Don’t Look Back

Listed below are some of the records in the AFI Research Collection library catalogue about the film Don’t Look Back.

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Search Term: Don’t Look Back
Records returned: 6 records returned (some records removed from this screen)

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Article Title: LEONARD COHEN AND BOB DYLAN : behind the frames / De Young, Robert.
JOURNAL TITLE: Metro. Issue NO. 121/122
ISSUE DATE: 2000
PAGE NO(S): 86-90, 92-94
RECORD TYPE Journal article
SUBJECT: 1. DOCUMENTARY FILMS. 2. COHEN, LEONARD. 3. DYLAN, BOB. 4. DON’T LOOK BACK (US, D.A. Pennebaker, 1967). 5. LADIES AND GENTLEMEN, MR LEONARD COHEN (CN, Donald Brittain, 1965)

SUMMARY: Article maps some of the ways in which Leonard Cohen and Bob Dylan have been represented, and have intervened in the process of their own representation, in documentary films.


Clippings File: DON’T LOOK BACK : (US, D.A. Pennebaker, 1967)
SUBJECT: 1. DON’T LOOK BACK (US, D.A. Pennebaker, 1967)
CALL NO: TITLE CLIPPINGS FILE


Book title: NONFICTION FILM : a critical history / Barsam, Richard Meran. — London: Allen and Unwin, 1974.
CALL NO: 761 BAR

PHYSICAL DESCRIPTION: xix, 332 p. : ill., ports. ; 22 cm RECORD TYPE Book

SUBJECT: 1. NON-FICTION FILMS. 2. DOCUMENTARY FILMS. 3. CINEMA-DIRECT. 4. PROPAGANDA FILMS. 5. WAR FILMS. 6. ANDERSON, LINDSAY. 7. CAPRA, FRANK. 8. CAVALCANTI, ALBERTO. 9. VAN DONGEN, HELEN. 10. DOVZENKO, ALEKSANDR. 11. FLAHERTY, ROBERT. 12. GRIERSON, JOHN. 13. HUSTON, JOHN. 14. IVENS, JORIS. 15. JENNINGS, HUMPHREY. 16. KING, ALLAN. 17. LEACOCK, RICHARD. 18. LYE, LEN. 19. MAYSLES, ALBERT & DAVID. 20. PENNEBAKER, D. A.. 21. REISZ, KAREL. 22. RIEFENSTAHL, LENI. 23. ROTHA, PAUL. 24. RUTTMAN, WALTER. 25. STORCK, HENRI. 26. VAN DYKE, WILLARD. 27. VERTOV, DZIGA. 28. WADLEIGH, MICHAEL. 29. WATT, HARRY. 30. WISEMAN, FREDERICK. 31. WRIGHT, BASIL. 32. BOND, RALPH. 33. ANSTEY, EDGAR. 34. LORENTZ, PARE. 35. HAMMID, ALEXANDER. 36. ROGOSIN, LIONEL. 37. STEINER, RALPH. 38. ELTON, ARTHUR. 39. JACOBY, IRVING. 40. LAND, THE (US, Robert Flaherty, 1942). 41. FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940). 42. MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937). 43. ALL OF MY BABIES : A MIDWIFE’S OWN STORY (US, George Stoney, 1952). 44. BATTLE OF RUSSIA, THE (US, Frank Capra, 1944). 45. LET THERE BE LIGHT (US, John Huston, 1946). 46. DON’T LOOK BACK (US, D.A. Pennebaker, 1967)

SUMMARY: “Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and ‘actuality’ films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today.” — BOOK BLURB

NOTES: Originally published: New York : Dutton, 1973. Bibl.: p.317-321. – List of films: p.299-316. – Index.

ISBN: 0047910313 (Pbk) : ª1.95 0047910305


Book title: DOCUMENTARY SCREENS : non-fiction film and television / Beattie, Keith. — Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
CALL NO: 761 BEA

PHYSICAL DESCRIPTION: 276 p ; 21cm RECORD TYPE Book

SUBJECT: 1. DOCUMENTARY FILMS. 2. DOCUMENTARY DRAMAS. 3. AUSTRALIAN ABORIGINES IN FILM. 4. IMPERIALISM AND THE CINEMA. 5. CINEMA VERITE. 6. CINEMA-DIRECT. 7. JOURNALISTS, FILM. 8. POPULAR CULTURE AND TV. 9. REALITY TV. 10. TABLOID JOURNALISM. 11. POPULAR CULTURE AND THE CINEMA. 12. AUSTRALIAN BROADCASTING CORPORATION. 13. BRITISH BROADCASTING CORPORATION. 14. COLUMBIA BROADCASTING SYSTEM. 15. NATIONAL FILM BOARD OF CANADA. 16. NATIONAL INDIGENOUS DOCUMENTARY FUND. 17. NBC TELEVISION NETWORK. 18. PUBLIC BROADCASTING SERVICE. 19. NETWORK TEN. 20. VIDEODISCS. 21. GRANADA. 22. IMAX. 23. INDEPENDENT TELEVISION COMMISSION. 24. INTERACTIVE TV. 25. MUSIC TELEVISION. 26. TELEVISION JOURNALISTS. 27. BUERK, MICHEAL. 28. CAVADINI, ALESSANDRO. 29. DE ANTONIO, EMILE. 30. DREW, ROBERT. 31. DYLAN, BOB. 32. FLAHERTY, ROBERT. 33. Grierson, John. 34. LEACOCK, RICHARD. 35. LORENTZ, PARE. 36. MAYSLES, ALBERT. 37. MAYSLES, DAVID. 38. MCELWEE, ROSS. 39. MOORE, MICHAEL. 40. MORIN, EDGAR. 41. O’ROURKE, DENNIS. 42. PENNEBAKER, D. A.. 43. PILGER, JOHN. 44. ROUCH, JEAN. 45. RUTTMAN, WALTER. 46. TAJIRI, REA. 47. VERTOV, DZIGA. 48. ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982). 49. CHEQUER-BOARD [TV] (AT, 1969-1975). 50. FOUR CORNERS [TV] (AT, 1961-). 51. BRONENOSETS POTEMKIN (UR, Sergei Eisenstein, 1925). 52. BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927). 53. BIG BROTHER [TV] (AT, 2001). 54. BIGGIE AND TUPAC (US, Nick Broomfield, 2001). 55. BILL, THE [TV] (UK, 1984-). 56. BIRTH OF A NATION, THE (US, David Wark Griffith, 1915). 57. BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002). 58. BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999). 59. CAMBODIA: YEAR ZERO (AT, John Pilger, 1989). 60. CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987). 61. CANNIBAL TOURS (AT, Dennis O’ Rourke, 1987). 62. CATHY COME HOME (UK, Ken Loach, 1966). 63. CHRONIQUE D’ UN ETE (FR, Jean Rouch & Edgar Morin, 1961). 64. COPS AND ROBBERSONS (US, Michael Ritchie, 1994). 65. CROCODILE DUNDEE (AT, Peter Faiman, 1986). 66. CUNNAMULLA (AT, Dennis O’Rourke, 2000). 67. DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980). 68. DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983). 69. DON’T LOOK BACK (US, D.A. Pennebaker, 1967). 70. GOOD WOMAN OF BANGKOK, THE (AT, Dennis O’Rourke, 1991). 71. LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980). 72. MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997). 73. CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929). 74. MONTEREY POP (US, D. A. Pennebaker, 1968). 75. NANOOK OF THE NORTH (US, Robert Flaherty, 1922). 76. POLICE STATE (AT, Chris Noonan, 1989). 77. SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993). 78. WALKING WITH DINOSAURS[TV] (UK, 1999). 79. WAR GAME, THE (UK, Peter Watkins, 1966)

SUMMARY: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].

ISBN: 033374117X


Book title: DOCUMENTARY FILM CLASSICS / Rothman, William. — Cambridge, Eng. New York: Cambridge University Press, 1997. ID 2231
CALL NO: 761 ROT

PHYSICAL DESCRIPTION: xv, 218 p. : ill. ; 24 cm RECORD TYPE Book

SUBJECT: 1. DOCUMENTARY FILMS. 2. CINEMA VERITE. 3. NON-FICTION FILMS. 4. BUNUEL, LUIS. 5. LEACOCK, RICHARD. 6. RESNAIS, ALAIN. 7. ROUCH, JEAN. 8. NANOOK OF THE NORTH (US, Robert Flaherty, 1922). 9. HURDES, LAS (SP, Luis Bunuel, 1933). 10. NUIT ET BROUILLARD (FR, Alain Resnais, 1955). 11. NIGHT AND FOG (FR, Alain Resnais, 1995). 12. CHRONIQUE D’ UN ETE (FR, Jean Rouch/Edgar Morin, 1961). 13. HAPPY MOTHER’S DAY, A (US, Joyce Chopra/Richard Leacock, 1963). 14. DONT LOOK BACK (US, D.A. Pennebaker, 1967). 15. LAND WITHOUT BREAD (SP, Luis Bunuel, 1933)

SUMMARY: “Documentary Film Classics” offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother’s Day, and Don’t Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the ‘texts’ of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses.” — BOOK COVER

NOTES: Includes bibliographical references (p. 211-213) and index.

ISBN: 0521456819 (pbk) 0521450675 (hbk)


Book title: CINEMA VERITE IN AMERICA : studies in uncontrolled documentary / Mamber, Stephen. — Cambridge, Mass. MIT Press, [1974]
CALL NO: 761.2(73) MAM

PHYSICAL DESCRIPTION: vi, 288 p. : ill. ; 23 cm RECORD TYPE Book

SUBJECT: 1. CINEMA VERITE. 2. CINEMA-DIRECT. 3. BRANDO, MARLON. 4. DREW, ROBERT. 5. LEACOCK, RICHARD. 6. MAYSLES, ALBERT & DAVID. 7. PENNEBAKER, D. A.. 8. WISEMAN, FREDERICK. 9. FLAHERTY, ROBERT. 10. FONDA, JANE. 11. VERTOV, DZIGA. 12. ZAVATTINI, CESARE. 13. ROUQUIER, GEORGES. 14. RENOIR, JEAN. 15. KRACAUER, SIEGFRIED. 16. CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963). 17. DON’T LOOK BACK (US, D.A. Pennebaker, 1967). 18. HAPPY MOTHER’S DAY, A (US, Joyce Chopra/Richard Leacock, 1963). 19. HIGH SCHOOL (US, Frederick Wiseman, 1969). 20. JANE (US, D.A. Pennebaker, 1962). 21. MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966). 22. SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)

SUMMARY: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. “The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker’s approach are also discussed.

NOTES: Bibliography: p. [276]-283.

ISBN: 0262130920

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