AT, 2010)
Summary: Interview with TV producer John Edwards about his career, early experiences writing and his views on successful screen writing

Call No: 760-032 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham [North Carolina]
Publisher: Duke University Press
PubDate: 2013
PhysDes: xxx, 322 pages : illustrations ; 24 cm
Subject: AESTHETICS; BISEXUALITY AND THE CINEMA; DOCUMENTARIES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SAN FRANCISCO IN FILMS; SEXUALITY AND THE CINEMA; SEX IN FILMS; THEORY; CHEANG, SHU-LEA; CONDON, BILL; DEITCH, DONNA; DUNYE, CHERYL; FASSBINDER, RAINER WERNER; JARMAN, DEREK; LEE, ANG; RIPSTEIN, ARTURO; TECHINE, ANDRE; VACHON, CHRISTINE; VAN SANT, GUS; WONG KAR WAI; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BOYS DON'T CRY (US, Kimberly Peirce, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); GO FISH (US, Rose Troche, 1994); KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010); MILK (US, Gus Van Sant, 2008); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); TARNATION (US, Jonathan Caouette, 2003); TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984); WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996)
Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURB
Notes: Includes bibliographic references and index -- includes filmography
ISBN: 9780822354284
ID2: 291

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE: TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407